| Photos (see all 52 | slideshow) | Videos (see all 2) |
| Chris Ambrose | ... | Superman | |
| Joey Krajcar | ... | Batman | |
| Josh Hutcherson | ... | Robin | |
| Cameron Carter | ... | Green Lantern | |
| Daniel Tay | ... | Young Harvey | |
| Mary Faktor | ... | Housewife | |
| Paul Giamatti | ... | Harvey Pekar | |
| Harvey Pekar | ... | Real Harvey | |
| Shari Springer Berman | ... | Interviewer (voice) | |
| Larry John Meyers | ... | Throat Doctor (as Larry John Myers) | |
| Vivienne Benesch | ... | Lana | |
| Barbara Brown | ... | Nurse | |
| Earl Billings | ... | Mr. Boats | |
| Danny Hoch | ... | Marty | |
| James Urbaniak | ... | Robert Crumb | |
| Eli Ganias | ... | Pahls | |
| Sylvia Kauders | ... | Old Jewish Lady | |
| Rebecca Borger | ... | Cashier | |
| Nick Baxter | ... | Mattress Guy #1 | |
| Allen Branstein | ... | Mattress Guy #2 | |
| Dick Prochaska | ... | WW II Patient | |
| Charles Eduardos | ... | Doctor | |
| Judah Friedlander | ... | Toby Radloff | |
| Robert Pulcini | ... | Bob The Director | |
| Toby Radloff | ... | Real Toby | |
| Bianca Santos | ... | Counter Girl | |
| Maggie Moore | ... | Alice Quinn | |
| Hope Davis | ... | Joyce Brabner | |
| Mike Rad | ... | Rand | |
| Amy K. Harmon | ... | Cheery Waitress | |
| Joyce Brabner | ... | Real Joyce | |
| Donal Logue | ... | Stage Actor Harvey | |
| Molly Shannon | ... | Stage Actor Joyce | |
| Eytan Mirsky | ... | Guitarist | |
| Rob Grader | ... | Stage Manager | |
| Terrence Sullivan | ... | Letterman Regular | |
| Ebon Moss-Bachrach | ... | MTV Director | |
| Patrick Lafferty | ... | Yuppie | |
| Jesse Perez | ... | Miguel | |
| Jeff Peters | ... | Talk Show Host | |
| Ola Creston | ... | PA #1 | |
| Robert J. Williams | ... | Cancer Doctor | |
| James McCaffrey | ... | Fred | |
| Madylin Sweeten | ... | Danielle | |
| Danielle Batone | ... | Real Danielle | |
| Jason Stevens | ... | Letterman Regular Voice (voice) | |
| Todd Cummings | ... | Talk Show Host Voice (voice) | |
| rest of cast listed alphabetically: | |||
| Marcus Wynnycky | ... | Comic Book Fan (uncredited) | |
Directed by | |||
| Shari Springer Berman | |||
| Robert Pulcini | |||
Writing credits(WGA) | ||
| Harvey Pekar | comic book series American Splendor and | |
| Joyce Brabner | comic book series Our Cancer Year | |
| Shari Springer Berman | (written by) & | |
| Robert Pulcini | (written by) | |
Produced by | |||
| Declan Baldwin | .... | line producer: New York | |
| Ted Hope | .... | producer | |
| Julia King | .... | associate producer | |
| Christine K. Walker | .... | line producer (as Christine Kunewa Walker) | |
Original Music by | |||
| Mark Suozzo | |||
Cinematography by | |||
| Terry Stacey | (director of photography) | ||
Film Editing by | |||
| Robert Pulcini | |||
Casting by | |||
| Ann Goulder | |||
Production Design by | |||
| Thérèse DePrez | (as Thérèse Deprez) | ||
Set Decoration by | |||
| Robert DeSue | (as Robert Desue) | ||
Costume Design by | |||
| Michael Wilkinson | |||
Makeup Department | |||
| Luisa Abel | .... | makeup department head | |
| Deanna | .... | hair department head (as R. Deanna) | |
| Deborah Lilly | .... | hair swing (as Deborah R. Lilly) | |
| Deborah Lilly | .... | makeup swing (as Deborah R. Lilly) | |
| Kathy Madison | .... | additional hair | |
| Kathy Madison | .... | additional makeup | |
Production Management | |||
| Janet Fries Eckholm | .... | post-production supervisor: Los Angeles (as Janet Eckholm) | |
| Chip Signore | .... | unit production manager: New York | |
| Andy Wheeler | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Eric Richard Lasko | .... | second second assistant director (as Eric Lasko) | |
| Matt G. Sheets | .... | additional second assistant director | |
| Chip Signore | .... | first assistant director | |
| Meryl Stavitz | .... | second assistant director | |
Art Department | |||
| Doug Allen | .... | original artwork | |
| Greg Budgett | .... | original artwork | |
| John Alan Champion | .... | swing gang (as John Champion) | |
| Robert Crumb | .... | original artwork (as R. Crumb) | |
| Gary Dumm | .... | original artwork | |
| Jack Gardener | .... | swing gang (as Jack Gardner) | |
| Jason Gerstein | .... | original artwork | |
| Mindy Harris | .... | property master | |
| Dean Haspiel | .... | original artwork | |
| Matt Hausmann | .... | art department intern | |
| Todd Heckeler | .... | art department intern | |
| Kenneth J. Kellers | .... | leadman (as Kenneth Kellers) | |
| Lynn Kramer | .... | props assistant | |
| Donald Leigl | .... | swing gang (as Donald J. Liegl) | |
| Tema Levine | .... | assistant to production designer | |
| Dustin Lucien | .... | art department intern | |
| Dean Macur | .... | props assistant | |
| Shaina Malkin | .... | art department intern | |
| Deborah Marsh | .... | art department coordinator | |
| David W. Mooney | .... | swing gang | |
| Beth O'Brien | .... | art department intern | |
| Mike O'Neill | .... | art department intern | |
| Erika Rice | .... | swing gang | |
| Joe Sacco | .... | original artwork | |
| Gerry Shamray | .... | original artwork | |
| Frank Stack | .... | original artwork | |
| Diana Stoughton | .... | on-set dresser | |
| Matthew T. | .... | art department production assistant | |
| James E. Todd | .... | swing gang | |
| Joe Zabel | .... | original artwork | |
| Mark Zingarelli | .... | original artwork: "Our Movie Year" | |
Sound Department | |||
| Ron Bochar | .... | re-recording mixer | |
| Mick Davies | .... | boom operator (as Michael B. Davies) | |
| Chris Fielder | .... | transfer assistant | |
| Albert Gasser | .... | dialogue editor | |
| Ruth Hernandez | .... | first sound assistant | |
| George A. Lara | .... | foley supervisor | |
| Whit Norris | .... | sound mixer | |
| Jay Peck | .... | foley artist | |
| Anne Pope | .... | dialogue editor | |
| Nicholas Renbeck | .... | supervising sound editor | |
| Jeffrey Stern | .... | adr editor (as Jeff Stern) | |
| Allan Zaleski | .... | sound effects editor | |
| Alexa Zimmerman | .... | first sound assistant | |
| Rick Ash | .... | sound re-recording mixer (uncredited) | |
| Jamie Baker | .... | adr recordist (uncredited) | |
| Glenn Marullo | .... | sound mixer (uncredited) | |
| Unsun Song | .... | sound recordist (uncredited) | |
Visual Effects by | |||
| John Kuramoto | .... | animator: Twinkle | |
| John Kuramoto | .... | compositor: Twinkle | |
| Gary Leib | .... | animator: Twinkle | |
| Gary Leib | .... | designer: Twinkle | |
| Patrick Clancey | .... | digital opticals (uncredited) | |
| John R. Ellis | .... | digital cleanup artist (uncredited) | |
| Steven J. Scott | .... | digital intermediate colorist: EFilm (uncredited) | |
| Michael J. Williams | .... | digital opticals: Heavy Light Digital (uncredited) | |
Casting Department | |||
| Elizabeth Baird | .... | principals casting assistant (as Liz Baird) | |
| Sarah Katherine Christie | .... | casting assistant | |
| Kendall Embrescia | .... | extras casting assistant | |
| Marcy Ronen | .... | extras casting: Cleveland | |
Costume and Wardrobe Department | |||
| Kimberly Andrews | .... | costume assistant | |
| Robin Fields | .... | key costumer (as Robin K. Fields) | |
| Murshel Lewis | .... | costume supervisor (as Murshel C. Lewis) | |
| Sarah Silver | .... | wardrobe intern | |
| Adrienne Brown | .... | wardrobe production assistant (uncredited) | |
Editorial Department | |||
| Alfredo Frasson | .... | color timer | |
| Mitchell Gutman | .... | post-production intern | |
| Linus Hume | .... | post-production coordinator | |
| Julia King | .... | post-production supervisor | |
| Catherine Rankin | .... | negative cutter | |
| Tim Streeto | .... | additional editor | |
| Mila Patriki | .... | colorist: dailies (uncredited) | |
| Andrew Seklir | .... | assistant editor (uncredited) | |
Music Department | |||
| Sanford Allen | .... | featured musician: violin solo/concertmaster | |
| John Beal | .... | featured musician: bass | |
| Linda Cohen | .... | music supervisor | |
| Dave Douglas | .... | featured musician: trumpet | |
| Butch Jones | .... | additional music recordist: Back Pocket Recording Studios | |
| Evyen Klean | .... | music consultant | |
| Bob Malach | .... | featured musician: tenor sax | |
| Josh Rosenblum | .... | additional conductor | |
| Derek Smith | .... | featured musician: piano, organ, celeste | |
| Ted Spencer | .... | music recordist-mixer | |
| Dale Stuckenbruck | .... | featured musician: musical saw | |
| Mark Suozzo | .... | conductor | |
| Mark Suozzo | .... | music producer | |
| Mark Suozzo | .... | orchestrator | |
| Ronnie Zito | .... | featured musician: drums | |
| Jamie Baker | .... | music recordist (uncredited) | |
Transportation Department | |||
| Wayne Conway | .... | transportation captain | |
| Cheryl Dennis | .... | driver | |
| Tom McCue | .... | transportation coordinator (as Thomas Titus McCue) | |
| Russ A. Minerd | .... | driver | |
| Larry Spencer | .... | additional driver | |
| Roman Wlaszyn | .... | picture car wrangler (as Roman A. Wlaszyn) | |
| Andy Bethke | .... | driver (uncredited) | |
Other crew | |||
| Jeremy Bailey | .... | assistant location manager | |
| William Ball | .... | additional craft assistant | |
| Andy Bethke | .... | set production assistant | |
| Chad Bronson | .... | set production assistant | |
| Brian Cantaldi | .... | bookkeeper | |
| Alison S. Cohen | .... | production counsel: Epstein, Levinsohn, Bodine, Hurwitz & Weinstein (as Alison Cohen) | |
| Paula D. Collins | .... | craft service assistant | |
| Joseph Cortese | .... | location production assistant (as Joe Cortese) | |
| Rob Fegen | .... | production administrative supervisor (as Robert Fegen) | |
| Janell Fletcher | .... | facility manager: Avid | |
| Jennifer Zolten Freed | .... | post-production accountant (as Jennifer Freed) | |
| Jason Gerstein | .... | office production assistant | |
| Elisabeth Giglio | .... | office manager: C 5 | |
| Lamia Guellati | .... | assistant: Ted Hope | |
| Jason Cooper Hall | .... | assistant: Christine Walker | |
| Virginia M. Herdman | .... | craft service | |
| Derrick Kardos | .... | clearance assistant | |
| Billy Lalor | .... | clearance assistant | |
| Robert Langhorst | .... | assistant chef: Premiere Caterers | |
| David Lemoyne | .... | additional set production assistant (as David Lemoyne Jones) | |
| Sara Lieberth | .... | craft service | |
| Eric Muss-Barnes | .... | production assistant: cast | |
| Jen O'Neal | .... | additional production secretary | |
| Chris Petro II | .... | production assistant: cast | |
| Ryan Polack | .... | set production assistant | |
| Amanda L. Preputnik | .... | additional set production assistant | |
| Michael Rochford | .... | location manager (as Michael M. Rochford) | |
| Elizabeth Rohrbaugh | .... | set production assistant | |
| Michael Santeramo | .... | chef: Premiere Caterers | |
| Michael Taylor | .... | script supervisor | |
| Melinka Thompson-Godoy | .... | production executive: Good Machine | |
| Lesley Ward | .... | production secretary (as Lesley Ward-Zickefoose) | |
| Becky Woodward | .... | additional location production assistant | |
| Devon Zeigler | .... | set production assistant | |
| Brian Dickson | .... | production assistant (uncredited) | |
| Jason Cooper Hall | .... | assistant to cast (uncredited) | |
| Kelly Lofstrom | .... | contract administrator (uncredited) | |
| Charles Moore | .... | production assistant (uncredited) | |
| Rebecca Thornell | .... | clearance (uncredited) | |
| Daniel Villagomez | .... | credits administrator (uncredited) | |
| Andy Wheeler | .... | production accountant (uncredited) | |
Thanks | |||
| Norman Barr | .... | special thanks: The Detroit Theatre | |
| Jude Brennan | .... | special thanks | |
| Paul Brennan | .... | special thanks (as Paul Brennan Esq.) | |
| Bernt Amadeus Capra | .... | the producers would like to thank (as Bernt Capra) | |
| Chris Carmody | .... | special thanks | |
| Debra Greico | .... | special thanks | |
| Wayne A. Harold | .... | special thanks (as Wayne Harold) | |
| Robert Katz | .... | special thanks | |
| Walt Kelly | .... | acknowledgment: the filmmakers acknowledge the creative work of | |
| Anne Kuenzel | .... | special thanks: Lakewood Hospital | |
| Matt Loeb | .... | special thanks | |
| Lewis Payton | .... | special thanks | |
| Carla Raij | .... | special thanks | |
| Alicia Sams | .... | special thanks | |
| Adam Shulman | .... | special thanks | |
| Mary Jane Skalski | .... | special thanks | |
| Pam Smith | .... | special thanks | |
| Jim Stark | .... | the producers would like to thank | |
| Vince Waldron | .... | the producers would like to thank | |
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| Persepolis | Edvard Munch | Christiane F. - Wir Kinder vom Bahnhof Zoo | Secretary | Big Fish |
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Harvey Pekar is a filing clerk at his local hospital; he is miserable; he is on his way out of a second terrible marriage and his only interests are collecting second hand records, reading and listening to jazz. However a chance meeting with aspiring cartoonist Robert Crumb turns him on to the ability of comic books as an art form. Crumbs later success inspires Harvey to write a different type of comic one based on his own life, chronicling the dreary and absurd moments of his days and life. As his down to earth portrayal of working class reality starts to generate a cult following, Harvey finds a new wife and greater fame but actual happiness? Well, that's a different story.
I have never read any of Pekar's comics and, to be honest, have little interest in the world of comics because I am consistently put off by the price of them for what you get (I'm a Batman fan but local prices for very thin comics are too high for me to start it as a habit). Despite this I was attracted to this film by it being different and offering me an interesting choice of leading man in Giamatti, but, given the very non-blockbuster appeal of the film, it was barely had any time in my local cinema and I missed it there and had to catch it on DVD. When I sat to watch it I was immediately taken in by the design of the film the comic book opening and, more importantly, the narration and candid footage of the real Pekar (and others). This gives the film a much more interesting appeal because, although we don't know him, we get the total feeling that this is a real person we are seeing and indeed he is.
Not having read the comic itself I can only go off what the film and other reviewers have told me they are like and, from that understanding, I feel that the film is stronger for having basically the same strengths as the comic. That is to say, it is very down to earth and gritty, without sparkling scenes or flowery dialogue but with a simple wit to the weird collection of characters. This warts and all presentation is moved forward by a pretty good narration from Pekar but the ultimate strength of the film is its collection of characters like the comic, they are the story of Pekar's life and they are the heart of the film. It is hard to describe but the collection of bitterness, psychosis's, nerds and other weirdoes makes for a good film that is interesting, humorous and, most effectively, true.
Giamatti is not leading man material but here he shows that he is more that the comic relief and he delivers a really good performance throughout not even letting the presence of the real Pekar put him off his stride. Pekar himself is also good very easy to listen to but also unhappy and not the sort of person you talk to at work. The support cast is also pretty strong and features all manner of minor characters that make the film add up to greater than the sum of its parts. Like I said, it is hard to pigeonhole this film and the cast but it seems to work and even people who have never heard of Pekar (ie me) will be able to enjoy it.
Overall a very different film about a strange little man who managed to get much more success than he ever though possible but yet never let it change his unhappy and normal ways. It is amusing, cleverly structured and populated with ordinary weirdoes who make it fun to watch. Kudo to the director for getting the uninitiated into the film with such ease and managing to produce a film that is surprisingly weird to find in a multiplex but one that is strangely accessible to most people.