| Photos (see all 113 | slideshow) | Videos (see all 16) |
Directed by | |||
| Alfonso Cuarón | |||
Writing credits(WGA) | ||
| J.K. Rowling | (novel) | |
| Steve Kloves | (screenplay) | |
Produced by | |||
| Michael Barnathan | .... | executive producer | |
| Chris Carreras | .... | associate producer | |
| Chris Columbus | .... | producer | |
| Paula DuPré Pesman | .... | associate producer | |
| David Heyman | .... | producer | |
| Callum McDougall | .... | executive producer | |
| Lorne Orleans | .... | producer (IMAX version) | |
| Mark Radcliffe | .... | producer | |
| Tanya Seghatchian | .... | executive producer | |
Original Music by | |||
| John Williams | |||
Cinematography by | |||
| Michael Seresin | |||
Film Editing by | |||
| Steven Weisberg | |||
Casting by | |||
| Jina Jay | |||
Production Design by | |||
| Stuart Craig | |||
Art Direction by | |||
| Andrew Ackland-Snow | (senior art director) | ||
| Alan Gilmore | |||
| Neil Lamont | (supervising art director) | ||
| Steven Lawrence | |||
| Gary Tomkins | |||
| Alexandra Walker | |||
Set Decoration by | |||
| Stephanie McMillan | (as Stephenie McMillan) | ||
Costume Design by | |||
| Jany Temime | |||
Makeup Department | |||
| Faye Aydin | .... | makeup artist | |
| Nicola Buck | .... | assistant special effects makeup | |
| Nick Dudman | .... | special makeup designer | |
| Eithne Fennel | .... | chief hair stylist (as Eithné Fennell) | |
| Eithne Fennel | .... | hair designer (as Eithné Fennell) | |
| Andrea Finch | .... | hair stylist: second unit | |
| Betty Glasow | .... | hair stylist | |
| Julian Ibbitson | .... | creature hairdresser | |
| Amanda Knight | .... | makeup designer | |
| John Lambert | .... | makeup effects buyer | |
| Clare Le Vesconte | .... | makeup artist | |
| Elizabeth Lewis | .... | hair stylist | |
| Elizabeth Lewis | .... | makeup artist | |
| Chris Lyons | .... | teeth supplier | |
| Kristyan Mallett | .... | creature effects trainee | |
| Nadine Mann | .... | hair trainee | |
| Nadine Mann | .... | makeup trainee | |
| Waldo Mason | .... | special makeup effects artist | |
| Sharon Nicholas | .... | makeup artist | |
| Lyn Nicholson | .... | makeup effects coordinator | |
| Adrian Rigby | .... | prosthetic makeup and creatures assistant | |
| Alex Rouse | .... | wig maker | |
| Jane Royle | .... | makeup artist | |
| Jemma Scott-Knox-Gore | .... | contact lens technician | |
| Zoe Tahir | .... | hair stylist | |
| Sarah Weatherburn | .... | facial hair maker | |
| Norma Webb | .... | makeup artist: second unit | |
| Tracey Wells | .... | hair stylist | |
| Sarah Downes | .... | makeup trainee (uncredited) | |
Second Unit Director or Assistant Director | |||
| Janette Boyle | .... | additional third assistant director | |
| Tom Brewster | .... | third assistant director | |
| Lyndsay Bullock | .... | third assistant director: second unit | |
| Jane Burgess | .... | co-second assistant director | |
| Chris Carreras | .... | first assistant director | |
| Jamie Christopher | .... | first assistant director: second unit | |
| William Dodds | .... | third assistant director | |
| Simon Downes | .... | additional assistant director | |
| Simon Emanuel | .... | first assistant director: third unit | |
| Robert Grayson | .... | key second assistant director | |
| Hanna Haffenden | .... | additional assistant director | |
| Phillippa Hunt | .... | third assistant director | |
| Peter MacDonald | .... | second unit director | |
| Michael Michael | .... | third assistant director | |
| Ali Morris | .... | third assistant director | |
| Fiona Richards | .... | second assistant director | |
| Nick Shuttleworth | .... | additional third assistant director | |
| Michael Stevenson | .... | second assistant director | |
Art Department | |||
| Alex Aitkin | .... | plasterer | |
| Wayne D. Barlowe | .... | concept artist | |
| Celia Barnett | .... | specialist researcher | |
| Mark Bartholomew | .... | assistant art director | |
| Andrew Bennett | .... | art department assistant | |
| Rob Bliss | .... | conceptual artist | |
| Pierre Bohanna | .... | supervising modeller | |
| Adam Brockbank | .... | conceptual artist | |
| Alastair Bullock | .... | assistant art director | |
| Julian Caldow | .... | concept illustrator | |
| Bruce Cheesman | .... | chargehand stand-by propman: second unit | |
| Paul Cheesman | .... | prop storeman | |
| Jane Clark | .... | storyboard artist | |
| Temple Clark | .... | storyboard artist | |
| Matt Cooke | .... | dressing props | |
| Bryn Court | .... | sculptor | |
| Jordan Crockett | .... | draughtsman | |
| Gary Dawson | .... | dressing props | |
| Peter Dorme | .... | assistant art director | |
| Andrej Dugin | .... | conceptual artist | |
| Olga Dugin | .... | conceptual artist | |
| Frederic Evard | .... | assistant art director | |
| Martin Foley | .... | draughtsman | |
| Pip Fox | .... | props | |
| Gary Handley | .... | drapesmaster | |
| Paul J. Hayes | .... | construction coordinator | |
| Steve Hedinger | .... | decor and lettering artist | |
| David Higgs | .... | art set assistant | |
| Andrew Holder | .... | sculptor | |
| Molly Hughes | .... | draughtsman | |
| Colin Jackman | .... | sculptor | |
| Jodie Jackman | .... | art department coordinator | |
| Patricia Johnson | .... | draughtsman | |
| Tommy Jolliffe | .... | scenic artist | |
| Gary Jopling | .... | art department assistant | |
| Nicky Kaill | .... | scenic artist | |
| Andrej Kostic | .... | storyboard artist | |
| Eduardo Lima | .... | graphic artist | |
| Chris Lunney | .... | archivist | |
| Peter Mann | .... | stand-by carpenter | |
| Francis Martin | .... | decor and lettering artist | |
| Dominic Masters | .... | assistant art director | |
| James McGowan | .... | art department assistant | |
| Dave McKean | .... | conceptual artist | |
| Sonny Merchant | .... | props | |
| Miraphora Mina | .... | graphic artist (as Miraphora Caruso) | |
| Joe Monks | .... | supervising painter | |
| Nick Pelham | .... | storyboard artist | |
| Amanda Pettett | .... | construction coordinator | |
| Ethan J. Platt | .... | assistant property master | |
| Dermot Power | .... | conceptual artist | |
| Denis Rich | .... | storyboard artist | |
| Steven Sallybanks | .... | head scenic artist | |
| Lee Sandales | .... | assistant set decorator | |
| Christian Short | .... | dressing propman | |
| Keith Short | .... | sculptor | |
| Tamazin Simmonds | .... | assistant production buyer | |
| Deborah Stokely | .... | production buyer | |
| Stephen Swain | .... | assistant art director | |
| Emma Vane | .... | draughtsman | |
| Julian Walker | .... | decor and lettering artist | |
| Matt Walker | .... | scenic artist | |
| Barry Wilkinson | .... | property master | |
| Ben Wilkinson | .... | chargehand dressing prop | |
| Jamie Wilkinson | .... | assistant property master | |
| Simon Wilkinson | .... | stand-by property master | |
| Simon Wilkinson | .... | supervising chargehand stand-by propman | |
| Marcus Williams | .... | head scenic artist | |
| Andrew Williamson | .... | conceptual artist | |
| Ruth Winick | .... | draughtsman | |
| Will Ayres | .... | props (uncredited) | |
| Julia Dehoff | .... | junior draughtsman (uncredited) | |
| Achilleas Gatsopoulos | .... | art department work experience (uncredited) | |
| Mary Grandpré | .... | artist (uncredited) | |
| Katy Henderson | .... | art department (uncredited) | |
| Colette McWilliams | .... | model maker (uncredited) | |
| Dennis Murray | .... | plasterer (uncredited) | |
Sound Department | |||
| Eleanor Beaton | .... | assistant sound design editor | |
| Richard Beggs | .... | co-supervising sound editor | |
| Richard Beggs | .... | sound designer | |
| Tim Blackham | .... | sound mixer: second unit (as Timothy Blackham) | |
| Peter Burgis | .... | foley artist | |
| Jose R. Castellon | .... | re-recording engineer: Spanish and Brazilian | |
| Ed Colyer | .... | foley mixer (as Edward Colyer) | |
| Tony Currie | .... | adr editor | |
| Andie Derrick | .... | foley artist (as Andy Derrick) | |
| David Evans | .... | co-supervising sound editor | |
| Nick Foley | .... | adr recordist | |
| Phillip Mark Freudenfeld | .... | sound studio technician | |
| Peter Gleaves | .... | adr mixer | |
| Matthew Gough | .... | sound re-recording mixer | |
| Steve Hancock | .... | sound assistant | |
| Steve Hancock | .... | sound studio technician | |
| Stefan Henrix | .... | dialogue editor | |
| Alex Joseph | .... | assistant adr editor | |
| Mark Kenna | .... | foreign language versions | |
| Andy Kennedy | .... | sound effects editor | |
| Jed Loughran | .... | first assistant sound editor (as Jethro Loughran) | |
| Nick Lowe | .... | adr editor | |
| Conor Mackey | .... | first assistant sound editor | |
| John Midgley | .... | production sound mixer | |
| Stuart Morton | .... | foley editor | |
| Gemma Nicholson | .... | assistant sound editor (as Gemma Stansfield) | |
| Jon Olive | .... | sound effects editor | |
| Mike Prestwood Smith | .... | sound re-recording mixer | |
| June Prinz | .... | boom operator | |
| Jamie Roden | .... | adr mixer | |
| Naiki Rossell | .... | assistant sound editor | |
| Bjorn Ole Schroeder | .... | sound effects editor | |
| Michael Semanick | .... | sound re-recording mixer | |
| Adam J. Smith | .... | sound | |
| Sam Southwick | .... | sound effects editor | |
| Ted Swanscott | .... | adr mixer | |
| Derek Trigg | .... | supervising foley editor | |
| David Tyler | .... | foley mixer | |
| Alexander Beddow | .... | adr recordist (uncredited) | |
| Don Brown | .... | sound recordist: second unit (uncredited) | |
| James Harrison | .... | sound editor (uncredited) | |
| Mark Kenna | .... | sound consultant (uncredited) | |
| Lee Kerr | .... | adr recordist (uncredited) | |
| Esther Smith | .... | trainee sound assistant (uncredited) | |
Special Effects by | |||
| Jonathan Abbas-Klahr | .... | animatronic model designer (as Jonathan Klahr) | |
| Astrig Akseralian | .... | animatronic model designer | |
| Phil Ashton | .... | animatronic model designer | |
| Peter Aston | .... | special effects senior technician (as Pete Aston) | |
| Chris Barton | .... | supervising animatronic model designer | |
| Barry Best | .... | mold maker | |
| Tom Blake | .... | animatronic model designer | |
| Nigel Brackley | .... | special effects senior technician | |
| Terry Bridle | .... | special effects senior technician | |
| Sarah Brunsdon | .... | animatronic model designer | |
| Nicola Buck | .... | animatronic model designer | |
| Mark Bullimore | .... | special effects supervising engineer | |
| Trevor Butterfield | .... | special effects senior technician | |
| David Cantwell | .... | fabricator | |
| Elaine Cartwright | .... | animatronic model designer | |
| Viola Colditz | .... | animatronic model designer | |
| Mark Coulier | .... | key animatronic model designer | |
| John Cramman | .... | special effects technician | |
| Demi Demetriou | .... | special effects technician | |
| Matthew Denton | .... | animatronic model designer | |
| Nick Dudman | .... | creature effects designer | |
| Michael Durkan | .... | special effects supervising engineer (as Mike Durkan) | |
| Ronnie Durkan | .... | special effects technician | |
| Malcolm Evans | .... | animatronic model designer | |
| Chris Fitzgerald | .... | animatronic model designer (as Christopher Fitzgerald) | |
| Barry Fowler | .... | animatronic mouldmaking supervisor | |
| Andy Fraser | .... | animatronic model designer | |
| Chris Giles | .... | special effects technician | |
| Joanne Glover | .... | fabricator (as Jo Glover) | |
| Barrie Gower | .... | sculptor | |
| Frank Guiney | .... | special effects senior technician | |
| Steve Hamilton | .... | special effects supervisor (as Stephen Hamilton) | |
| Tamzine Hanks | .... | animatronic effects | |
| Tamzine Hanks | .... | animatronic model designer | |
| Matthew Harlow | .... | special effects technician (as Matt Harlow) | |
| Shaune Harrison | .... | animatronic model designer | |
| Alex Harwood | .... | animatronic model designer (as Alix Harwood) | |
| Kate Hill | .... | animatronic model designer | |
| Andrea Hochgatterer-Kowland | .... | animatronic model designer (as Andrea Hochgatterer) | |
| Andy Hunt | .... | animatronic model designer | |
| David Hunter | .... | special effects supervising engineer | |
| Mark Hunter | .... | animatronic model designer | |
| Claire Inglis | .... | animatronic model designer | |
| Magdalena Jansdotter-Nilsson | .... | production assistant | |
| Patrick Johnson | .... | special effects technician | |
| Abbie Jones | .... | animatronic model designer | |
| Valerie Jones-Mendosa | .... | key animatronic model designer (as Val Jones-Mendoza) | |
| Nick Joscylene | .... | special effects technician | |
| Tacy Kneale | .... | key animatronic model designer | |
| Stephanie Leavitt | .... | special effects coordinator | |
| Melissa Lenihan | .... | animatronic model designer | |
| Darren Litten | .... | special effects engineer | |
| Ian Lowe | .... | special effects floor supervisor | |
| Harriet Lyons | .... | fabricator | |
| Waldo Mason | .... | animatronic model designer | |
| Noah Meddings | .... | special effects technician | |
| Esteban Mendoza | .... | animatronic model designer (as Esteban Medoza) | |
| Brian Morrison | .... | special effects supervising engineer | |
| Day Murch | .... | animatronic fabrication supervisor | |
| Luke Murphy | .... | special effects technician | |
| Stephen Murphy | .... | animatronic model designer | |
| Julian Murray | .... | sculptor | |
| Craig Narramore | .... | special effects technician | |
| Martin Neill | .... | floor supervisor | |
| Ceri Nicholls | .... | special effects technician | |
| Lyn Nicholson | .... | creature effects coordinator | |
| John Nolan | .... | animatronics assistant | |
| Peter Norcliffe | .... | special effects: creature effects | |
| Aiden O'Keefe | .... | animatronic model designer | |
| Stephen Onions | .... | animatronic model designer (as Steve Onions) | |
| Alan Perez | .... | wire effects technician | |
| Lee Phelan | .... | special effects technician | |
| Ben Philips | .... | special effects technician | |
| Peter Pickering | .... | special effects senior technician (as Pete Pickering) | |
| Anton Prickett | .... | special effects senior technician | |
| Jason Reed | .... | animatronic model designer | |
| John Richardson | .... | special effects supervisor | |
| Marcus Richardson | .... | special effects technician | |
| Andy Roberts | .... | animatronic model designer | |
| Jim Sandys | .... | animatronic model designer (as Jimmy Sandys) | |
| Joe Scott | .... | animatronic model designer | |
| Paul Spateri | .... | key animatronic model designer | |
| Paul Stephenson | .... | special effects workshop supervisor | |
| Guy Stevens | .... | key animatronic model designer | |
| Nigel Stone | .... | model unit photography | |
| Lars Henrik Svensson | .... | animatronic model designer (as Henrik Svensson) | |
| Maria Swindell | .... | animatronic model designer | |
| Phoebe Tait | .... | special effects technician | |
| Paul Taylor | .... | special effects senior technician | |
| Jamie Thomas | .... | special effects senior technician | |
| Dominic Tuohy | .... | special effects floor supervisor | |
| Jeni Walker | .... | animatronic model designer | |
| Simon Webber | .... | sculptor | |
| Kevin Welch | .... | wire effects coordinator | |
| Kevin Westcott | .... | special effects technician (as Barry Wescott) | |
| Barry Whitrod | .... | special effects senior technician | |
| Paul Whybrow | .... | special effects senior technician | |
| Simon Williams | .... | animatronic model designer | |
| Adam Wright | .... | animatronic model designer | |
| Steve Wright | .... | animatronic model designer | |
| Chris Clarke | .... | camera rig mods (uncredited) | |
| Jim Davey | .... | digital film recording (uncredited) | |
| Benjamin M. Esterson | .... | special effects technician (uncredited) | |
| Daniel Macarin | .... | lead CGI artist: IBC Digital (uncredited) | |
| Simon Ryninks | .... | creature effects assistant (uncredited) | |
| Stuart Wishart | .... | special effects technician: vfx elements (uncredited) | |
Visual Effects by | |||
| Tim Aidley | .... | motion control software engineer | |
| Paul Alexiou | .... | editorial assistant: Double Negative | |
| Rob Allman | .... | technical director: Framestore CFC | |
| Terence Alvares | .... | digital effects artist | |
| Christoph Ammann | .... | technical director: Framestore CFC | |
| David Andrews | .... | animation supervisor | |
| Christopher Anthony | .... | lead effects technical director: MPC | |
| Jaume Arteman | .... | digital compositor: Cinesite | |
| Rosie Ashforth | .... | character animator: Framestore CFC | |
| Oliver Atherton | .... | roto & cleanup | |
| Philippe Aubry | .... | Inferno artist | |
| Erika Bach | .... | 3D scanning assistant coordinator | |
| Henry Badgett | .... | compositor: MPC | |
| Lance Baetkey | .... | paint/roto artist | |
| Andrew Baggarley | .... | data wrangler: MPC | |
| Al Bailey | .... | digital compositor: ILM | |
| Katharine Baird | .... | digital roto and paint supervisor | |
| Chris Baker | .... | visual effects film editor: MPC | |
| Richard Baker | .... | digital compositor: Cinesite | |
| Felix Balbas | .... | rigging supervisor: Framestore CFC | |
| Felix Balbas | .... | technical director: Framestore CFC | |
| Michael Balog | .... | lead digital cloth simulation artist: ILM | |
| Craig Bardsley | .... | character animator: Framestore CFC | |
| Giacomo Bargellesi | .... | junior compositing artist: Framestore CFC | |
| Daniel Barrow | .... | visual effects coordinator | |
| Angela Barson | .... | compositor: MPC | |
| William Bartlett | .... | digital compositor: Framestore CFC | |
| Tim Baxter | .... | film recording: Capital FX | |
| Richard Bazley | .... | character animator: Framestore CFC | |
| Dugan Beach | .... | digital cloth simulation artist | |
| Paul Beaumont | .... | visual effects production accountant: MPC | |
| Susanne Becker | .... | compositor: MPC | |
| Lizi Bedford | .... | coordinator: Framestore CFC | |
| Cory Bedwell | .... | lighting technical director: MPC | |
| Miles Bellas | .... | technical director: Framestore CFC | |
| Judith Bell | .... | compositor: MPC | |
| Laurent Benhamo | .... | character animator: Framestore CFC | |
| Sara Bennett | .... | digital compositor: Framestore CFC | |
| John Benn | .... | film line-up: Cinesite | |
| Dan Bethell | .... | research & development supervisor: MPC | |
| Paul Birkett | .... | roto artist | |
| Nic Birmingham | .... | lighting technical director: MPC | |
| Philip Bland | .... | digital paint artist | |
| Brendan Body | .... | character animator: Framestore CFC | |
| Stella Bogh | .... | sequence supervisor: ILM | |
| Matt Bouchard | .... | technical director: Framestore CFC | |
| David A.T. Bowman | .... | compositor: Framestore CFC (as David Bowman) | |
| Steve Braggs | .... | CG lighting & effects artist | |
| Will Braithwaite | .... | shader writer: MPC | |
| Paul Brannan | .... | effects technical director: MPC | |
| James Breen | .... | film librarian: Cinesite | |
| Andre Brizard | .... | compositor: MPC | |
| Alex Broeckel | .... | lighting technical director: MPC | |
| Jon R. Brown | .... | match move technician | |
| Ronn Brown | .... | matte painter: Framestore CFC | |
| Dhyana Brummel | .... | CG lighting and effects artist: ILM | |
| Wendell Bruno | .... | assistant DMR editor (IMAX version) | |
| Danny Brunton | .... | digital compositor | |
| Simon Bunker | .... | technical director | |
| Simon Burchell | .... | previs editor | |
| Ross Burgess | .... | match move technician: Framestore CFC | |
| Tim Burke | .... | visual effects supervisor | |
| Andy Burrow | .... | scanning manager | |
| Mark Buschbacher | .... | recording technician: Cinesite | |
| Astrid Busser-Casas | .... | digital compositor: MPC | |
| Colin Campbell | .... | digital compositor | |
| Warwick Campbell | .... | digital compositor | |
| Tom Carrick | .... | render wrangler: MPC | |
| Mark Casey | .... | additional visual effects supervisor | |
| Frederic Cervini | .... | technical director: Framestore CFC | |
| Joshua Chapel | .... | digital artist: ILM | |
| Fred Chapman | .... | rigger: MPC | |
| Leila Chesloff | .... | digital artist | |
| Vanessa Cheung | .... | matte artist: ILM | |
| Lee Chidwick | .... | data management | |
| Paul Churchill | .... | digital effects artist | |
| Craig Clarke | .... | compositor: MPC | |
| Richard Clarke | .... | visual effects supervisor: Double Negative | |
| Simon Clutterbuck | .... | CGI supervisor | |
| Isabel Cody | .... | animator: MPC | |
| Debra Coleman | .... | digital compositor | |
| Tom Conneely | .... | scanning operator: Cinesite | |
| Peter Connelly | .... | lead compositor: MPC | |
| Mike Connolly | .... | digital compositor: Baseblack | |
| Grant Connor | .... | digital artist | |
| Grant Connor | .... | digital compositor: Cinesite | |
| Ryan Cook | .... | digital effects artist | |
| Jay Cooper | .... | compositing sequence supervisor | |
| Stephen Coren | .... | digital effects artist | |
| Michelle Corney | .... | visual effects line producer: MPC | |
| Theresa Corrao | .... | visual effects producer | |
| Fran Cunningham | .... | visual effects production runner: MPC | |
| Andrew Daffy | .... | character animator: Framestore CFC | |
| Bruce Dahl | .... | animator | |
| Sean Danischevsky | .... | digital compositor: Double Negative | |
| Philipp Danner | .... | digital compositor: Baseblack | |
| Charles Darby | .... | matte painter | |
| Emanuele D'Arrigo | .... | lead effects technical director: MPC | |
| Marion Davey | .... | visual effects coordinator | |
| Lorelei David | .... | visual effects editor | |
| Giles Davies | .... | match move technician: MPC | |
| Martin R. Davison | .... | digital compositor | |
| Alexandra Day | .... | visual effects scheduling | |
| Robert Deas | .... | motion control rig technical director: Framestore CFC | |
| Robert Deas | .... | technical director: Framestore CFC | |
| Jean-Claude Deguara | .... | animator: MPC | |
| Max Dennison | .... | matte artist: ILM | |
| Stephane Deverly | .... | technical director: Framestore CFC | |
| Ciaran Devine | .... | effects technical director: MPC | |
| Keith Devlin | .... | digital compositor: Cinesite | |
| Adrian De Wet | .... | compositing supervisor: Framestore CFC | |
| Jerome Dewhurst | .... | junior digital lab operator: Framestore CFC | |
| Caine Dickinson | .... | lighting supervisor: MPC | |
| Ben Dishart | .... | texture artist | |
| Ferran Domenech | .... | animator: MPC | |
| Andrew Doucette | .... | character animator: ILM | |
| Sarah Dowland | .... | producer: Framestore CFC | |
| Loring Doyle | .... | roto artist: Cinesite | |
| Peter Doyle | .... | supervising digital colourist | |
| Catherine Duncan | .... | visual effects producer: Cinesite | |
| Robert Duncan | .... | digital compositor: Framestore CFC | |
| Wayde Duncan-Smith | .... | character rigger: Framestore CFC | |
| David Dunsterville | .... | motion control rig designer: Framestore CFC | |
| Lester Dunton | .... | digital process projection | |
| Simon Dye | .... | compositor: MPC | |
| Mike Eames | .... | animation supervisor: Framestore CFC | |
| Dave Early | .... | digital matte painter: Cinesite | |
| Paddy Eason | .... | visual effects supervisor: MPC | |
| C. Michael Easton | .... | animator: ILM | |
| Hayley Easton | .... | texture painter: Framestore CFC | |
| Areito Echevarria | .... | compositing supervisor: Framestore | |
| Areito Echevarria | .... | digital compositor: Framestore CFC | |
| Clwyd Edwards | .... | modeling technical director: MPC | |
| Stuart M. Ellis | .... | character animator: Framestore CFC | |
| Chris Elson | .... | compositor: MPC | |
| Michael Elson | .... | head of production: MPC | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Simon Emanuel | .... | first assistant director | |
| Nick Epstein | .... | render wrangler: Framestore CFC | |
| James D. Etherington | .... | digital compositor | |
| Joe Eveleigh | .... | render wrangler: MPC | |
| Simon Eves | .... | software development: ILM | |
| Brian Eyre | .... | animator: MPC | |
| Leigh Ann Fan | .... | visual effects coordinator: ILM | |
| James Farrington | .... | 3D character animator: Framestore CFC | |
| Ian Fellows | .... | lead compositor: MPC | |
| Greg Fisher | .... | senior animator: MPC | |
| Ben Flatter | .... | bidding coordinator | |
| Niall Flinn | .... | effects technical director: MPC | |
| Steven Forrester | .... | additional visual effects editor: Framestore CFC | |
| Brad Fox | .... | technical director: ILM | |
| Ian Frost | .... | technical director: Framestore CFC | |
| David Fuhrer | .... | digital artist: ILM | |
| Pawl Fulker | .... | pre-visualisation artist | |
| Nick Gabchenko | .... | technical director: Framestore CFC | |
| Bradley Gabe | .... | creature technical director | |
| Juan Jesus Garcia | .... | pre-visualization artist: Framestore CFC | |
| Brian Gee | .... | technical director | |
| Richard Gentner | .... | digital imaging operator | |
| Bill George | .... | visual effects supervisor: ILM | |
| Daniela Giangrande | .... | visual effects production assistant: Warner Brothers | |
| Tim Gibbons | .... | digital compositor | |
| Neil Glasbey | .... | character animator: Framestore CFC | |
| Matthew Glen | .... | visual effects editor | |
| Julian Gnass | .... | compositor: MPC | |
| Richard Gomes | .... | digital effects artist | |
| Tom Goodenough | .... | animator: MPC | |
| Jeff Gordon | .... | system support engineer | |
| Barrie Gower | .... | creature effects | |
| José Granell | .... | model unit supervisor | |
| Jack Greasley | .... | programmer: Framestore CFC | |
| Rosemarie Greer | .... | DMR supervisor: IMAX version | |
| Scott Griffin | .... | producer: Framestore CFC | |
| Pablo Grillo | .... | character animator: Framestore CFC | |
| Thomas Guerrier | .... | visual effects | |
| Roger Guyett | .... | visual effects supervisor | |
| Andy Hague | .... | visual effects editorial | |
| Anne Hall | .... | lighting technical director: MPC | |
| Michael J. Halsted | .... | digital effects artist: ILM | |
| Giles Hancock | .... | matte artist: ILM | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Michael Harrison | .... | compositor: MPC | |
| Dan Harrod | .... | digital artist | |
| Douglas Harsch | .... | visual effects: Cinesite | |
| Peter Hartwig | .... | technical director: Framestore CFC | |
| Jeremy Hattingh | .... | digital compositor | |
| Kimberly Headstrom | .... | digital paint/rotoscope artist | |
| R. James Healey | .... | effects technical director: MPC | |
| Robert Hemmings | .... | animation supervisor: MPC | |
| Charley Henley | .... | compositing supervisor: MPC | |
| Sandro Henriques | .... | rotoscoper: Cinesite | |
| Jennifer Herbert | .... | digital compositor: Framestore CFC | |
| Nicolas Hernandez | .... | character modeller: Framestore CFC | |
| Sean Heuston | .... | compositor: MPC | |
| Grant Hewlett | .... | lighting technical director: Cinesite | |
| Tim Hey | .... | compositor: MPC | |
| Kela Hicks | .... | digital compositor | |
| Matt Hicks | .... | lead rigger: MPC | |
| Rob Hill | .... | rotoscope artist | |
| Pamela Hobbs | .... | matte painter/compositor | |
| Mark Hodgkins | .... | senior technical director: Framestore CFC | |
| Robert Holder | .... | technical director: Framestore CFC | |
| Matt Holland | .... | compositor: MPC | |
| Katja Hollmann | .... | digital lab supervisor: Lipsync Post | |
| Jae Cheol Hong | .... | creature technical director | |
| Jason Horley | .... | digital matte artist: Framestore CFC | |
| Ian House | .... | lead lighting technical director: MPC | |
| Lorea Hoye | .... | visual effects production manager | |
| Guy Hudson | .... | motion control rig supervisor: Framestore CFC | |
| John Hughes | .... | digital effects artist: Cinesite | |
| Matt Hughes | .... | character modeller: Framestore CFC | |
| Angela Hunt | .... | senior producer: Framestore CFC | |
| Antony Hunt | .... | executive producer: Cinesite | |
| Ina Hurst | .... | animator: MPC | |
| Paul Huston | .... | matte artist: ILM | |
| David Hyde | .... | technical director: Cinesite | |
| Michael Illingworth | .... | digital compositor: Cinesite | |
| Marco Iozzi | .... | lighting technical director: MPC | |
| Zoe Izzard | .... | data operator | |
| Allan Torp Jensen | .... | matchmove artist: Cinesite | |
| Merrin Jensen | .... | visual effects producer: MPC | |
| Lorraine Johnson | .... | scanning supervisor: Cinesite | |
| Simon Johnson | .... | scanning operator: Cinesite | |
| Darren Jones | .... | digital imaging engineer | |
| Drew Jones | .... | executive producer: Framestore CFC | |
| Ken Mitchel Jones | .... | technical director: Framestore CFC | |
| Randy Jonsson | .... | layout artist: ILM | |
| Olivier Junquet | .... | effects technical director: MPC | |
| Ilyas Kaduji | .... | digital effects artist | |
| Mel Kangleon | .... | digital colourist: Warner Bros. (as Melissa Kangleon) | |
| Paul Kavanagh | .... | lead animator: ILM | |
| Lucinda Keeler | .... | data operation assistant: Framestore CFC | |
| Elizabeth Maxwell Keith | .... | technical director: Framestore CFC | |
| Paddy Kelly | .... | visual effects matchmove technician | |
| Lee Kerley | .... | shader writer: MPC | |
| Sevendalino Khay | .... | digital matte painter | |
| Steven Moussa Khoury | .... | lighting technical director | |
| Greg Killmaster | .... | creature technical director | |
| John Kilshaw | .... | visual effects | |
| Tom Kimberley | .... | digital compositor: MPC | |
| Soo Kyung Kim | .... | technical director: Framestore CFC | |
| Andy Kind | .... | lighting supervisor: Framestore CFC | |
| Angela King | .... | match move technician: Framestore CFC | |
| Chris King | .... | match move technician: Framestore CFC | |
| Amber Kirsch | .... | visual effects coordinator | |
| Balazs Kiss | .... | lighting techical director | |
| Balazs Kiss | .... | texture artist: MPC | |
| Katrin Klaiber | .... | digital compositor: ILM | |
| Ryan Knowles | .... | data operator | |
| Ryan Knowles | .... | visual effects production runner: MPC | |
| Edmund Kolloen | .... | technical director: Framestore CFC | |
| Arek Komorowski | .... | roto artist: Cinesite | |
| Russell Koonce | .... | digital effects artist | |
| Dean Koonjul | .... | digital compositor: MPC | |
| Michael Koperwas | .... | lead digital modeler: ILM | |
| John Kozak | .... | systems administration | |
| Robert Krupa | .... | technical director: Framestore CFC | |
| Robert Kuczera | .... | character animator: Framestore CFC | |
| Zoe Lamaera | .... | digital compositor | |
| Anders Langlands | .... | shader writer: MPC | |
| Cam Langs | .... | technical director: Framestore CFC | |
| Kimberly Lashbrook | .... | compositor: MPC | |
| Stuart Lashley | .... | digital compositor | |
| Jessica Laszlo | .... | digital compositor | |
| Nicola Lavender | .... | technical director: Framestore CFC | |
| Kwok Law | .... | technical director: Framestore CFC | |
| Ken Lawrence | .... | visual effects technical resources: MPC | |
| Jeremy Lazare | .... | supervising animator: MPC | |
| Tracey Leadbetter | .... | coordinator: Framestore CFC | |
| Christopher Learmonth | .... | visual effects editor: Cinesite | |
| Philippa Leathers | .... | data operator | |
| Tim Ledbury | .... | texture artist: MPC | |
| SeungHun Lee | .... | creature technical director | |
| Sunny Lee | .... | creature technical director | |
| Philippe Leprince | .... | motion control rig technical director: Framestore CFC | |
| Bruno Lesieur | .... | lead lighting technical director: MPC | |
| Toan-Vinh Le | .... | digital artist | |
| Daniel Leung | .... | technical director | |
| Melissa Lin | .... | digital artist: ILM | |
| Martin Lipmann | .... | digital effects artist | |
| Richard Little | .... | digital compositor | |
| Patricia Llaguno | .... | junior compositing artist: Framestore CFC | |
| David Lloyd | .... | render engineer | |
| Shelly Lloyd-James | .... | visual effects production assistant: Warner Bros. | |
| Daniel Lobl | .... | lead digital artist | |
| John Lockwood | .... | visual effects supervisor: Machine | |
| David Lomax | .... | CG supervisor: Framestore CFC | |
| Stuart Love | .... | lead lighting technical director: MPC | |
| Roz Lowrie | .... | head of visual effects editorial: Framestore CFC | |
| Patrick Lowry | .... | render wrangler: Framestore CFC | |
| Anthony Lucero | .... | visual effects | |
| Daniel Macarin | .... | lead cgi artist | |
| Alasdair MacCuish | .... | digital scanning and recording producer: Lipsync Post | |
| Euan K. MacDonald | .... | digital effects supervisor: ILM | |
| Natalie MacDonald | .... | compositor: MPC | |
| Steve MacPherson | .... | visual effects technical manager: MPC | |
| Jay Mallet | .... | motion control operator | |
| Rebecca Manning | .... | data operation assistant: Framestore CFC | |
| Virgil Manning | .... | animator | |
| Jules Mann | .... | concept artist: ILM | |
| Julian Mann | .... | head of research and development: MPC | |
| Tony Man | .... | digital compositor | |
| Tony Man | .... | rotoscoping artist: MPC | |
| Christian Manz | .... | digital compositor: Framestore CFC | |
| Andrew Marshall | .... | research and development: MPC | |
| Gary Marshall | .... | render wrangler: MPC | |
| David Marsh | .... | digital artist: ILM | |
| Helena Masand | .... | match move technician: Framestore CFC | |
| Marian Mavrovic | .... | digital compositor | |
| Luca Mazzoleni | .... | character animator: Framestore CFC | |
| Jolene McCaffrey | .... | compositor: MPC | |
| Jolene McCaffrey | .... | digital compositor: MPC | |
| Vicky McCann | .... | digital cloth simulation artist | |
| Gavin McCarron | .... | scanning operator: Cinesite | |
| Matthew McCosker | .... | digital effects artist | |
| Will McCoy | .... | digital compositor: ILM | |
| Nikki McDade | .... | match move technician: Framestore CFC | |
| Jason McDonald | .... | animation supervisor | |
| Andrew McEvoy | .... | character animator: Framestore CFC | |
| Colin McEvoy | .... | character animator: Framestore CFC | |
| Steve McGillen | .... | roto and paint artist | |
| Adam McInnes | .... | digital compositor | |
| Jennifer McKnew | .... | digital matte artist: ILM | |
| Dan McRae | .... | junior digital lab operator: Framestore CFC | |
| Gurel Mehmet | .... | digital matte painter: Framestore CFC | |
| Joel Meire | .... | technical director: Framestore CFC | |
| Ivan Mena | .... | digital artist: Double Negative | |
| Tim Mendler | .... | motion control operator | |
| Ian Menzies | .... | motion control rig motion control: Framestore CFC | |
| Mark Michaels | .... | visual effects supervisor: Double Negative | |
| Andy Middleton | .... | lead texture artist: MPC | |
| Ivor Middleton | .... | animator: Cinesite | |
| Mitch Mitchell | .... | head of imaging: Cinesite | |
| Todd Mitchell | .... | technical support: ILM | |
| Alberto Montañés | .... | compositor: MPC | |
| Ray Moody | .... | motion control | |
| Karl Mooney | .... | visual effects supervisor: Framestore CFC | |
| Ivan Moran | .... | digital compositor: Framestore CFC | |
| Ben Morgan | .... | compositor: MPC | |
| Mike Morrison | .... | data operator: Framestore CFC | |
| Michelle Motta | .... | digital paint & rotoscope artist | |
| Catherine Mullan | .... | character animator: Framestore CFC | |
| Steve Murgatroyd | .... | digital compositor: Framestore CFC | |
| Myles Murphy | .... | digital effects artist | |
| Steve Murphy | .... | technical director: Framestore CFC | |
| Peter Muyzers | .... | computer graphics supervisor: MPC | |
| Catriona Naismith | .... | animator: MPC | |
| Salima Needham | .... | digital compositor | |
| Catherine Nelson | .... | digital compositor | |
| Helen Nesbitt | .... | junior compositing artist: Framestore CFC | |
| Ken Nielsen | .... | lighting digital effects artist | |
| Charlie Noble | .... | visual effects supervisor: double negative | |
| Donal Nolan | .... | digital compositor | |
| Jennifer Maryam Nona | .... | CG lighting & effects artist: ILM (as Jennifer Nona) | |
| Clare Norman | .... | digital effects producer | |
| Paul Norris | .... | digital compositor | |
| Richard Northcroft | .... | sculptor (as Rick Northcroft) | |
| Emma Norton | .... | visual effects producer | |
| Rich Nosworthy | .... | render wrangler: MPC | |
| Paul Oakley | .... | digital artist | |
| Kevin O'Connor | .... | research and development: MPC | |
| Michael Olague | .... | visual effects gaffer | |
| Alfie Olivier | .... | technical director: Framestore CFC | |
| Mike O'Neill | .... | render wrangler: Framestore CFC | |
| Mark Osborne | .... | technical director: Framestore CFC | |
| Kevin Page | .... | matte artist: ILM | |
| Maurizio Parimbelli | .... | character animator: Framestore CFC | |
| Stephane Paris | .... | modeling technical director: MPC | |
| Alex Parkinson | .... | software developer: Framestore CFC | |
| Martin Parsons | .... | technical director: Framestore CFC | |
| Claire Pegorier | .... | digital effects artist | |
| Martin Pengelly-Phillips | .... | pipeline setup lead: MPC | |
| Venetia Penna | .... | scanning operator: Cinesite | |
| Craig Penn | .... | senior animator: MPC | |
| Daniel Pettipher | .... | production manager: Cinesite | |
| Chris Petts | .... | rigger: MPC | |
| Kevin Phelan | .... | digital scanning and recording producer: Lip Sync Post | |
| David Phillips | .... | digital compositor: Framestore CFC | |
| Adrian Pinder | .... | render wrangler: MPC | |
| Stuart Pitcher | .... | digital compositor | |
| Marnie Pitts | .... | technical director: Framestore CFC | |
| Ian Plumb | .... | digital compositor | |
| Rupert Porter | .... | line producer: Framestore CFC | |
| Travis Porter | .... | roto/digital paint artist | |
| Bruce Powell | .... | CG sequence supervisor | |
| Andrew Proctor | .... | model maker | |
| James Prosser | .... | visual effects coordinator: MPC | |
| Howard Protheroe | .... | digital artist: Machine | |
| Nick Provenzano | .... | technical support | |
| Andres Puente | .... | character setup | |
| Farhan Qureshi | .... | match move technician: MPC | |
| Samy Ben Rabah | .... | programmer: Framestore CFC | |
| Rudy Raijmakers | .... | animator: MPC | |
| Jane Ralston | .... | match move technician: Framestore CFC | |
| Jane Ralston | .... | technical director: Framestore CFC | |
| Matt Redhead | .... | technical assistant: Cinesite | |
| Tom Reed | .... | effects technical director: MPC | |
| Saul Reid | .... | junior technical director | |
| Rob Richardson | .... | render support | |
| Paul Riddle | .... | digital compositor: Double Negative | |
| Michael Ridgwell | .... | roto artist | |
| Anthony Rizzo | .... | digital effects artist | |
| Christian Roberton | .... | visual effects production manager: MPC | |
| John Roberts-Cox | .... | technical director: Framestore CFC | |
| Gillian Roberts | .... | head of production development: Cinesite | |
| Richard Roberts | .... | digital compositor: Framestore CFC | |
| Dave Robinson | .... | systems engineer | |
| Amy Robson | .... | visual effects producer: Machine | |
| Massimiliano Rocchetti | .... | technical director: Framestore CFC | |
| Neil Roche | .... | animator: MPC | |
| Darren Rodriguez | .... | character animator: Framestore CFC | |
| Patric Roos | .... | lighting technical director: MPC | |
| Thomas Rosseter | .... | digital compositor | |
| Jean-Paul Rovela | .... | lighting technical director: MPC | |
| Pedro Sabrosa | .... | digital compositor: Framestore CFC | |
| Matthew Sagar | .... | visual effects human resources: MPC | |
| Afonso Salcedo | .... | render wrangler | |
| Dave Salter | .... | film cutter: Framestore CFC | |
| Rex Sander | .... | technical director: Framestore CFC | |
| Steve Sauers | .... | lead digital cloth simulation artist: ILM | |
| Cal Sawyer | .... | head of data operation: Framestore CFC | |
| Carlo Scaduto | .... | digital compositor: Cinesite | |
| Christoph Schinko | .... | 3D animator | |
| Frederic Schmidt | .... | digital effects artist: ILM | |
| Paul Schneider | .... | software development | |
| Petra Schwane | .... | digital compositor: Baseblack | |
| Michele Sciolette | .... | 2D technical director: Cinesite | |
| Sandra Scott | .... | visual effects producer | |
| Nicholas Seal | .... | digital compositor: Framestore CFC | |
| David Sewell | .... | digital effects artist | |
| Anthony Shafer | .... | sequence supervisor: ILM | |
| Paul Sharpe | .... | digital artist | |
| Chris Shaw | .... | motion control supervisor | |
| Kevan Shorey | .... | matchmove artist: Double Negative | |
| David Short | .... | technical director: Framestore CFC | |
| Martyn Siddiqui | .... | systems engineer: MPC | |
| Dominic Sidoli | .... | visual effects producer: Double Negative | |
| Matina Skouteri | .... | junior digital lab operator: Framestore CFC | |
| Richard Smith | .... | computer systems support: ILM | |
| Ryan Smith | .... | visual effects | |
| Wayne Smith | .... | assistant visual effects editor | |
| Udo Smutny | .... | digital compositor: Cinesite | |
| Jason Snyman | .... | digital effects artist | |
| Drew Solodzuk | .... | DMR editor (IMAX version) | |
| Max Solomon | .... | character animator: Framestore CFC | |
| Jim Soukup | .... | matchmove artist: ILM (as James Soukup) | |
| Sally Spencer | .... | visual effects coordinator: MPC | |
| Kevin Sprout | .... | computer graphics supervisor: ILM | |
| Kevin Spruce | .... | character animator: Framestore CFC | |
| Paul Stamp | .... | data operation assistant: Framestore CFC | |
| Simon Stanley-Clamp | .... | visual effects supervisor: Cinesite | |
| Jim Steel | .... | digital compositor: Double Negative | |
| Andy Stevens | .... | visual effects editor: MPC | |
| Paul Stocker | .... | data manager: MPC | |
| Nigel Stone | .... | photographer: model unit | |
| Steve Street | .... | visual effects supervisor: Machine | |
| Maria Stroka | .... | film record coordinator: Framestore CFC | |
| Julien Stuart-Smith | .... | technical director: Framestore CFC | |
| David Sullivan | .... | paint/roto artist | |
| Mark Sum | .... | film manager: Cinesite | |
| Stephen Sutcliffe | .... | research and development: MPC | |
| Masahiko Tani | .... | matte artist: ILM | |
| Stephanie Taubert | .... | digital paint restoration | |
| Ljubica Temelkoska | .... | match move technician: Framestore CFC | |
| Bill Thomas | .... | model maker | |
| Ben Thompson | .... | lead modeller: MPC | |
| Kim Thompson | .... | animator: ILM (as Kim Thompson-Steel) | |
| Clare Tinsley | .... | visual effects coordinator: Baseblack | |
| Jan Toensmann | .... | digital compositor: Cinesite | |
| Ben Toogood | .... | lighting technical director: MPC | |
| Sanju Travis | .... | digital compositor (as Sanju Gupta-Travis) | |
| Gang Trinh | .... | animator: MPC | |
| Alan Trombla | .... | software development (as Alan Trombia) | |
| Mark Tudor-Williams | .... | match move technician: Framestore CFC | |
| Malin Tvedt | .... | compositor: MPC | |
| Christoph Unger | .... | digital matte painter: Cinesite | |
| Gert Van Dermeersch | .... | digital compositor | |
| Courtney Vanderslice | .... | head of production: Cinesite | |
| Paola Varvaro | .... | digital cleanup artist | |
| Freddie Vaziri | .... | digital compositor: Cinesite Europe | |
| Lars Vinther | .... | visual effects editor: Framestore CFC | |
| Eugénie von Tunzelmann | .... | programmer: Framestore CFC | |
| Oskar Wahlberg | .... | character rigger: Framestore CFC | |
| Niki Wakefield | .... | lead compositor: MPC | |
| Andy Walker | .... | technical director: Framestore CFC | |
| Tara Walker | .... | digital artist | |
| John Wallin | .... | matte painter: MPC | |
| Kelly Walsh | .... | technical director: ILM | |
| Shawn Walsh | .... | color and lighting technical director: MPC | |
| Karen Wand | .... | digital compositor | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack | |
| Rachel Ward | .... | senior animator: MPC | |
| Chris Watts | .... | compositor: MPC | |
| Jason Wen | .... | animator: MPC | |
| Derek Wentworth | .... | compositor: MPC | |
| Rus Wetherell | .... | digital effects artist: CFX | |
| Wendy Whaley | .... | digital compositor | |
| Simon Wicker | .... | matte artist: ILM | |
| Lisa Wild | .... | technical director | |
| Royston Willcocks | .... | 3D supervisor: Cinesite | |
| Stephen Willey | .... | systems engineer | |
| Barry Williams | .... | matte artist: ILM | |
| Char Williams | .... | visual effects production runner: MPC | |
| Mark Williams | .... | software development: MPC | |
| Robert A. Willis | .... | digital film recordist | |
| Alex Wilmington | .... | systems engineer: MPC | |
| Oliver Winwood | .... | 3D technical assistant: Cinesite | |
| Kathy Wise | .... | digital systems manager | |
| Melody Woodford | .... | match move artist | |
| Mike Woodhead | .... | match move technician | |
| Aubrey Woodiwiss | .... | junior digital lab operator: Framestore CFC | |
| Max Wood | .... | modeling technical director: MPC | |
| Alison Wortman | .... | cg artist: Double Negative | |
| Jeff Wozniak | .... | digital compositor: ILM | |
| Annabel Wright | .... | junior digital lab operator: Framestore CFC | |
| Aviv Yaron | .... | 2D technical director: Cinesite | |
| Richard Yeomans | .... | visual effects coordinator: Warner Brothers | |
| Susumu Yukuhiro | .... | lead digital matte artist | |
| Dean Yurke | .... | compositing sequence supervisor | |
| Gabriele Zucchelli | .... | senior animator: MPC | |
| Anthony Zwartouw | .... | previsualization editor | |
| Michael Alkan | .... | senior technical director (uncredited) | |
| Keith Barton | .... | technical services (uncredited) | |
| Howard Berry | .... | visual effects (uncredited) | |
| Mike Bryant | .... | data I/O: Cinesite (uncredited) | |
| Tiffany Cullum | .... | 3D manager: Cinesite (uncredited) | |
| Johanna D'Amato | .... | visual effects production assistant (uncredited) | |
| Martyn Drake | .... | systems: MPC (uncredited) | |
| James Eggleton | .... | data management: Cinesite Europe (uncredited) | |
| Erik Ellefsen | .... | visual effects artist: Cinesite (uncredited) | |
| Stephen Enticott | .... | senior animator: Framestore CFC (previz) (uncredited) | |
| Daniel Evans | .... | digital effects artist: Double Negative (uncredited) | |
| Paul Flanagan | .... | match move technician: Framestore CFC (uncredited) | |
| Anna Ford | .... | bidding coordinator: Cinesite (uncredited) | |
| Jeremy Hall | .... | chief technology officer (uncredited) | |
| Simon Haslett | .... | digital effects artist (uncredited) | |
| Guy Hauldren | .... | 3D scanning technician (uncredited) | |
| Trevor Hazel | .... | digital artist (uncredited) | |
| Alex Hessler | .... | systems engineer (uncredited) | |
| Nathan Hughes | .... | digital matte painter (uncredited) | |
| Simon Hughes | .... | digital compositor (uncredited) | |
| Oliver James | .... | research & development: MPC (uncredited) | |
| Lance Johnson | .... | visual effects intern (uncredited) | |
| Ryan Kautzman | .... | software engineer: ILM (uncredited) | |
| Jeffrey Kember | .... | technical director (uncredited) | |
| Erin King | .... | rotoscope artist: ILM (uncredited) | |
| Paul Lambert | .... | digital compositor (uncredited) | |
| Kirsty Lamb | .... | digital compositor (uncredited) | |
| Phillip Leonhardt | .... | digital compositor (uncredited) | |
| Mattias Lindahl | .... | visual effects (uncredited) | |
| Steve Lynn | .... | technical support (uncredited) | |
| James McKeown | .... | modeller (uncredited) | |
| Paolo Mitton | .... | camera technical director (uncredited) | |
| Danielle Nadal | .... | digital I/O (uncredited) | |
| Ben O'Brien | .... | Sabre artist: ILM (uncredited) | |
| Roma O'Connor | .... | bidding producer (uncredited) | |
| Maggie Oh | .... | digital effects artist: ILM (uncredited) | |
| Pete Oldroyd | .... | digital compositor (uncredited) | |
| Mayur Patel | .... | digital effects artist (uncredited) | |
| Paul Poetsch | .... | digital compositor: Baseblack (uncredited) | |
| Nigel Rafter | .... | technical director (uncredited) | |
| Martin Riedel | .... | digital compositor: MPC (uncredited) | |
| Amy Ryan | .... | technical director (uncredited) | |
| Mike Sanders | .... | motion capture (uncredited) | |
| Florian Schuck | .... | digital compositor (uncredited) | |
| Jonathan Smiles | .... | on set previz compositor (uncredited) | |
| Daniel L. Smith | .... | visual effects supervisor: IBC Digital (uncredited) | |
| Daniel Zizmor | .... | digital resource assistant (uncredited) | |
Animation Department | |||
| C. Michael Easton | .... | animator | |
| Robert Krupa | .... | animator | |
| Neil Roche | .... | animator | |
| Jason Snyman | .... | animator | |
| Diane Staniforth | .... | animatronic designer | |
Casting Department | |||
| Dixie Chassay | .... | casting assistant | |
Editorial Department | |||
| Victoria Bate | .... | assistant editor: Lipsync Post | |
| Joseph Bond | .... | additional editor (as Joseph C. Bond IV) | |
| John Ensby | .... | laboratory color timer | |
| Emma Gaffney | .... | first assistant editor | |
| Peter Hunt | .... | supervising digital colorist | |
| Mel Kangleon | .... | digital colorist (as Melissa Kangleon) | |
| Tom Kemplen | .... | second assistant editor | |
| William Kruzykowski | .... | associate editor | |
| Grace Lan | .... | technical operations supervisor: digital color grading and digital intermediate | |
| Toby Lloyd | .... | second assistant editor (as Tobias Lloyd) | |
| Julian Pryce | .... | first assistant editor | |
| Katie Reynolds | .... | post-production coordinator | |
| Alex Rodríguez | .... | associate editor (as Alexandro Rodriguez) | |
| Mark Sale | .... | first assistant editor | |
| Bill Daly | .... | post-production executive (uncredited) | |
| Chris Thornton | .... | digital film scanning and recording (uncredited) | |
Music Department | |||
| Marcia Crayford | .... | orchestra leader | |
| Thomas S. Drescher | .... | music editor: temp | |
| Mark Graham | .... | music librarian | |
| Isobel Griffiths | .... | orchestra contractor | |
| Richard Harvey | .... | musician: flute | |
| Edward Karam | .... | orchestrator (as Eddie Karam) | |
| The London Oratory School Schola | .... | musicians: boys choir | |
| Gerardo Matos Rodríguez | .... | composer: tango "La Cumparsita" | |
| Shawn Murphy | .... | scoring mixer | |
| Peter Myles | .... | music editor | |
| Sam Okell | .... | assistant scoring engineer | |
| Conrad Pope | .... | orchestrator | |
| Steven L. Smith | .... | music preparation | |
| Kenneth Wannberg | .... | music editor | |
| John Williams | .... | conductor | |
| Karen Bennett | .... | assistant music editor (uncredited) | |
| Jon Olive | .... | assistant music editor (uncredited) | |
| Frank Welker | .... | special vocal effects (uncredited) | |
Transportation Department | |||
| Jimmy Carruthers | .... | unit driver | |
| Ian Lisi | .... | unit driver | |
| Jason Mortlock | .... | unit driver | |
| David Rosenbaum | .... | transportation coordinator | |
| Karen Russell | .... | driver: minibus | |
| Harry Taylor | .... | driver: Chris Columbus | |
| Bill Walker | .... | unit driver | |
Thanks | |||
| Felix Longwater | .... | special thanks | |
|
| The Chronicles of Narnia: Prince Caspian |
|
IMDb User Rating:
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Although this film isn't all that I'd hoped it would be, I believe that it was the best of the three 'Harry Potter' films so far, thanks largely due to director Alfonso Cuaron. In 'Harry Potter and The Prisoner of Azkaban', the trio are now thirteen and beginning their Third Year at Hogwarts, under the fear of an escaped criminal who played a part in the deaths of Harry's parents and seems to be stalking the school, preying on Harry.
The child acting in this film has improved slightly with Emma Watson and Rupert Grint probably faring the best in comparison to their young co-stars. Although he is lumbered with a Ron who has once again been reduced to a comic character, it's a sign of Grint's abilities that he does well without looking embarrassed or too clownish. Dan Radcliffe was still very poor, obviously struggling to portray Harry's darker emotions in a manner that isn't wooden and awkward and and this was very apparent in the scene where he makes an atrocious effort to cry when he finds out his godfather had betrayed his parents to their deaths. while Tom Felton was let down by poor scripting of Draco.
The adult cast were excellent. Remus Lupin and Sirius Black were perfectly cast. Lupin was soft yet stern when needed and you could feel there was a parental rapport between him and Harry, and I couldn't imagine anyone other than David Thewlis in the role. And Gary Oldman was great in depicting Black's determination, mingled with an hysterical madness due to his incarceration in the hellish wizarding prison Azkaban. As for Michael Gambon, who was recast in the role of Dumbledore, I felt he was an improvement. Richard Harris was a gifted actor but his Dumbledore had a cold, aloofness to him whereas Gambon was able to portray the warm, eccentricity of the character without diminishing the power and wisdom of Dumbledore. And the rest of the regular cast, such as Alan Rickman and Maggie Smith, were perfect although we expect no better from them now!
One of the best aspects of this film is how it no longer pandered to kiddies like the previous two films did. There was a darker, moodier edge to the story and the characters. The wizarding world no longer seemed like a perfect haven and the characters had grown beyond being innocent children; this reflected the book itself since many feel PoA was a turning point in the series where it finally felt like Harry Potter- boy and book- were growing up. The Hogwarts' setting differed from the previous films yet not only was it definitely more faithful to the books but finally it felt as if the castle was in Scotland rather than perpetually sunny Disney Land and this enhanced the mood being set in the film. The clock was a nice touch, linking to the theme of time in the actual storyline, as was the bridge in being a place for Harry to mull over his problems. Also, in many ways, this film could have ended up a muddled mess in regards to the ending but Cuaron handled the Time Turner scenes well.
However, there were flaws to the film, which let it down. The characters of Hermione and Draco were poorly scripted so they seemed like two completely different characters from the ones we know and love in the books. Although Watson as an actress has improved since CoS, the main problem with the script is that Hermione is being portrayed as being too cool and cocky compared to the bookworm who has no interest in fashion that we know Hermione to be in the books. Steve Kloves, the scriptwriter who admits he's responsible for the change, really needs to learn heroines don't need to be cool Buffy types to be admired; part of why Hermione is so popular as a character in the books is that she appeals to girls who are bookish themselves and easily identify with her. And as for Draco, he comes across as too much of a cowardly, weak girlie-boy rather than an insidious, vicious brat who can be a threat to Harry when he chooses to.
Also, there was no telling of what Black did to Snape in school that left him so bitter in his hatred and I wished they'd included the scene where he let slip what Lupin was, especially as this animosity between him, Black and Lupin plays a larger role as the books go on. And speaking of Lupin, the werewolf CGI was atrocious. He looked like an emaciated rat rather than the wolf-like creature who leaves even the more powerful wizards quivering in fear. I wished there was more in the ending too as I would have loved to see Vernon's face when he found out who Black was. Kloves needs to learn how to round the Harry Potter films off properly as this was also a sticking point in CoS.
At the end of the day, there were scenes left out, some of which we didn't mind skipping but others (an explanation to Harry of James Potter's friendship to Black and Lupin) were sorely missed. It was a great film but it could have done with being made longer or skipping on non-essential scenes (less of the Knight Bus and Hermione punching Malfoy in a manner that makes her out to be a thug) to make way for scenes which are more important. I think I was disappointed because I was expecting something along the lines of RotK but it's still great viewing. I'd give it a seven-and-a-half out of ten with the hopes Cuaron will return to the helm again although preferably not with Kloves as the scriptwriter. I think Cuaron would be excellent working with a script produced by someone who has a better handle on the darker aspects of the books and a deeper understanding of the HP characters.