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IMDb > Tengoku kara kita otoko-tachi (2000)

Tengoku kara kita otoko-tachi (2000) More at IMDbPro »


Overview

User Rating:
6.8/10   175 votes
MOVIEmeter: ?
Up 17% in popularity this week. See rank & trends on IMDbPro.
Director:
Takashi Miike
Writers:
Itaru Era (screenplay)
Izô Hashimoto (screenplay)
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Contact:
View company contact information for Tengoku kara kita otoko-tachi on IMDbPro.
Release Date:
16 June 2001 (Japan) more
Genre:
Crime | Drama more
Awards:
3 wins more
User Comments:
Character based drama that works well more

Cast

  (Credited cast)
Koji Kikkawa ... Kôhei Hayasaka (as Kôji Kikkawa)
Tsutomu Yamazaki ... Katsuaki Yoshida
Kenichi Endo ... Toshiyuki Umino
Hua Rong Weng ... Jun Sakamoto
Kenji Mizuhashi ... Filipintaro
Kazuhiko Kanayama ... Koji Sugimori
Nene Otsuka ... Namie Mishima
Mai Oikawa ... Miyuki Hayasaka
rest of cast listed alphabetically:
Monsour Del Rosario
Toshiyuki Kitami
Mitsuhiro Oikawa
Hideo Sako
Naoto Takenaka
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Additional Details

Also Known As:
The Guys from Paradise
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Runtime:
114 min
Country:
Philippines | Japan
Language:
English | Japanese
Color:
Color
Filming Locations:
Philippines

FAQ

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1 out of 1 people found the following comment useful:-
Character based drama that works well, 21 August 2003
8/10
Author: christophaskell from Denton, Tx

Miike does not wish to be pigeon-holed. Along with such disturbing films as 'Ichi the Killer' or action films like 'City of Lost Souls', he produces touching stories like 'The Bird People of China' or 'Guys From Paradise'. The first hour and a bit takes place in a prison, where businessman Kohei Hayakawa (Koji Kikkawa, who was also in Miike's City of Lost Souls) gets thrown into prison for possession of heroin and quickly finds that without money and bribes there's no hope of escaping. Whether he's guilty is not the question, rather how much money he's willing to give to the corrupt warden, and judge, and lawyer, etc.. He gets thrown into a jail cell with three other Japanese men and when they find out he's in for heroin possession he is instantly their best friend. The base of the story is betrayal, and how when things are going right it seems like you can trust everybody, but as soon as you wind up in prison all of those connections forget about you, or do something to betray your trust. It's this common understanding that unites the Japanese men in prison, and they hold their end through some very thick trouble. I wouldn't say it's Miike's best work, but it is definitely a solid film, and proves he is capable of much more than shock cinema. Rating: 25/40

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