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The Order (2003)

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Ratings: 5.1/10 from 13,951 users   Metascore: 21/100
Reviews: 201 user | 112 critic | 17 from Metacritic.com

A young priest is sent to Rome to investigate the troubling death of the head of his order.

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Title: The Order (2003)

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Cast

Cast overview, first billed only:
...
...
...
...
...
Driscoll
Francesco Carnelutti ...
Dominic
Mattia Sbragia ...
Apathetic Bishop
Mirko Casaburo ...
Little Boy
Giulia Lombardi ...
Little Girl
...
Bookstore Owner
Cristina Maccà ...
Sister Franca
Paola Emilia Villa ...
Sister Marie
...
Faraway Eyes Girl
...
Eden's Maid
Paolo Lorimer ...
Englishman
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Storyline

Alex Bernier (Ledger) is a member of an arcane order of priests known as Carolingians. When the head of the order dies, Alex is sent to Rome to investigate mysterious circumstances surrounding the death. The body bears strange marks on the chest which may or may not be the sign of a Sin Eater (Furmann), a renegade who offers absolution, last rites and therefore a path to heaven outside the jurisdiction of the church. Alex enlists the aid of his old comrade Father Thomas (Addy) and of a troubled artist (Sossamon) upon whom he once performed an exorcism. He soon finds himself plunged into a mystery only to find himself at the heart of it. Written by Brian Helgeland

Plot Summary | Plot Synopsis

Taglines:

Behind the disguise of good hides the soul of evil. See more »


Motion Picture Rating (MPAA)

Rated R for violent images, sexuality and language | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | | |

Release Date:

5 September 2003 (USA)  »

Also Known As:

The Sin Eater  »

Filming Locations:

 »

Box Office

Budget:

$38,000,000 (estimated)

Opening Weekend:

£161,779 (UK) (12 September 2003)

Gross:

$7,659,747 (USA) (24 October 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Vincent Cassel had originally been cast as William Eden but left the production after three weeks due to "creative differences". He has been replaced by Benno Fürmann. See more »

Goofs

During the scene in which Alex and Mara are making love, the leather bracelet Alex wears changes position from one wrist to the other several times. See more »

Quotes

[first lines]
Alex Bernier: Every life is a riddle. The answer to mine is knowledge, born of darkness.
Alex Bernier: It wasn't always so. In the beginning, I still had questions. In the beginning, my mystery still remained.
See more »

Connections

References Mod Squad (1968) See more »

Soundtracks

Due Croci
Written by Adam Milo Smalley & Dan Powell
Performed by Crotch
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Frequently Asked Questions

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User Reviews

 
A schizophrenic, old-world thriller that's still worth a viewing
8 September 2003 | by (Minneapolis, MN) – See all my reviews

In the bygone days of the Catholic Church, a sin-eater was an individual that, through ritual, would take the sins of a dying person upon themselves. Often, these people were excommunicate or similar individuals who the church would not absolve, thereby denying them entrance into Heaven. The sin-eaters were seen as blasphemous, circumventing the chruch's monopoly on redemption. Sex this up a bit with some overt supernatural mojo, let the concept wander where it may, and you have "The Order", a movie that combines "Stigmata"'s religious anti-authoritarianism, "The X-Files"' paranormal investigation, and "The Thorn Birds"' sexual spirituality into an odd melange that sometimes works.

Alex (Heath Ledger) is a rogue priest, one of the last members of the Order of the Carolingians, a semi-heretical order of knowledge-seeking, demon-fighting priests. When Alex's mentor is found dead under bizarre circumstances, Bishop Driscoll (Peter Weller) sends Alex to investigate. Tagging along are fellow Carolingian Thomas (Mark Addy) and Mara (Shannyn Sossman), who was subject to one of Alex's exorcisms a year prior. The three go to Rome to investigate and are drawn into a dark underworld of bizarre Catholic heresy, ominous prophecies, demonic intrusions, and a man claiming to be the last surviving Sin-Eater (Benno Furmann).

Written and directed by Brian Helgeland (who worked with the same principals on the scattershot and half-hearted "A Knight's Tale"), the film is an odd one, and difficult to classify. It wants to be several things at once -- supernatural thriller, religious intrigue, dramatic television pilot -- and only sometimes succeeds at any of them. This isn't helped by the slow pace or the fact that most of the actors seem to be sleepwalking through their performances with occasional bursts of brilliance. Ledger, in particular, has a particularly stunning scene of despair in an otherwise monochromatic performance. Sossman, however, displayed the same disconnected performance that she's given in all of her films (most notably in "The Rules Of Attraction").

The plot itself meanders back and forth between several different story arcs, leading you to wonder which is the main one with each arc containing its share of red herrings. Large gaps of narrative appear to be lost between scenes at times, which can be confusing for many, but this is also one of the film's saving graces. The structure of the film -- coupled by the fact that there is never a truly clear antagonist until the very end of the film -- forces the viewer to analyze and reason in a time when most films are blatantly obvious about everything (the exception to this is historical background on the Carolingians and the practice of sin-eating, both of which are explained in dry exposition). Even at the beginning of the film, character relationships and history are inferred instead of explained. Combine this with the on-location shooting and judicious use of special effects, and you have a very old-world supernatural thriller, with even the opening credits reminiscent of something from the late 70's/early 80's.

A brief mention here, as well, for the subtle and organic score by David Torn, a combination of minimalist orchestration and Lisa Gerrard-style exotic vocals. A very nice score that is evocative without being bombastic and exists in a very deceptive simplicity.

A confusing plot, a lack of purpose, and sometimes sleepy performances would often damn a movie, but for some reason, "The Order" remains watchable. Many people will be very turned off by the movie for its odd sensibilities, and some may even become angry that they are forced to engage the higher functions of their brain to understand it. Still, the film's sheer intangibility will prevent it from being either a critical or commercial success until the DVD, which I'm sure will be stocked with copious amounts of deleted scenes. A recommended film only for people who like to think while they watch. 6 out of 10.


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