Colini, an exiled American gangster living in Sicily, rescues Giordano, a young Sicilian outlaw, from the police. After Giordano is groomed, polished, and renamed "Johnny Cool," Colini ... See full summary »
In this riveting Italian exploitation thriller, three young men embark upon a terrifying series of bloody crimes, engaging in robbery, gunplay, and murder. As the entire police force ... See full summary »
The descendant of Elizabeth Bathory is abducted by a cult of self-proclaimed supermen who achieve this state of superiority by drinking from the "blood cows" (read: people) kept at the "dairy farm", and they try to get her to join them.
Clara, the sexually frustrated wife of a businessman goes on vacation with her husband, daughter and best friend. While there, she finally learns that sex can be passionate and wonderful, ... See full summary »
Fernando Di Leo
Anna plays the personal secretary of a rich industrialist who falls in love with her boss' daughter's leftist boyfriend, Carlo. Anna pretty much severs her ties with her boss (who she also ... See full summary »
A man and wife have a baby daughter. He would have preferred a boy but another delivery would probably kill the woman. After a while he takes up with a stripteaser and leaves his wife. The ... See full summary »
Fernando Di Leo
A sociology student defends her thesis: how Italian men relate to prostitutes. The catch is, she studied the subject first hand, working as a prostitute. Her case studies are presented in several colorful vignettes.
Fernando Di Leo
After a retired US army man is murdered by a crime lord, his two sons, one of them adopted after the old man rescued him from Cambodia during the Vietnam war, train hard and then start looking for the criminal to avenge their father.
The last effort of Fernando Di Leo as a director didn't exactly become the honorable swan-song he deserved, as the film is unimaginably insecure and it didn't even get released in its home country of Italy. The reason(s) why, however, is beyond me, as "Killer vs. Killers" is a thoroughly enjoyable, action-paced and straightforward thriller with some above average acting performances, cool gimmicks and a bit of sleaze. The film can be described best as some sort of attempt to remake John Huston's film-noir classic "The Asphalt Jungle", in which a group of unrelated criminals successfully pull off a complicated heist, but eventually the whole plan goes awry due to double-crossing and betrayal. Even more than a remake, Di Leo wanted to do a tribute to Huston's film, as the plot differs once the heist is completed (and "Killer vs. Killers turns into an old-fashioned tale of revenge) and Di Leo names his characters after the stars that played in the original, like Sterling and Jaffe. A team of five outlaws, each with a specific skill, is hired to steal the formula for synthetic fuel from a military research plant and subsequently destroy the place with explosives. Once the job is completed and the reward has been paid, his Excellency (Edmund Purdom) nevertheless sends his men to kill off the team, but the two remaining members fight back. The script of "Killer vs. Killers" is rudimentary and entirely without surprises, and therefore it isn't nearly as brilliant as some of Di Leo's exploitation/crime-classics of the early seventies, such as "The Boss", "Manhunt" or "Milano Calibro.9" Those flicks had extremely convoluted plots and intelligent political undertones, whereas this is merely an undemanding & exciting time-waster. Fans of euro-violence will still love it, though! The film is literally stuffed with car-explosions, violent executions and massive artillery. Henry Silva once again gives image to an ultimately relentless and stone-cold hit man. His character owns a personal zoo (and uses cheetahs and hawks as murder weapons!) and he literally blows his opponents to pieces with a bazooka! The musical score is terrific, Dalila Di Lazzaro makes the perfect eye-candy and there's quite a bit of black humor in the script as well. Overall, "Killer vs. Killers" may not be a brilliant piece of Italian film-making and nothing you haven't seen a dozen times before, but it guarantees entertainment and a decent farewell from one of the most important Italian cult directors ever. The film is available on DVD together in one box with the phenomenal "Il Boss" from Nocturno.
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