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Upon learning that his father has been kidnapped, Austin Powers must travel to 1975 and defeat the aptly-named villain Goldmember - who is working with Dr. Evil.
Dr. Evil is back...and has invented a new time machine that allows him to go back to the 60's and steal Austin Powers's mojo, inadvertently leaving him "shagless".
Two criminals, Keats and Moses, end their friendship when Keats turns out to be an undercover cop. Years later the two are forced to work together when Keats is assigned to protect Moses as a witness.
A 1960s hipster secret agent is brought out of cryofreeze to oppose his greatest enemy in the 1990s, where his social attitudes are glaringly out of place.
Nick Beam's life couldn't get any worse. He discovers he has been living a lie and is on the verge of a nervous breakdown. So when T. Paul, a carjacker, attempts to rob him, it is the last ... See full summary »
Director:
Steve Oedekerk
Stars:
Martin Lawrence,
Tim Robbins,
John C. McGinley
A man tries to transport an ancient gun called The Mexican, believed to carry a curse, back across the border, while his girlfriend pressures him to give up his criminal ways.
When a group of hard working guys find out they've fallen victim to a wealthy business man's Ponzi scheme, they conspire to rob his high-rise residence.
When his peaceful life is threatened by a high-tech assassin, former black-ops agent Frank Moses reassembles his old team in a last ditch effort to survive and uncover his assailants.
Director:
Robert Schwentke
Stars:
Bruce Willis,
Mary-Louise Parker,
Morgan Freeman
The Angels--Natalie, Dylan, and Alex are back again but this time they're preparing for a strike without even warning as they go undercover to retrieve two missing silver bands. These are no ordinary rings. They contain valuable encrypted information that reveal the new identities of every person in the Federal Witness Protection Program. When witnesses start turning up dead, only the Angels, using their expertise as masters of disguise, espionage and martial arts can stop the perpetrator, a mysterious "fallen" Angel. Aided by their trusty colleague, Jimmy Bosley, the Angels' adventure begins at a remote Mongolian outpost and ends only after Dylan is forced to face a dark secret from her past--a secret that puts the lives of her two best friends in danger. Written by
Anthony Pereyra {hypersonic91@yahoo.com}
The slide on one of the two Desert Eagle pistols that Madison is using at the observatory locks back, indicating that the last round has been fired. One second later, the slide is forward again, without any reloading. See more »
Quotes
Madison Lee:
I don't take orders from a speaker-box anymore. I work for myself.
Natalie Cook:
Well, your boss sucks.
See more »
Crazy Credits
After the "Columbia Pictures" intro, the shot zooms in to the torch the woman is holding, starting the scene. See more »
"Block Rockin' Beats"
Written by Tom Rowlands, Ed Simons and Jesse Bonds Weaver, Jr.
Performed by The Chemical Brothers
Courtesy of Virgin Records/Astralwerks Records
By Arrangement with EMI Film & Television Music
Contains a sample of "Gucci Again"
Performed by Schoolly D
Courtesy of Jive Records See more »
I watched this film at the recommendation of my 13 year-old daughter. I like the original film version of a few years ago but Full Throttle lacks the wit and charm of its predecessor. It therefore had to rely on action and special effects which I found boring (and I like action films). The dialogue was weak and, in particular, the special effects were disappointing for this day and age. There was too much obvious work in front of the blue screen and the situations were so preposterous that I eventually gave up on the film after enduring too much of a particularly ridiculous chase. I've only ever walked out on two other films in over 40 years. There is much better entertainment available.
45 of 76 people found this review helpful.
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I watched this film at the recommendation of my 13 year-old daughter. I like the original film version of a few years ago but Full Throttle lacks the wit and charm of its predecessor. It therefore had to rely on action and special effects which I found boring (and I like action films). The dialogue was weak and, in particular, the special effects were disappointing for this day and age. There was too much obvious work in front of the blue screen and the situations were so preposterous that I eventually gave up on the film after enduring too much of a particularly ridiculous chase. I've only ever walked out on two other films in over 40 years. There is much better entertainment available.