PETITES COUPURES tells the story of Bruno (Daniel Auteuil), a communist newspaper journalist suffering a mid-life crisis. Torn between his wife Gaëlle ('Emmanuel Devos') and his young ... See full summary »
On October 9th, 1963, at 10:39 pm, 260 million cubic meters of rock fell down from Mount Toc to the artificial lake formed by the Vajont dam, the higher dam in the world. The landslide ... See full summary »
A group of cinematic spend a holiday in the French countryside. The film provides insight in their relationships, including that between a young man and a local girl, Lili. She uses the ... See full summary »
Unemployed for three years, Gerard has landed a job in Indonesia. To start off on the right foot with his "team leader", Gerard invites him to dinner. Considering his wife's lack of ... See full summary »
This a beautiful May evening. The sun has just set behind the hill. Tonight the inhabitants of the Le Corbusier housing unit are going to experience a slight change of program. They are all... See full summary »
PETITES COUPURES tells the story of Bruno (Daniel Auteuil), a communist newspaper journalist suffering a mid-life crisis. Torn between his wife Gaëlle ('Emmanuel Devos') and his young girlfriend Nathalie (Ludivine Sagnier), his political beliefs battered by the wind of history, Bruno seems to have lost his bearings. After responding to a call for help from his uncle (Jean Yanne), who is fighting a losing battle for re-election as the communist mayor of a small town near Grenoble, Bruno gets lost in a dark forest. There he meets Béatrice (Kristin Scott Thomas), who does nothing to stop him getting even more lost Written by
I happened to see this film on a flight from Paris to Boston and it reminded me of the food on the plane: generic, tasteless and obscure. The French cinema seems to have lost its footing these days and this is a good example of how a motley script can waste brilliant actors. While some may find the 'playfulness' of the script to be in line with the dictates of Euro post modernism, the whole project seems more like a post-mortem on the death of Euro-cinema's golden years and truly fabulous talents --- one is vaguely reminded here of Bunuel but without the charm or wit.
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