With only the plan of moving in together after high school, two unusually devious friends seek direction in life. As a mere gag, they respond to a man's newspaper ad for a date, only to find it will greatly complicate their lives.
Starting from childhood attempts at illustration, the protagonist pursues his true obsession to art school. But as he learns how the art world really works, he finds that he must adapt his vision to the reality that confronts him.
A psychologically troubled novelty supplier is nudged towards a romance with an English woman, all the while being extorted by a phone-sex line run by a crooked mattress salesman, and purchasing stunning amounts of pudding.
Paul Thomas Anderson
Philip Seymour Hoffman
Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland's thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait... Written by
Sujit R. Varma
One scene features a reconstruction of Harvey Pekar (Paul Giamatti ) appearing on Late Night with David Letterman (1982), criticizing NBC while wearing a T-shirt with "On Strike Against NBC" written on it. Giamatti previously played an NBC executive in Private Parts (1997) and in one scene watches in dismay as Howard Stern criticizes the network while appearing on the same show, wearing a T-shirt with the same words written on it. See more »
Joyce Brabner comes by train from Delaware to Cleveland to meet Harvey Pekar in 1984. However, the Genesis engine shown pulling the train did not enter Amtrak's fleet until 1993, and the Amtrak logo on the engine is the post-Acela version (2000). See more »
[looking at himself in the mirror]
Well, there's a reliable disappointment.
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A down to earth character driven film that benefits from its colourful characters and clever use of the real people themselves
Harvey Pekar is a filing clerk at his local hospital; he is miserable; he is on his way out of a second terrible marriage and his only interests are collecting second hand records, reading and listening to jazz. However a chance meeting with aspiring cartoonist Robert Crumb turns him on to the ability of comic books as an art form. Crumbs later success inspires Harvey to write a different type of comic one based on his own life, chronicling the dreary and absurd moments of his days and life. As his down to earth portrayal of working class reality starts to generate a cult following, Harvey finds a new wife and greater fame but actual happiness? Well, that's a different story.
I have never read any of Pekar's comics and, to be honest, have little interest in the world of comics because I am consistently put off by the price of them for what you get (I'm a Batman fan but local prices for very thin comics are too high for me to start it as a habit). Despite this I was attracted to this film by it being different and offering me an interesting choice of leading man in Giamatti, but, given the very non-blockbuster appeal of the film, it was barely had any time in my local cinema and I missed it there and had to catch it on DVD. When I sat to watch it I was immediately taken in by the design of the film the comic book opening and, more importantly, the narration and candid footage of the real Pekar (and others). This gives the film a much more interesting appeal because, although we don't know him, we get the total feeling that this is a real person we are seeing and indeed he is.
Not having read the comic itself I can only go off what the film and other reviewers have told me they are like and, from that understanding, I feel that the film is stronger for having basically the same strengths as the comic. That is to say, it is very down to earth and gritty, without sparkling scenes or flowery dialogue but with a simple wit to the weird collection of characters. This warts and all presentation is moved forward by a pretty good narration from Pekar but the ultimate strength of the film is its collection of characters like the comic, they are the story of Pekar's life and they are the heart of the film. It is hard to describe but the collection of bitterness, psychosis's, nerds and other weirdoes makes for a good film that is interesting, humorous and, most effectively, true.
Giamatti is not leading man material but here he shows that he is more that the comic relief and he delivers a really good performance throughout not even letting the presence of the real Pekar put him off his stride. Pekar himself is also good very easy to listen to but also unhappy and not the sort of person you talk to at work. The support cast is also pretty strong and features all manner of minor characters that make the film add up to greater than the sum of its parts. Like I said, it is hard to pigeonhole this film and the cast but it seems to work and even people who have never heard of Pekar (ie me) will be able to enjoy it.
Overall a very different film about a strange little man who managed to get much more success than he ever though possible but yet never let it change his unhappy and normal ways. It is amusing, cleverly structured and populated with ordinary weirdoes who make it fun to watch. Kudo to the director for getting the uninitiated into the film with such ease and managing to produce a film that is surprisingly weird to find in a multiplex but one that is strangely accessible to most people.
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