When a lonely guy meets a woman on the Internet who happens to be in prison, she breaks out to be with him, and proceeds to wreak havoc on his middle-class life.
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When a blonde sorority queen is dumped by her boyfriend, she decides to follow him to law school to get him back and, once there, learns she has more legal savvy than she ever imagined.
Director:
Robert Luketic
Stars:
Reese Witherspoon,
Luke Wilson,
Selma Blair
A young couple has a chance to move into a gorgeous duplex in the perfect New York neighborhood. All they have to do is bump off the current tenant, a cute little old lady.
A high school slacker who's rejected by every school he applies to opts to create his own institution of higher learning, the South Harmon Institute of Technology, on a rundown piece of property near his hometown.
A middle-aged husband's life changes dramatically when his wife asks him for a divorce. He seeks to rediscover his manhood with the help of a newfound friend, Jacob, learning to pick up girls at bars.
Peter Sanderson is a divorced, straight-laced, uptight attorney who still loves his ex-wife and can't figure out what he did wrong to make her leave him. However, Peter's trying to move on, and he's smitten with a brainy, bombshell barrister he's been chatting with online. However, when she comes to his house for their first face-to-face, she isn't refined, isn't Ivy League, and isn't even a lawyer. Instead, it's Charlene, a prison escapee who's proclaiming her innocence and wants Peter to help her clear her name. But Peter wants nothing to do with her, prompting the loud and shocking Charlene to turn Peter's perfectly ordered life upside down, jeopardizing his effort to get back with his wife and woo a billion dollar client. Written by
Sujit R. Varma
When Charlene is trying to teach Peter how to talk dirty, his shirt is tucked in. In the next shot, one side is untucked. See more »
Quotes
Peter Sanderson:
[nervously]
Don't you just love being our nanny, Charlene?
Charlene Morton:
[pauses]
[speaking in a fake Southern Accent]
Charlene Morton:
Yessir. I'm gonna go on down to de pool wit' de children. Make fun of de white folks again.
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OK, so the white-yuppie-and-black-ghetto-person-joining-up idea has been used a number of times in movies, but the dialog between Steve Martin and Queen Latifah makes this one worthwhile. Probably the best scenes are Betty White's nasty comments, Queen Latifah teaching Missi Pyle a lesson, Steve Martin dressed - and attempting to talk - like a rapper (especially because of what Joan Plowright ends up doing in that scene), and of course, Eugene Levy's statements ending with "Boo". "Bringing Down the House" really does bring down the house. Completely silly, but fun nevertheless.
Who ever would have imagined Joan Plowright (aka Laurence Olivier's widow) doing what she did and saying what she said in the rapper scene?
7 of 7 people found this review helpful.
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OK, so the white-yuppie-and-black-ghetto-person-joining-up idea has been used a number of times in movies, but the dialog between Steve Martin and Queen Latifah makes this one worthwhile. Probably the best scenes are Betty White's nasty comments, Queen Latifah teaching Missi Pyle a lesson, Steve Martin dressed - and attempting to talk - like a rapper (especially because of what Joan Plowright ends up doing in that scene), and of course, Eugene Levy's statements ending with "Boo". "Bringing Down the House" really does bring down the house. Completely silly, but fun nevertheless.
Who ever would have imagined Joan Plowright (aka Laurence Olivier's widow) doing what she did and saying what she said in the rapper scene?