Sgt. Bilko is in charge of the Motor Pool at an Army base. He's also a good-natured con man, providing gambling facilities for the soldiers on base. When an old enemy from his past shows up... See full summary »
Peter Sanderson is a divorced, straight-laced, uptight attorney who still loves his ex-wife and can't figure out what he did wrong to make her leave him. However, Peter's trying to move on, and he's smitten with a brainy, bombshell barrister he's been chatting with online. However, when she comes to his house for their first face-to-face, she isn't refined, isn't Ivy League, and isn't even a lawyer. Instead, it's Charlene, a prison escapee who's proclaiming her innocence and wants Peter to help her clear her name. But Peter wants nothing to do with her, prompting the loud and shocking Charlene to turn Peter's perfectly ordered life upside down, jeopardizing his effort to get back with his wife and won a billion dollar client. Written by
Sujit R. Varma
The german title of the movie would translate to "house over the head". See more »
After Peter tries to lock Charlene outside of the house when he first meets her, he tackles her and then throws her in the bushes. After telling the noisy neighbor that everything is fine, Peter starts walking her back inside. From the shot outside the house, Peter has nothing in his hands. But when they step inside, he magically has one of her shoes in his hand and he sets it on the table. See more »
OK, so the white-yuppie-and-black-ghetto-person-joining-up idea has been used a number of times in movies, but the dialog between Steve Martin and Queen Latifah makes this one worthwhile. Probably the best scenes are Betty White's nasty comments, Queen Latifah teaching Missi Pyle a lesson, Steve Martin dressed - and attempting to talk - like a rapper (especially because of what Joan Plowright ends up doing in that scene), and of course, Eugene Levy's statements ending with "Boo". "Bringing Down the House" really does bring down the house. Completely silly, but fun nevertheless.
Who ever would have imagined Joan Plowright (aka Laurence Olivier's widow) doing what she did and saying what she said in the rapper scene?
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