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Mona Lisa Smile (2003)
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Overview
User Rating:
Your Rating:
Director:
Writers (WGA):
Release Date:
19 December 2003 (USA)
See more »
Tagline:
In a world that told them how to think, she showed them how to live. See more »
Plot:
A free-thinking art professor teaches conservative 50's Wellesley girls to question their traditional societal roles. Full summary » | Add synopsis »
Awards:
Nominated for Golden Globe.
Another 5 nominations
See more »
NewsDesk:
(120 articles)
Happy Birthday, Ginnifer Goodwin! Once Upon a Time Star Turns 34
(From E! Online. 22 May 2012, 4:00 AM, PDT)
Brett Ratner Among Tribeca Film Festival Jurors
(From Huffington Post. 16 April 2012, 12:01 PM, PDT)
Tribeca Film Festival And Tribeca Film Institute Announce Juries
(From AreYouScreening. 16 April 2012, 11:54 AM, PDT)
(From E! Online. 22 May 2012, 4:00 AM, PDT)
Brett Ratner Among Tribeca Film Festival Jurors
(From Huffington Post. 16 April 2012, 12:01 PM, PDT)
Tribeca Film Festival And Tribeca Film Institute Announce Juries
(From AreYouScreening. 16 April 2012, 11:54 AM, PDT)
User Reviews:
This Picture Is Better Than It Should Be
See more (253 total) »
Cast
(in credits order) (verified as complete)
Directed by | |||
| Mike Newell | |||
Writing credits(WGA) | ||
| Lawrence Konner | (written by) & | |
| Mark Rosenthal | (written by) | |
Produced by | |||
| Richard Baratta | .... | co-producer | |
| Elaine Goldsmith-Thomas | .... | producer | |
| Joe Roth | .... | executive producer | |
| Paul Schiff | .... | producer | |
| Deborah Schindler | .... | producer | |
Original Music by | |||
| Rachel Portman | |||
Cinematography by | |||
| Anastas N. Michos | (director of photography) (as Anastas Michos) | ||
Film Editing by | |||
| Mick Audsley | |||
Casting by | |||
| Ellen Chenoweth | |||
| Susie Farris | |||
Production Design by | |||
| Jane Musky | |||
Art Direction by | |||
| Patricia Woodbridge | |||
Set Decoration by | |||
| Susan Bode | (as Susan Tyson) | ||
| Chris Nickerson | |||
Costume Design by | |||
| Michael Dennison | |||
Makeup Department | |||
| Carla Antonino | .... | makeup artist | |
| Kristen Barry | .... | hair stylist | |
| Margot Boccia | .... | makeup department head | |
| John Caglione Jr. | .... | co-key makeup artist | |
| Robert Chiu | .... | hair stylist | |
| Jane Choi | .... | assistant makeup artist | |
| Bonnie Clevering | .... | hair stylist: Ms. Roberts | |
| Mary Cooke | .... | hair stylist | |
| Richard Dean | .... | makeup artist: Ms. Roberts | |
| Paula Dion | .... | hair stylist | |
| Joseph Farulla | .... | makeup artist | |
| Donna Marie Fischetto | .... | hair stylist | |
| Rob Fitz | .... | additional makeup artist | |
| Lisa Hazell | .... | assistant hair stylist | |
| Michelle Johnson | .... | key hair stylist | |
| Frances A. Kolar | .... | co-key makeup artist | |
| Heidi Kulow | .... | makeup artist | |
| Jeri La Shay | .... | additional makeup artist | |
| Christine Leiter | .... | makeup artist | |
| Brenda McNally | .... | hair stylist | |
| Kyra Panchenko | .... | additional makeup artist: Kristen Dunst, Julia Stiles and Maggie Gyllenhaal | |
| Kerrie R. Plant | .... | makeup artist | |
| John Quaglia | .... | key hair stylist (as John D. Quaglia) | |
| Lyndell Quiyou | .... | hair department head | |
| Joe Rossi | .... | makeup artist | |
| Sherryn Smith | .... | additional makeup artist | |
| Mary Anne Spano | .... | additional makeup artist | |
| Jeni Zaharian | .... | additional makeup assistant: Boston | |
| Nicki Ledermann | .... | additional makeup artist (uncredited) | |
| Trish Seeney | .... | additional makeup artist: Boston (uncredited) | |
Second Unit Director or Assistant Director | |||
| David Eric Chapman | .... | assistant director: re-shoots | |
| Nancy Herrmann | .... | additional second assistant director | |
| Eddie Micallef | .... | second assistant director | |
| Joseph P. Reidy | .... | first assistant director | |
| Paul Schiff | .... | second unit director | |
| Noelle Stehman | .... | additional second assistant director | |
| Chris Surgent | .... | first assistant director: second unit | |
| Chris Surgent | .... | second assistant director | |
Sound Department | |||
| Mark Auguste | .... | supervising sound editor | |
| Sam Auguste | .... | assistant sound editor | |
| Peter Burgis | .... | foley artist | |
| Tim Cavagin | .... | sound re-recording mixer | |
| Colin Cooper | .... | adr mixer | |
| Colette Dahanne | .... | adr mixer | |
| Andie Derrick | .... | foley artist | |
| Peter Gleaves | .... | adr mixer | |
| Phillip A. Hamilton | .... | adr recordist | |
| Lee Kerr | .... | adr mixer | |
| Sean Landeros | .... | sound recordist | |
| Daniel Laurie | .... | adr editor | |
| Daniel Laurie | .... | dialogue editor | |
| Kim Maitland | .... | sound recordist | |
| Michael Miller | .... | adr mixer | |
| T.J. O'Mara | .... | production sound mixer | |
| James Seddon | .... | dolby consultant | |
| Steve Single | .... | sound re-recording mixer | |
| Greg Steele | .... | adr mixer | |
| Derek Trigg | .... | foley editor | |
| Joe White | .... | boom operator | |
| G. John Garrett | .... | playback recordist (uncredited) | |
| Suzie Hollander | .... | dailies synching (uncredited) | |
Special Effects by | |||
| William 'Billy Jack' Jakielaszek | .... | special effects technician | |
Visual Effects by | |||
| Marcus Alexander | .... | visual effects editor: Framestore CFC | |
| Randall Balsmeyer | .... | visual effects supervisor | |
| Timothy Michael Cairns | .... | quality control supervisor: Efilm/Panavision | |
| Michael Eaves | .... | digital color timer: efilm | |
| Drew Jones | .... | visual effects executive producer | |
| Kevin Lin | .... | digital cleanup artist | |
| Christian Manz | .... | digital compositor | |
| Nicholas Seal | .... | digital compositor | |
| Thomas Mathai | .... | data manager (uncredited) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Brendan Donnison | .... | adr voice casting | |
| Peter Dudgeon | .... | extras casting assistant | |
| Kevin Fennessy | .... | extras casting: Boston | |
| Stephanie Holbrook | .... | casting associate | |
| Anna Maniscalco | .... | extras casting associate | |
| Cindy Morton | .... | extras casting associate: Boston | |
| Jennifer Sabel | .... | extras casting assistant | |
| Grant Wilfley | .... | extras casting | |
Editorial Department | |||
| Aisha Bicknell | .... | post-production coordinator | |
| Steve Calalang | .... | dailies colorist | |
| Dan Greeney | .... | post-production assistant | |
| Andrew Haigh | .... | assistant editor | |
| Jack Lewars | .... | assistant color timer: Efilm | |
| Lea Morement | .... | first assistant editor: film | |
| Chris Regan | .... | color timer | |
| Dan Roberts | .... | first assistant editor | |
| Patricia Sztaba | .... | negative matcher | |
| Stan Sztaba | .... | negative matcher | |
| Zeborah Tidwell | .... | assistant editor | |
Music Department | |||
| Jeff Atmajian | .... | orchestrator | |
| Sophie Cornet | .... | second music editor | |
| Chris Cozens | .... | auricle control systems | |
| Chris Dibble | .... | scoring mixer | |
| Tony Finno | .... | music arranger: source music | |
| Michael Higham | .... | music editor | |
| Lewis Jones | .... | assistant score mixer | |
| Randall Poster | .... | music supervisor | |
| Andy Richards | .... | music mixing engineer | |
| Kevin Townend | .... | song orchestrator | |
Transportation Department | |||
| Denise Avallon | .... | driver | |
| Robert Buckman | .... | driver | |
| Robert Buckman | .... | transportation co-captain | |
| James Collins | .... | driver | |
| Edward Devereaux II | .... | driver: honeywagon | |
| Michael Hyde | .... | transportation coordinator | |
| Bobby Marsh | .... | driver | |
| Robert Martini | .... | transportation co-captain | |
Production Companies
- Revolution Studios (presents)
- Red Om Films
- Sony Pictures Entertainment (SPE) (2003) (worldwide) (all media)
- Columbia TriStar Italia (2003) (Italy) (theatrical)
- Italian International Film (2003) (Italy) (theatrical)
- Columbia Pictures (2003) (USA) (theatrical)
- Buena Vista International (2004) (Switzerland) (theatrical)
- Columbia TriStar Film Distributors International (2004) (Singapore) (theatrical)
- Columbia TriStar Film (2004) (Germany) (theatrical)
- Columbia TriStar Films (2004) (Spain) (theatrical)
- Columbia TriStar Films (2004) (Netherlands) (theatrical)
- Columbia TriStar Films de Argentina (2004) (Argentina) (theatrical)
- Prooptiki (2004) (Greece) (theatrical)
- United International Pictures (UIP) (2004) (Japan) (theatrical)
- Columbia TriStar Home Entertainment (2004) (Netherlands) (DVD)
- Columbia TriStar Home Video (2004) (Netherlands) (VHS)
- Columbia TriStar Home Video (2004) (USA) (DVD)
- Columbia TriStar Home Video (2004) (USA) (VHS)
- LK-TEL (Argentina) (DVD)
- LK-TEL (Argentina) (VHS)
- Prooptiki Video (2004) (Greece) (VHS)
- RTL Entertainment (2006) (Netherlands) (TV) (RTL5)
- Sony Pictures Home Entertainment (2008) (Netherlands) (DVD) (Blu-ray)
- Sony Pictures Home Entertainment (2010) (USA) (DVD) (Blu-ray)
- Framestore CFC (visual effects)
- Abbey Road Studios music recorded at
- Chapman/Leonard Studio Equipment cranes and dollies
- Digital Kitchen titles
- EFilm digital intermediate
- Epic Records soundtrack
- Grant Wilfley Casting extras casting
- Helen Uffner Vintage Clothing vintage clothing rentals
- High Output grip and lighting equipment
- L.A. Mad Dogs loop group
- Lansdown Recording Studios music mixed at (as Lansdowne Recording Studios)
- London Editing Machines Ltd. editing equipment
- Mega Playground video dailies
- Sony Music Soundtrax soundtrack
- Twickenham Film Studios sound post-production
Additional Details
Also Known As:
See more »
MPAA:
Rated PG-13 for sexual content and thematic issues
Parents Guide:
Runtime:
117 min
Country:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Brazil:12 | Canada:G (British Columbia/Ontario/Quebec) | Canada:PG (Alberta/Manitoba/Nova Scotia) | Iceland:L | Malaysia:U | Finland:S | South Korea:12 | Netherlands:AL | Sweden:Btl | USA:PG-13 | Portugal:M/12 (re-rating on appeal) | Portugal:M/6 (original rating) | Argentina:13 | Australia:PG | Hong Kong:IIA | Philippines:PG-13 | Singapore:PG | Spain:7
Filming Locations:
Company:
Did You Know?
Trivia:
In order to prepare for their roles, the leads were all put through a finishing school two weeks prior to filming.See more »
Goofs:
Continuity: The first song played by the jazz band at the wedding reception features the sound of muted trumpets, but the trumpets in the video are not muted.See more »
Quotes:
[first lines]
Betty Warren:[voiceover] All her life, she had wanted to teach at Wellesley College. So, when a position opened in the Art History department, she pursued it single-mindedly until she was hired. It was whispered that Katherine Watson, a first-year teacher from Oakland State, made up in brains what she lacked in pedigree. Which was why this bohemian from California was on her way to the most conservative college in the nation.
See more »
Betty Warren:[voiceover] All her life, she had wanted to teach at Wellesley College. So, when a position opened in the Art History department, she pursued it single-mindedly until she was hired. It was whispered that Katherine Watson, a first-year teacher from Oakland State, made up in brains what she lacked in pedigree. Which was why this bohemian from California was on her way to the most conservative college in the nation.
See more »
Movie Connections:
Referenced in "Who Wants to Be a Millionaire: Episode #8.133" (2010)See more »
Soundtrack:
Mona LisaSee more »
FAQ
How does it end?See more »
See more (253 total) »
Message Boards
Discuss this movie with other users on IMDb message board for Mona Lisa Smile (2003) See more »Recommendations
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An 
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This is the kind of movie that is easy to pan, but deserves better. Yes, the premise is familiar, the plot is formulaic, the characters seem like you've met them before.
But...
"The devil is in the details," as they say, and this picture has just enough surprises, just enough charm, just enough fine acting to make it worth watching. Movies do not have to be real to be worthwhile, they just have to be about real things. The questions "Mona Lisa Smile" covers are still very much with us, and may provoke considerable discussion in your house. This film is respectful enough of its subject matter and well-enough executed to make it a much better way to spend your time than most of what's out there now. Don't believe the sourpusses, this one's a good'un.