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Bringing Down the House (2003)

PG-13 | | Comedy | 7 March 2003 (USA)
When a lonely guy meets a woman on the internet who happens to be in prison, she breaks out to get him to prove her innocence, and proceeds to wreak havoc on his middle-class life.

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4 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Widow
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Ed Tobias
Aengus James ...
Mike
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Widow's Bodyguard
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Widow's Bodyguard
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Storyline

Peter Sanderson is a divorced, straight-laced, uptight attorney who still loves his ex-wife and can't figure out what he did wrong to make her leave him. However, Peter's trying to move on, and he's smitten with a brainy, bombshell barrister he's been chatting with online. However, when she comes to his house for their first face-to-face, she isn't refined, isn't Ivy League, and isn't even a lawyer. Instead, it's Charlene, a prison escapee who's proclaiming her innocence and wants Peter to help her clear her name. But Peter wants nothing to do with her, prompting the loud and shocking Charlene to turn Peter's perfectly ordered life upside down, jeopardizing his effort to get back with his wife and won a billion dollar client. Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

Everything he needed to know about life, she learned in prison. See more »

Genres:

Comedy

Motion Picture Rating (MPAA)

Rated PG-13 for language, sexual humor and drug material | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

7 March 2003 (USA)  »

Also Known As:

In the Houze  »

Filming Locations:

 »

Box Office

Budget:

$33,000,000 (estimated)

Opening Weekend:

$31,101,026 (USA) (7 March 2003)

Gross:

$132,541,238 (USA) (25 July 2003)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to the commentary, the house that Kate lives in is actually the same house from "Father of the Bride. See more »

Goofs

At the end of the film, Charlene is in the new office with Howie and closes the blind. In the next shot, a long shot from a helicopter, the blind is clearly open. See more »

Quotes

Mike: [Charlene's hanging Mike by his feet off the top of a house after finding out he got rough with Sarah to have sex with her] Please don't kill me! Oh God! Pull me up!
Charlene Morton: Yo Sarah! Mike has something he wants to say,
[to Mike]
Charlene Morton: say sorry!
Mike: I'm sorry!
Charlene Morton: Say sorry!
Mike: [louder] I'm sorry!
Charlene Morton: Say no means no!
Mike: No means no!
See more »

Crazy Credits

Thanks to residents of McCadden Place. See more »

Connections

References Bulworth (1998) See more »

Soundtracks

Way of Life
Written by Franne Golde (as F. Golde), Dennis Lambert (as D. Lambert), Duane Hitchings (as D. Hitchings),
Lil' Wayne (as D. Carter), Mannie Fresh and TQ (as T. Quiates)
Performed by Lil' Wayne featuring Big Tymers and TQ
Courtesy of Cash Money Records
Under license from Universal Music Enterprises
Contains a sample from "Don't Look Any Further"
Performed by Dennis Edwards
Courtesy of Motown Records
Under license from Universal Music Enterprises
See more »

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User Reviews

 
You got me straight-trippin' Steve!
13 June 2003 | by (London, England) – See all my reviews

The arguments and opinions of many a film fan and film critic persist about Steve Martin's current position in Hollywood. Many of his doubters believe he is past it, his films becoming horribly run of the mill, turgid and, ultimately, unfunny. The opinions are jointly contributing to the downfall of a once treasured idol. But some have stood by him, myself included, through the thick black cloud that have rested over the white-haired maestro during the last few years of his illustrious career. And with his latest return to our screens, he's back to prove once and for all, that the wild and crazy guy is here to stay.

The film sees Martin as lawyer Peter Sanderson, recent divorcee and top-dog at his law firm, who now at the age of god-only-knows, decides to ditch his now "whack" existence, and goes 'net surfing for the perfect woman. He apparently strikes gold with a sex, slim blonde laywer he meets in a chat-room. But he is taken by surprise when his date arrives in the sexy, big-boned, brassy form of escaped convict Charlene (Queen Latifah). Entering his life with a strut that would make Oprah blush, Charlene attempts to convince Peter to re-open her case and help her clear her name. That's not before turning his life upside-down, and posing as his kids' nanny tries to help Peter reclaim that what he so dearly yearns for, his family and wife. How, ahem, sweet. And with all the tomfoolery that ensues comes a girl-on-girl "bitch-slapping" session between Charlene and Peter's sister-in-law, a drunken night of dancing and sexual awakening (believe me boys, you've never seen it this way before), and gangster parties louder than Martin's legendary bonnet.

Standing up to its title, "House" really is a treat. Martin, although not in full-on "wild and crazy guy" mode, is on typically top, crowd-pleasing form. His portrayal as the life-searching, middle-aged, toffee-nosed twit is inspired, managing to mix the side-splittingly funny with the touching and poignant to brilliant effect, recalling such affecting form he showed in "Parenthood" and "Bowfinger". Latifah, meanwhile, shows that she has the potential for greatness. her larger-than-life performance is uproarious, bringing charisma and buoyancy to a largely one-dimensional character. She is also quiet the vixen too. The support from Eugene Levy is also first-class. Playing Peter's best mate, who is "straight trippin'" over Charlene, Levy steals practically every scene he appears in, with his dead-pan humour and flawless timing providing the some of the films most painfully funny scenes.

The overall quality of the film is pretty standard stuff. The plot is nothing we haven't seen a thousand times before. The writer and director, while both efficient, don't really add anything fresh and exciting to the buddy comedy genre here. That said, when the films funny, it's an absolute hoot, with the cast stealing the show with marvellous chemistry, and giving us three of best comedic turns you're likely to see all year. Delightful **** (out of FIVE)


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