| Photos (See all 15 | slideshow) |
| Anne Parillaud | ... | Jeanne | |
| Grégoire Colin | ... | The Actor | |
| Roxane Mesquida | ... | The Actress | |
| Ashley Wanninger | ... | Leo, the first assistant | |
| Dominique Colladant | ... | Willy | |
| Bart Binnema | ... | Director of Photography | |
| Yves Osmu | ... | The sound engineer | |
| Elisabete Piecho | ... | Continuity Girl | |
| Francis Selleck | ... | Production Manager (as Francis Seleck) | |
| Diane Scapa | ... | The production designer | |
| Ana Lorena | ... | The make-up artist | |
| Claire Monatte | ... | The other make-up artist (as Claire Monnatte) | |
| Arnaldo Junior | ... | The chief electrician | |
| Elisabete Silva | ... | The boom operator | |
| Júlia Fragata | ... | The set dresser | |
| Alfredo 'Alebé' Ramalho | ... | A grip (as Alfredo Ramalho) | |
| Rudolfo Santos | ... | A grip | |
| José Cascais | ... | The property master | |
| rest of cast listed alphabetically: | |||
| Sandra Maia | |||
Directed by | |||
| Catherine Breillat | |||
Writing credits(in alphabetical order) | ||
| Catherine Breillat | ||
Produced by | |||
| António da Cunha Telles | .... | associate producer | |
| Jean-François Lepetit | .... | producer | |
Cinematography by | |||
| Laurent Machuel | |||
Film Editing by | |||
| Pascale Chavance | |||
Casting by | |||
| João Cayatte | |||
| Michaël Weill | |||
Production Design by | |||
| Frédérique Belvaux | |||
Art Direction by | |||
| Frédérique Belvaux | |||
Costume Design by | |||
| Valérie Guégan | |||
Makeup Department | |||
| Dominique Colladant | .... | special makeup effects artist | |
| Ana Lorena | .... | key makeup artist | |
| Iracema Machado | .... | key hair stylist | |
| Claire Monatte | .... | makeup artist | |
Production Management | |||
| Sandra Alves | .... | unit manager | |
| Philippe Delest | .... | production manager | |
| Cristina Soares | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David Santini | .... | second assistant director | |
| Michaël Weill | .... | first assistant director | |
Sound Department | |||
| Laure Arto | .... | sound mixer | |
| Laure Arto | .... | sound | |
| Frédéric Attal | .... | sound editor | |
| Christophe Bourreau | .... | foley artist | |
| Roberto Cappannelli | .... | sound re-recording mixer | |
| Emmanuel Croset | .... | sound mixer | |
| Emmanuel Croset | .... | sound | |
| Filipe Gonçalves | .... | sound | |
| Sylvain Lasseur | .... | sound editor | |
| Yves Levêque | .... | sound | |
| Yves Osmu | .... | sound | |
Editorial Department | |||
| Christophe Bousquet | .... | color timer | |
| Pedro Marques | .... | assistant editor | |
Other crew | |||
| Jean-Pierre Billard | .... | administrator | |
| Clara Cardoso | .... | administrator | |
| Sara Dantas | .... | administrator | |
| Fátima Ribeiro | .... | script supervisor | |
Thanks | |||
| Frédéric Mitterrand | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| can someone clarify? | rabidteddy5 |
| Is 'The Actor' gay? | TimeNTide |
| Closing Titles Music? | mori_kntu |
| Can't wait to see this! | canadian_film_buff |
| ending | kirjava24 |
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| Love Actually | My Wife Is an Actress | The Stunt Man | For Ever Mozart | Torremolinos 73 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb France section |
Another fabulous movie from Catherine Breillat, this time about the difficulties of shooting a sex scene in a movie. Using comedy a new genre for Breillat we get a backstage view of filmmaking but in documentary style. The character who plays the director in the movie is based on Breillat, the sex scene in question is taken from her earlier film A Ma Soeur' as is the main teenage actress. But the film, like all of Breillat's work, is not entertainment alone. It is peppered with philosophical observations on the nature of sexuality as well as demonstrating a devotion to purity' (as opposed to pornography) that is a cornerstone of Breillat's work and a devotion to real emotion. We see the director character harangue the young lead actress and actor to bring the best out in them, hypnotising them into the parts they need to play, bringing out part of themselves that the director can see in them but they cannot see in themselves until they achieve the heights of acting that she demands of them. She makes meaningful movies, not titillation, but she shows the work that is needed to produce this, and so gives us insights both into the (decidedly French) film making process and the psychology of male female sexuality.