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Resin (2001)
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Overview
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Plot:
A drug dealer, after getting arrested, beat-up in jail and his first felony conviction, vows to make... more | add synopsisPlot Keywords:
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1 win moreUser Comments:
The first American Dogme 95 film is an exceptional piece of work. moreCast
(Credited cast)| David Alvarado | ... | Zeke | |
| Mia Kelly | ... | Sira | |
| Michael Glazer | ... | Glazer | |
| rest of cast listed alphabetically: | |||
| Brandon Beckner | ... | Narc | |
| Phil Cohn | ... | Public Defender #2 | |
| Michael Dong | ... | Friend #1 | |
| Dayvid Figler | ... | Prosecutor | |
| Charles Nort | ... | Public Defender #1 | |
| Rudy Ruggiero | ... | Detective | |
| Rick Seigel | ... | Randy | |
| Jeanie Wa | ... | Prosecutor | |
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87 minCountry:
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Discuss this movie with other users on IMDb message board for Resin (2001)| Recent Posts (updated daily) | User |
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| Not the first American Dogme | catgrrl00 |
| where can i find it? | limpdurst77 |
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The stated purpose of the Dogme 95 manifesto is to strip the art of filmmaking of its decadent trappings and to return it to the purity that resides behind movie illusion. Theoretically, the Dogme Vow of Chastity should force the filmmaker and, therefore, the viewer, to confront the essentials presented on the screen without intervention or amelioration. Resin, the first American Dogme film is an example of the movement at its best. The work has an explicit political agenda, and if the film is read simply as polemic, it is successful in making clear the tragic absurdities in the California penal code. However, Resin transcends its politics and renders an unforgettable portrait of a human being caught in the dispassionate machinery of a society which first alienates then destroys him. The camera's unrelenting eye, stripped of artifice, binds us to Zeke in his struggle with a system in which he clearly never had a chance and forces us to confront his vulnerability, the inarticulate youthfulness which is helpless against the slick maneuverings of the forces marshaled against him: the public defenders, the narcs, the prosecuting attorneys. In Resin, the Dogme technique of apparent cinematic artlessness, paradoxically, has itself become art, while the practices employed in the destruction of movie illusion have created a far more complex illusion: the sense that we have somehow come to know and to lament as real, a young man who exists only on film.