|
| Blondel Aidoo | .... | executive visual effects producer: Asylum |
| Jance Allen | .... | digital compositor |
| Alfonso Alpuerto | .... | animator: SPI |
| Maura Alvarez | .... | rotoscope artist: SPI (as Maura N. Alvarez) |
| Grant Anderson | .... | technical director |
| Grant Anderson | .... | visual effects artist: color and lighting, SPI (as Grant Madden Anderson) |
| Jason Anderson | .... | high speed compositing coordinator: SPI |
| Kevin Baillie | .... | CG supervisor: The Orphanage |
| Joel Behrens | .... | animator: Asylum |
| Les Bernstien | .... | motion control operator |
| Scott Berri | .... | production assistant: Imageworks |
| David Bleich | .... | digital matte artist: SPI (as David R. Bleich) |
| David M. Blum | .... | high speed compositing artist: SPI |
| James Bluma | .... | assistant visual effects editor |
| Artaya Boonsoong | .... | visual effects artist: Luma Pictures |
| Christian Boudman | .... | high speed compositing artist: SPI |
| Todd Boyce | .... | effects animator: SPI |
| Suzy Brown | .... | texture painter: SPI |
| Shannan Burkley | .... | texture painter: Asylum |
| Daniela Calafatello | .... | lead cloth simulation artist: The Orphanage |
| Aimee Campbell | .... | senior matchmover: SPI (as Aimee L. Campbell) |
| Ozzie Carmona | .... | compositor: Pacific Title & Art Studio |
| Marla Carter Barrett | .... | Flame compositor: SPI (as Marla Carter) |
| Marla Carter Barrett | .... | high speed compositing artist: SPI (as Marla Carter) |
| Anthony Ceccomancini | .... | systems research engineer |
| S. 'Kiki' Chansamone | .... | high speed compositing artist: SPI (as Det Chansamone) |
| Steve Cho | .... | digital artist |
| Patrick Clancey | .... | digital opticals |
| Timothy Clark | .... | texture painter: Asylum (as Tim Clark) |
| Andrew Cochrane | .... | digital matte painter |
| Bill Coffin | .... | visual effects |
| Danielle Conroy | .... | digital production manager |
| Tim 'Timco' Conway | .... | compositor: CREO |
| Christian Cunningham | .... | technical director |
| Christian Cunningham | .... | visual effects artist: color and lighting, SPI |
| Andy Davis | .... | digital compositor: Creo |
| Matt Davis | .... | Spydercam rigger technician |
| Francisco De Jesus | .... | visual effects artist: color and lighting, SPI (as Francisco DeJesus) |
| Lisa Deaner | .... | Inferno artist |
| Lisa Deaner | .... | high speed compositing artist: SPI |
| Michael Degtjarewsky | .... | compositor: Pacific Title & Art Studio |
| Greg Derochie | .... | visual effects artist: color and lighting, SPI |
| Bill Diaz | .... | digital character animation specialist: SPI |
| Tony Diep | .... | high speed compositing artist: SPI |
| Roxanne Dorman | .... | assistant visual effects editor |
| Renato Dos Anjos | .... | animator: SPI |
| Tim Drnec | .... | Spydercam coordinator |
| Colin Drobnis | .... | visual effects artist: color and lighting, SPI (as Colin J. Drobnis) |
| Travis Dutch | .... | scanning and recording |
| Daniel Eaton | .... | senior CG supervisor: SPI |
| Brandon England | .... | scanning technician |
| Rob Engle | .... | sequence supervisor: dam, SPI |
| Felicia Faden | .... | texture painter: Asylum |
| Arin Finger | .... | visual effects coordinator: The Orphanage |
| Ruben Flores | .... | lead production services technician |
| Chris Flynn | .... | digital compositor: Pacific Title & Art Studio |
| Alyssa Fong | .... | visual effects |
| Doug Forrest | .... | high speed compositing artist: SPI (as Doug T. Forrest) |
| Crys Forsyth-Smith | .... | visual effects producer: SPI |
| Kevin Freeman | .... | technical animator: SPI |
| Jenny Fulle | .... | visual effects executive producer: SPI |
| Gregory Galliani | .... | senior modeler: SPI |
| Shannon Blake Gans | .... | visual effects executive producer: Hunter/Gratzner Industries Inc. |
| Joe Gareri | .... | executive producer: Pacific Title & Art Studio |
| Joshua Geisler-Amhowitz | .... | digital matte painter: SPI (as Joshua Geisler Amhowitz) |
| David 'Rudy' Grossman | .... | creature supervisor: The Orphanage (as Rudy Grossman) |
| Matthew Hackett | .... | animator: Asylum (as Matt Hackett) |
| Jonathan Harman | .... | digital artist: The Orphanage |
| Scott Harper | .... | visual effects |
| Anthony Harris | .... | digital color timer |
| Jordan Harris | .... | animator: SPI |
| Max Harris | .... | digital compositor: SPI |
| Maureen Healy | .... | compositor: Pacific Title & Art Studio |
| Michael Hemschoot | .... | animator: Asylum |
| Matthew Hendershot | .... | lead look developer: The Orphanage |
| Wensen Ho | .... | digital compositor: Creo Collective |
| Simon Holden | .... | digital compositor |
| Ivo Horvat | .... | lead matte painter: SPI |
| Justin Johnson | .... | visual effects artist: Luma Pictures |
| David Jones | .... | visual effects supervisor: Asylum |
| Brad Kalinoski | .... | compositor |
| Joanie Karnowski | .... | digital artist |
| Patrick Keenan | .... | digital artist: Pacific Title Digital |
| Stan Kellam | .... | compositor: Asylum |
| David Keslick | .... | scanning technician |
| Ntana Key | .... | digital intermediate paint artist |
| Lyoung Hui Kim | .... | visual effects artist |
| Marvin Kim | .... | lead modeler: SPI |
| Kevin Kitchel | .... | senior PST |
| J.W. Kompare | .... | digital intermediate editor |
| Susan Kornfeld | .... | texture painter: SPI (as Susan M. Kornfeld) |
| Stephen Kowalski | .... | senior systems engineer |
| Daniel Kuehn | .... | digital production manager: SPI |
| Erik Lee | .... | lead animator: Asylum |
| Hae-Jeon Lee | .... | effects animator: SPI |
| John T. Lee | .... | visual effects artist: color and lighting, SPI |
| Kui Han Lee | .... | modeler: SPI |
| Jeff Lin | .... | animator: SPI |
| Kevin Lin | .... | digital cleanup artist |
| Robin A. Linn | .... | animation production director |
| Kathryn Liotta | .... | visual effects digital coordinator: SPI (as Kathryn Liotta-Couture) |
| Benjamin Lishka | .... | lighting lead: SPI (as Benjamin F. Lishka) |
| Michael Lloyd | .... | additional matte painter: SPI |
| Christine Lo | .... | visual effects artist: color and lighting, SPI |
| Mark Alan Loso | .... | compositor: Asylum (as Mark Loso) |
| Brian Lutge | .... | effects animator: SPI |
| Andrew MacDonald | .... | visual effects supervisor: Creo Collective |
| James Marbas | .... | digital effects supervisor |
| Lisa Markou | .... | digital coordinator: Pacific Title & Art Studio |
| Nicholas McDowell | .... | systems engineer |
| Rodney J. McFall | .... | effects animator: SPI |
| Rodney J. McFall | .... | senior technical director: SPI |
| Matt McFarland | .... | scan/record manager |
| John McGee | .... | texture painter: SPI (as John W. McGee) |
| Paul McGhee | .... | digital color timer: SPI |
| Emma McGuinness | .... | visual effects executive producer: Asylum |
| Nathan McGuinness | .... | senior visual effects supervisor: Asylum |
| M. Scott McKee | .... | senior compositor: SPI |
| M. Scott McKee | .... | visual effects artist: color and lighting, SPI |
| Scott McLain | .... | compositor |
| Matt Merkovich | .... | modeler: Asylum |
| Todd Mesher | .... | high speed compositing artist: SPI (as Todd B. Mesher) |
| Rob Meyers | .... | digital compositor |
| Paul Mica | .... | digital artist |
| Paul Mica | .... | texture artist |
| Rob Moggach | .... | digital compositor: Asylum |
| John Monos | .... | shader writer: SPI |
| Sarah Moore | .... | visual effects artist: color and lighting, SPI |
| Carlos Morales | .... | digital compositor |
| Glenn Morris | .... | digital compositor: Luma Pictures |
| Amanda Morrison | .... | visual effects artist: color and lighting, SPI |
| Jake Morrison | .... | CG supervisor |
| Maks Naporowski | .... | lead technical animator: SPI |
| Alberto Noti | .... | visual effects artist: color and lighting, SPI |
| Luke O'Byrne | .... | visual effects producer: The Orphanage |
| JaeWook Park | .... | technical director: The Orphanage |
| Nicholas Peterson | .... | motion control producer |
| Phil Pham | .... | digital compositor: Luma Pictures |
| Ted Pratt | .... | animator: The Orphanage |
| Alex Prichard | .... | digital artist: The Orphanage |
| Thomas Pushpathadam | .... | visual effects artist: color and lighting, SPI |
| Mark P. Renton | .... | lead compositor: Asylum (as Mark Renton) |
| César Romero | .... | high speed compositing artist: SPI |
| Jonathan Rothbart | .... | visual effects supervisor: The Orphanage |
| Chris Ryan | .... | high speed compositing artist: SPI (as Christopher Ryan) |
| Marc Sadeghi | .... | executive visual effects producer: The Orphanage |
| Christopher Sage | .... | digital effects artist: Luma Pictures (as Chris Sage) |
| Eric Sanford | .... | modeler |
| David Sanger | .... | producer: New Deal Studios |
| Kosta Saric | .... | visual effects editor: Asylum Visual Effects |
| John E. Sasaki | .... | digital compositor |
| John E. Sasaki | .... | visual effects artist: color and lighting, SPI |
| Casey Schatz | .... | previsualization artist |
| Gunther Schatz | .... | digital visual effects artist |
| Michael Scheffe | .... | concept designer: dam sequence, SPI |
| Jason Scherbert | .... | digital artist |
| Steven Schmidt | .... | visual effects coordinator: Creo |
| Jason Schugardt | .... | modeler: Asylum |
| Donovan Scott | .... | interactive compositing |
| Eric Scott | .... | senior visual effects coordinator: SPI |
| Todd Semmes | .... | aerial effects coordinator |
| Ira Shain | .... | character animator: Asylum |
| Ira Shain | .... | modeler: Asylum |
| Jeff Shank | .... | visual effects artist: color and lighting, SPI |
| Dong Yeop Shin | .... | visual effects |
| Payam Shohadai | .... | visual effects supervisor: Luma Pictures |
| Thanapoom Siripopungul | .... | visual effects artist: Luma Pictures (as Thana Siripopungul) |
| Ben Britten Smith | .... | spydercam flight control |
| Keith W. Smith | .... | animator: SPI |
| David Sosalla | .... | visual effects supervisor: Pacific Title & Art Studio |
| Michelle Steinau | .... | high speed compositing artist: SPI |
| Mark Stetson | .... | visual effects supervisor |
| Jamie Stevenson | .... | visual effects producer: Asylum |
| Jon Tanimoto | .... | high speed compositing artist: SPI |
| Cecile Tecson | .... | rotoscope artist |
| Chikako Terashita | .... | senior production services technician |
| Bill Tessier | .... | animator: SPI (as William Tessier) |
| Mathew Thomas | .... | senior production services technician |
| Christine Troianello | .... | rotoscope artist: SPI (as Chris Troianello) |
| Ryan Tudhope | .... | digital artist |
| Pepe Valencia | .... | animation supervisor: SPI |
| Bruno Vilela | .... | compositor: SPI |
| Bruno Vilela | .... | senior digital lighter: SPI |
| Christopher Walsh | .... | animation supervisor: The Orphanage (as Christopher Erin Walsh) |
| Carl Walters | .... | visual effects editor: The Orphanage |
| Joseph Wartnerchaney | .... | aerial effects-spydercam (as Joey Wartnerchaney) |
| Barry Weiss | .... | senior staff: SPI |
| Jeff Werner | .... | digital producer: Asylum |
| Len White | .... | visual effects artist: color and lighting, SPI |
| Earl Wiggins | .... | aerial effects supervisor |
| Brian Wolf | .... | digital compositor: Pacific Title & Art Studio |
| David Worman | .... | match mover: SPI |
| Xye | .... | visual effects |
| Dustin Zachary | .... | modeler |
| Dan Ziegler | .... | visual effects artist: color and lighting, SPI |
| Daniel E. Zobrist | .... | digital artist |
| Chris Anderson | .... | paint artist: CIS Hollywood (uncredited) |
| Randy Bosh | .... | digital archivist: New Deal Studios (uncredited) |
| Amanda Burton | .... | rotoscope/paint artist (uncredited) |
| Kevin Gillen | .... | CG effects animator: SPI (uncredited) |
| Taigne Hammock | .... | resource administrator (uncredited) |
| Leah Hardstark | .... | visual effects still photography (uncredited) |
| Erica Hornung | .... | senior matchmover: SPI (uncredited) |
| Thomas Mathai | .... | data manager (uncredited) |
| Kevin Struckman | .... | re-grainer (uncredited) |
| Helder Sun | .... | motion control technician (uncredited) |
| Matthew Thunell | .... | visual effects production assistant: The Orphanage (uncredited) |
| Kristi Valk | .... | digital artist: The Orphanage (uncredited) |
| |
I liked the first Charlie's Angels film. OK so it was never going to make cinematic history, but it was fun in a kitsch kind of a way.
Not so the second. The storyline is disjointed, and the action sequences are so far overdone it's laughable. Suspension of disbelief is one thing, but when the Angels are flying around like Matrix Agents even dodging bullets, it just gets silly. There are numerous references to other films, but I get the impression that they're included as padding rather than genuine homages.
Demi Moore looks great, but is wasted in this compost heap of a film. If ever there was an argument for not buying a DVD before you've watched it, this is it.