| Judith Godrèche | ... | Justine | |
| Niels Arestrup | ... | Richard | |
| Anne Le Ny | ... | Amélie | |
| Laurence Février | ... | Justine's mother | |
| Jean-Marie Frin | ... | Justine's father | |
| Aurélien Wiik | ... | William | |
| Daniel Isoppo | ... | Hubert | |
| Christelle Tual | ... | Josée | |
| Chantal Banlier | ... | Christine | |
| Isabelle Olive | ... | Carole | |
| Jimmy Baudrand | ... | Constantin | |
| Louis-Alexandre Lucotte | ... | Jérémy | |
| Jules Boudier | ... | Jacob | |
| François Chattot | ... | French producer | |
| Ariane Seguillon | ... | Corinne | |
| Fleur Michels | ... | Traffic warden | |
| Léa Unglick | ... | Justine (5 years old) | |
| Lilly-Fleur Pointeaux | ... | Justine (9-12 years old) | |
| Yoann Denaive | ... | Friend suburb | |
| Nastasia Demont | ... | Clémentine (8 years old) | |
| James Gorter | ... | Clément (8 years old) | |
| Annelise Hesme | ... | Elsa | |
| Enric Arquimbau | ... | Opera manager | |
| Christine Campion | ... | Opera manager's assistant | |
| Jacques Le Forestier | ... | Delivery man | |
| Oury Milshtein | ... | A man in the office | |
| Julien Marion | ... | Justine's brother (14 years old) |
Directed by | |||
| Sophie Marceau | |||
Writing credits(in alphabetical order) | ||
| Sophie Marceau | ||
Produced by | |||
| Christine Gozlan | .... | executive producer | |
| Alain Sarde | .... | producer | |
Original Music by | |||
| Éric Neveux | |||
Cinematography by | |||
| Emmanuel Machuel | |||
Film Editing by | |||
| Claudine Merlin | |||
Casting by | |||
| Philippe Page | |||
Production Design by | |||
| Yves Fournier | |||
Set Decoration by | |||
| Marie Cheminal | |||
Costume Design by | |||
| Nathalie Raoul | |||
Makeup Department | |||
| Judith Gayo | .... | key makeup artist | |
| Gérald Portenart | .... | key hair stylist | |
Second Unit Director or Assistant Director | |||
| Fabrice Barnier | .... | second assistant director | |
| Cyril Cohen | .... | third assistant director | |
| Olivier Genet | .... | first assistant director | |
Art Department | |||
| Bernard Bridon | .... | property master | |
| Denis Falgoux | .... | first assistant decorator | |
Sound Department | |||
| Vincent Arnardi | .... | sound re-recording mixer | |
| Michel Filippi | .... | adr supervisor | |
| Olivier Schwob | .... | sound | |
| Emmanuelle Villard | .... | boom operator | |
| Reine Wekstein | .... | sound editor | |
Casting Department | |||
| Christine Campion | .... | extras casting | |
| Amélie Covillard | .... | casting assistant | |
Editorial Department | |||
| Sarah Perrain | .... | apprentice editor | |
Music Department | |||
| Régis Dupré | .... | score orchestrator | |
| Valérie Lindon | .... | music producer | |
Other crew | |||
| Fabrice Barnier | .... | location scout | |
| Raphaelle Colboc | .... | production assistant | |
| Ariane Culiersi | .... | administrator | |
| Bénédicte Darblay | .... | script supervisor | |
| Harmel Sbraire | .... | coach: actors | |
| Nathalie Radovic | .... | assistant to producer (uncredited) | |
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| Trivial | Le birdwatcher | Paris, je t'aime | L'Auberge Espagnole | The Science of Sleep |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
For a thirty seven year old actress with a background as something of a 'wild child' Sophie Marceau has turned in an extremely mature debut movie. It's a 'mood' piece from frame one with relevant back story fed to us via an eye dropper and none the worse for that. She is also very consistent and sure-footed in her narrative. For instance our first glimpse of Arestrup is of an ageing father figure in mid-metamorphose from 'insensitive' to 'monster' yet in the back story he is seen through the same eyes - initially a bruised wife but now a young girl in love - as a caring, sensitive romantic. Okay, we're talking art house fare but that's what we don't have enough of. As an actress Sophie Marceau was often associated with the type of movie that held no interest for me, fodder for the bubble-gum crowd, but as a writer-director she is a double-threat on whom I will keep an eye. See it only if you're discerning and value fine writing, acting and directing.