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Directed by | |||
| Kaige Chen | (segment "100 Flowers Hidden Deep") | ||
| Víctor Erice | (segment "Lifeline") | ||
| Werner Herzog | (segment "Ten Thousand Years Older") | ||
| Jim Jarmusch | (segment "Int. Trailer Night") | ||
| Aki Kaurismäki | (segment "Dogs Have No Hell") | ||
| Spike Lee | (segment "We Wuz Robbed") | ||
| Wim Wenders | (segment "Twelve Miles to Trona") | ||
Writing credits(in alphabetical order) | ||
| Víctor Erice | segment Lifeline | |
| Werner Herzog | segment Ten Thousand Years Older | |
| Jim Jarmusch | segment Int. Trailer Night | |
| Aki Kaurismäki | segment Dogs Have No Hell | |
| Wim Wenders | segment Twelve Miles to Trona | |
| Tan Zhang | segment 100 Flowers Hidden Deep | |
| Markku Peltola | ... | (segment "Dogs Have No Hell") | |
| Kati Outinen | ... | (segment "Dogs Have No Hell") | |
| Marko Haavisto | ... | (segment "Dogs Have No Hell") | |
| Ana Sofia Liaño | ... | (segment "Lifeline") | |
| Pelayo Suarez | ... | (segment "Lifeline") | |
| Celia Poo | ... | (segment "Lifeline") | |
| José Antonio Amieva | ... | (segment "Lifeline") | |
| Fernando García Toriello | ... | (segment "Lifeline") | |
| Chloë Sevigny | ... | (segment "Int. Trailer Night") | |
| Charles Esten | ... | Bill (segment "Twelve Miles to Trona") | |
| Amber Tamblyn | ... | Kate (segment "Twelve Miles to Trona") | |
| Yuanzheng Feng | ... | (segment "100 Flowers Hidden Deep") | |
| Geng Le | ... | (segment "100 Flowers Hidden Deep") | |
| Qiang Li | ... | (segment "100 Flowers Hidden Deep") | |
| Jin Zhang | ... | (segment "100 Flowers Hidden Deep") | |
| Shujun Wang | ... | (segment "100 Flowers Hidden Deep") | |
| Feng Feng | ... | (segment "100 Flowers Hidden Deep") | |
| rest of cast listed alphabetically: | |||
| Janne Hyytiäinen | ... | (segment "Dogs Have No Hell") | |
| Wim Wenders | ... | Doctor #1 (segment "Twelve Miles to Trona") | |
Produced by | |||
| Michael Comish | .... | associate producer | |
| Ulrich Felsberg | .... | executive producer | |
| Ulrich Felsberg | .... | producer | |
| Aki Kaurismäki | .... | producer (segment "Dogs Have No Hell") | |
| Spike Lee | .... | producer (segment "We Wuz Robbed") | |
| Pascal Leister | .... | line producer (segment "Twelve Miles to Trona") | |
| Nicolas McClintock | .... | producer: Odyssey Films | |
| Samson Mucke | .... | producer (segment "Twelve Miles to Trona") | |
| Butch Robinson | .... | line producer (segment "We Wuz Robbed") | |
| Cecilia Kate Roque | .... | producer (segment "Int. Trailer Night") | |
| Leontine Ruette | .... | line producer | |
| Mikael Shields | .... | associate producer | |
| Stacey E. Smith | .... | associate producer (segment "Int. Trailer Night") (as Stacey Ellen Smith) | |
| Lucki Stipetic | .... | producer (segment "Ten Thousand Years Older") | |
| Nigel Thomas | .... | producer: Matador Pictures | |
Original Music by | |||
| Paul Englishby | |||
Cinematography by | |||
| Frederick Elmes | (segment "Int. Trailer Night") | ||
| Ángel Luis Fernández | (segment "Lifeline") | ||
| Chris Norr | (segment "We Wuz Robbed") | ||
| Phedon Papamichael | (segment "Twelve Miles to Trona") | ||
| Vicente Ríos | (segment "Ten Thousand Years Older") | ||
| Timo Salminen | (segment "Dogs Have No Hell") | ||
| Olli Varja | (segment "Dogs Have No Hell") | ||
| Shu Yang | (segment "100 Flowers Hidden Deep") | ||
Film Editing by | |||
| Joe Bini | (segment "Ten Thousand Years Older") | ||
| Mathilde Bonnefoy | (segment "Twelve Miles to Trona") | ||
| Barry Alexander Brown | (segment "We Wuz Robbed") | ||
| Julia Juaniz | (segment "Lifeline") | ||
| Aki Kaurismäki | (segment "Dogs Have No Hell") | ||
| Fang Li | (segment "100 Flowers Hidden Deep") | ||
| Jay Rabinowitz | (segment "Int. Trailer Night") | ||
Casting by | |||
| Javier Bermudez | (segment "Lifeline") | ||
| Heidi Levitt | (segment "Twelve Miles to Trona") | ||
| Ellen Lewis | (segment "Int. Trailer Night") | ||
| Roberto Trujillo | (segment "Lifeline") | ||
Production Design by | |||
| Juiping Cao | (segment "100 Flowers Hidden Deep") | ||
Art Direction by | |||
| Javier Mampaso | (segment "Lifeline") | ||
Set Decoration by | |||
| Ying Ma | (segment "100 Flowers Hidden Deep") | ||
| José Antonio Macarrón | (segment "Lifeline") | ||
| Tim Oravetz | (segment "Int. Trailer Night") | ||
Costume Design by | |||
| Helena Sanchís | |||
Production Management | |||
| Annie Clayton | .... | production manager | |
| Steve Harrow | .... | post-production supervisor | |
| Luke Schiller | .... | production supervisor | |
| Marcus Turner | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mike Ellis | .... | first assistant director (segment "We Wuz Robbed") | |
| Feng Feng | .... | assistant director (segment "100 Flowers Hidden Deep") | |
| Betsy Friedman | .... | second assistant director | |
| Todd Pfeiffer | .... | assistant director (segment "Int. Trailer Night") | |
| Lei Shui | .... | assistant director (segment "100 Flowers Hidden Deep") | |
Art Department | |||
| Markku Pätilä | .... | set designer (segment "Dogs Have No Hell") | |
Sound Department | |||
| Michael Boyle | .... | sound (segment "We Wuz Robbed") | |
| Tilo Busch | .... | sound re-recording mixer (segment "Twelve Miles to Trona") | |
| Gianluca Buttari | .... | foley recordist | |
| Anthony J. Ciccolini III | .... | sound designer (segment "Int. Trailer Night") | |
| Tomás Erice | .... | boom operator | |
| Mike Grimes | .... | studio assistant | |
| Gabriel Gutiérrez | .... | sound editor | |
| Dan Johnson | .... | assistant sound mixer | |
| Hugh Johnson | .... | sound re-recording mixer | |
| Drew Kunin | .... | sound (segment "Int. Trailer Night") | |
| Tero Malmberg | .... | sound (segment "Dogs Have No Hell") | |
| Kevin Maloney | .... | boom operator | |
| Iván Marín | .... | sound recordist | |
| Zak Melemendjian | .... | assistant sound mixer (as Peter Melemendjian) | |
| Bernard O'Reilly | .... | sound editor | |
| Lee Orloff | .... | sound mixer (segment "Twelve Miles to Trona") | |
| Daniel Pagan | .... | sound editor | |
| Paul Paragon | .... | sound mixer (segment "100 Flowers Hidden Deep") (segment "River") | |
| Jeremy Price | .... | dubbing editor | |
| Walter Saxer | .... | sound (segment "Ten Thousand Years Older") | |
| Joern Steinhoff | .... | sound designer (segment "Twelve Miles to Trona") | |
| Andrew Stirk | .... | sound re-recording mixer | |
| Jorge Sánchez | .... | sound (segment "Lifeline") | |
| Danrong Wang | .... | sound (segment "100 Flowers Hidden Deep") | |
| Stefan Wangorsch | .... | assistant sound editor | |
| Elmo Weber | .... | sound designer (segment "Twelve Miles to Trona") | |
| Alexander Weuffen | .... | assistant sound re-recording mixer (segment "Twelve Miles to Trona") | |
Visual Effects by | |||
| Raul Ortego | .... | digital compositor | |
| Raúl Sánchez | .... | digital compositor | |
| Dominik Trimborn | .... | visual effects and digital lab supervisor: das werk | |
Camera and Electrical Department | |||
| Saturnino Beltrán | .... | assistant camera | |
| Lamont Crawford | .... | key grip | |
| Osa Elmfors | .... | second assistant camera | |
| Leigh Rathner | .... | first assistant camera | |
| Rick Tullis | .... | Steadicam operator (segment: "100 Flowers Hidden Deep") | |
Costume and Wardrobe Department | |||
| John A. Dunn | .... | costume designer: segment "Int. Trailer Night" | |
Editorial Department | |||
| Cas Casey | .... | on-line editor | |
| Helen de Winter | .... | clearances coordinator | |
| Rick Greenhead | .... | telecine colorist | |
| Sam Mangan | .... | post-production assistant | |
| Carolina Martínez Urbina | .... | assistant editor | |
| Karin C. Pennartz | .... | post-production | |
| Bianca Rudolph | .... | colorist | |
Music Department | |||
| Michael Beckmann | .... | music supervisor | |
| Becky Bentham | .... | music coordinator | |
| Paul Clarvis | .... | musician: drums and percussion | |
| Hugh Masekela | .... | musician: trumpet | |
| Rutledge Turnlund | .... | musician: double bass | |
Other crew | |||
| Joanna Ashton-Jones | .... | production coordinator | |
| Denise Booth | .... | sales manager | |
| Marek Bringezu | .... | funding executive: Film Funding Consultancy, Berlin | |
| Karsten Brünig | .... | managing director: I.P.S. Berlin | |
| Paul Dray | .... | laboratory contact | |
| Araceli Gordobil | .... | production assistant (segment "Lifeline") | |
| Frank Graf | .... | managing director | |
| Jethro Harris | .... | facilities manager: Pepper (Film and Television Ltd.) | |
| Hailon Li | .... | assistant: Ulrich Felsberg | |
| Valentina Lori | .... | legal services | |
| Alison McDonald | .... | production associate | |
| Simone Nicholson | .... | production assistant | |
| Jan-Eric Nyström | .... | titles (segment "Dogs Have No Hell") | |
| Volker Otte | .... | managing director: Film Funding Consultancy, Berlin | |
| Rainer Pyls | .... | production accountant | |
| César Romero | .... | assistant: Victor Erice (segment "Lifeline") | |
| Anna Rostosky | .... | production assistant | |
| Jan Hopper Sanders | .... | script supervisor: "We Wuz Robbed" | |
| Jorge Sempere | .... | assistant director (segment "Lifeline") | |
| Suzie Shearer | .... | production coordinator | |
| Paul Swann | .... | laboratory contact | |
| Kai-Peter Uhlig | .... | legal services | |
| Jona Wirbeleit | .... | marketing coordinator | |
Thanks | |||
| Herz Frank | .... | dedicatee | |
| Juris Podnieks | .... | dedicatee | |
| Company credits | Technical specifications | Crazy credits |
| Main details |