PETITES COUPURES tells the story of Bruno (Daniel Auteuil), a communist newspaper journalist suffering a mid-life crisis. Torn between his wife Gaëlle ('Emmanuel Devos') and his young ... See full summary »
Philippe Le Tallec, a scientist living in the USA, has to come back to France to look after his young girl Eglantine. But it seems Eglantine cares more about parties and boyfriends than her uncool dad ...
Ruthless executive Christine brings on Isabelle as her assistant, and she takes delight in toying with the young woman's innocence. But when the protégé's ideas become tempting enough for ... See full summary »
Kristin Scott Thomas,
Someone I loved (Je L'Aimais) is based on the best-selling novel by Anna Gavalda. It's the story of Pierre (Daniel Auteuil), who takes his daughter-in-law, Chloe (Florence Loiret Caille) ... See full summary »
Florence Loiret Caille
Xavier Lombard is a world-weary private eye in London, in exile from his native Paris; his best friend is Nathalie, a high-class call girl. He gets a call from an old friend from the Paris ... See full summary »
PETITES COUPURES tells the story of Bruno (Daniel Auteuil), a communist newspaper journalist suffering a mid-life crisis. Torn between his wife Gaëlle ('Emmanuel Devos') and his young girlfriend Nathalie (Ludivine Sagnier), his political beliefs battered by the wind of history, Bruno seems to have lost his bearings. After responding to a call for help from his uncle (Jean Yanne), who is fighting a losing battle for re-election as the communist mayor of a small town near Grenoble, Bruno gets lost in a dark forest. There he meets Béatrice (Kristin Scott Thomas), who does nothing to stop him getting even more lost Written by
I happened to see this film on a flight from Paris to Boston and it reminded me of the food on the plane: generic, tasteless and obscure. The French cinema seems to have lost its footing these days and this is a good example of how a motley script can waste brilliant actors. While some may find the 'playfulness' of the script to be in line with the dictates of Euro post modernism, the whole project seems more like a post-mortem on the death of Euro-cinema's golden years and truly fabulous talents --- one is vaguely reminded here of Bunuel but without the charm or wit.
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