7.5/10
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227 user 182 critic

American Splendor (2003)

An original mix of fiction and reality illuminates the life of comic book hero everyman Harvey Pekar.

Writers:

(comic book series American Splendor), (comic book series Our Cancer Year) | 2 more credits »

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From $9.99 (SD) on Amazon Video

ON DISC
Nominated for 1 Oscar. Another 31 wins & 49 nominations. See more awards »

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Cast

Cast overview, first billed only:
Chris Ambrose ...
Joey Krajcar ...
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Cameron Carter ...
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Housewife
...
...
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Interviewer (voice)
Larry John Meyers ...
Throat Doctor (as Larry John Myers)
Vivienne Benesch ...
Lana
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Nurse
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Mr. Boats
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Marty
...
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Storyline

Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland's thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

Ordinary life is pretty complex stuff.


Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

12 September 2003 (USA)  »

Also Known As:

Esplendor americano  »

Filming Locations:

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Box Office

Opening Weekend:

$159,705 (USA) (15 August 2003)

Gross:

$6,003,587 (USA) (28 November 2003)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Ted Hope: voice on answering machine from Late Show with David Letterman (1993). See more »

Goofs

In the establishing Manhattan skyline shot before one of the David Letterman sequences, what was then (the 1980s) the Pan Am building is shown with its current "Met Life" signs (which didn't replace the "Pan Am" signs until 1992) shining from the top. See more »

Quotes

Real Harvey: I started record collecting when I was 15 or 16 years old. I started getting interested in jazz. Prior to that I had collected comic books. I was always a collector. I admit to having an obsessive compulsive quality in me. It's like "The Treasure of the Sierra Madre" or something. You know, you go to thrift shops and you go to garage sales because you think you're going to find something that's, you know, real rare. And most of the time, it's a total waste of time. But, once in awhile, you'll, ...
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Connections

Featured in Silenci?: Episode #5.6 (2005) See more »

Soundtracks

Ain't That Peculiar
(1965)
Written by Bobby Rogers (as Robert Rogers), Smokey Robinson (as William Robinson Jr.),
Marvin Tarplin and Warren Moore
Performed by Marvin Gaye
Courtesy of Motown Records
Under license from Universal Music Enterprises
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Frequently Asked Questions

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User Reviews

 
A modern classic of successful innovation
25 August 2003 | by (United Kingdom) – See all my reviews

Successfully innovative, American Splendor combines fiction and reality in a spellbinding and amusing way, winning awards at Cannes and Sundance, and proving its maxim that life is pretty complex (and endlessly fascinating) stuff . . .

The story features Harvey Pekar, as himself, as the played by actor Paul Giamatti and as the comic book persona that he has created based on himself. Pekar is downbeat, depressed, in a dead end filing job, rather bitter. His best friend is a self-confessed nerd. Yet when the events of his life are epitomized in comic book snapshots they are intensely poignant, they seem to reach the disenfranchised, the dysfunctional within each of us. We follow him into a marriage that is as weird as he is. The originality of the material is reflected in its postmodern style of presentation, self-awareness of audience-manipulation blending seamlessly with entertainment and artistic delivery. Scenes are introduced and blended with comic book taglines, storyboarding, and even transitions from interloping set discussions with the real Pekar to the actor playing the scene under discussion. If it sounds pretentious, it's not – simply because it works so well and in an unpretentious way. Lovingly created and very moving. Probably the first real classic of 2003 and not to be missed, and for lovers of jazz/blues a soundtrack collectors item.

(Seeing it at the Edinburgh International Film Festival I also had the privilege of seeing the real life Pekar, his wife and adopted daughter together with Paul Giamatti, truly topping off a multi-media experience haha!)


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