About a Palestinian girl of 17 who wants to get married to the man of her own choosing. Rana wakes up one morning to an ultimatum delivered by her father: she must either choose a husband ... See full summary »
In an apartment building in Beirut, on the last day of the year, seven characters start their day by visiting their psychologist as part of the weekly ritual. On that couch in their ... See full summary »
Fadi Abi Samra,
Nada Abou Farhat
In Majdal Shams, the largest Druze village in Golan Heights on the Israeli-Syrian border, the Druze bride Mona is engaged to get married with Tallel, a television comedian that works in the... See full summary »
In the wake of Israel's 2006 bombardment of Lebanon, a determined woman finds her way into the country convincing a taxi cab driver to take a risky journey around the scarred region in search of her sister and her son.
Nada Abou Farhat,
When director Philippe Aractingi is forced to leave his motherland for the third time, the realisation dawns on him: his ancestors have been fleeing wars for five generations. Exploring his... See full summary »
About a Palestinian girl of 17 who wants to get married to the man of her own choosing. Rana wakes up one morning to an ultimatum delivered by her father: she must either choose a husband from a preselected list of men, or she must leave Palestine for Egypt with her father by 4:00 that afternoon. With ten hours to find her boyfriend in occupied Jerusalem, she sneaks out of her father's house at daybreak to find her forbidden love Khalil (Natour). Written by
[Excerpted from the MFA Film Calendar.]
Hany Abu-Assad has proved himself with this film, 'Ford Transit', and 'Paradise Now', to be one of the most interesting and astute chroniclers of the Palestinian experience in Jerusalem.
The plot is simple: A young Palestinian woman must decide whether to defy tradition and marry her boyfriend that day, or leave forever with her father, and enter an arranged marriage in another land.
The film sometimes meanders, but has some very powerful sequences, giving a strong sense of the realities of life under occupation, and some sweetly human comic moments showing the universality of humanity in all cultures.
Very good lead performances all around.
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