It's Harry's third year at Hogwarts; not only does he have a new "Defense Against the Dark Arts" teacher, but there is also trouble brewing. Convicted murderer Sirius Black has escaped the Wizards' Prison and is coming after Harry.
Upon moving into the run-down Spiderwick Estate with their mother, twin brothers Jared and Simon Grace, along with their sister Mallory, find themselves pulled into an alternate world full of faeries and other creatures.
Lucy and Edmund Pevensie return to Narnia with their cousin Eustace where they meet up with Prince Caspian for a trip across the sea aboard the royal ship The Dawn Treader. Along the way they encounter dragons, dwarves, merfolk, and a band of lost warriors before reaching the edge of the world.
Harry Potter is having a tough time with his relatives (yet again). He runs away after using magic to inflate Uncle Vernon's sister Marge who was being offensive towards Harry's parents. Initially scared for using magic outside the school, he is pleasantly surprised that he won't be penalized after all. However, he soon learns that a dangerous criminal and Voldemort's trusted aide Sirius Black has escaped from the Azkaban prison and wants to kill Harry to avenge the Dark Lord. To worsen the conditions for Harry, vile creatures called Dementors are appointed to guard the school gates and inexplicably happen to have the most horrible effect on him. Little does Harry know that by the end of this year, many holes in his past (whatever he knows of it) will be filled up and he will have a clearer vision of what the future has in store... Written by
Azkaban Prison, though mentioned, never actually appears in the film. Nonetheless, concept art was created by both conceptual artist Andrew Williamson and production designer Stuart Craig. Both sketches depict Azkaban as a triangular stone fortress built on the edge of a giant waterfall. When Azkaban is seen for the first time in Harry Potter and the Order of the Phoenix (2007) the filmmakers looked to these sketches and ultimately decided to keep the triangular design but relocated the prison to an island in the middle of the ocean (closer to how it was described in the book). See more »
When Harry and the gang are back in Hogsmeade after tormenting Malfoy, Harry is shown wearing the hood of his hoody. However, we see him a second time with the hood on and the next shot he is invisible. When he goes into the pub to listen to the conversation with Fudge, he is under the Cloak with no hood on. See more »
Several fun variations in the Marauder's Map credits: -One set of footprints enters a room called "Stink Bomb Store" and several pairs of footprints leave very quickly. -Dog paw-prints and owl talon-prints move around the map. -The footprints react to the text, hopping over the names or going around them. -The Grindylows from The Goblet of Fire are introduced on the map with the Grindylow Lagoon. -Sirius Black's footprints go from shoes to bare feet, then turn into dog's paw-prints. -Two pairs of footprints appear to be kissing in a secluded corner. -One pair of footprints is chased by another. See more »
Abstract and dark themes abound; still the most mature HP entry
Alfonso Cuarón's masterful adaptation does the source material immeasurable justice by exploring its underlying concepts in an intelligent manner. Of course, it certainly helps that the aesthetics of the film are incredible, the acting remains stellar (and the trio of young actors handle their roles admirably), and John Williams offers an amazing (and eclectic) score. Character development is superb - Steve Kloves penned a great script.
First-time and young viewers will likely enjoy the film for its merits based on plot and 'adventure' alone, but it takes multiple viewings and a critical eye to enjoy the abstract ideas and nuances. Cuarón himself credited the source material as being laden with real-world issues: oppression, racism, loneliness, power, friendship, justice and so forth.
This is the Harry Potter film that stands on its own and as a tremendous cinematic achievement. It challenges viewers and yet doesn't patronize them or attempt to offer answers to all of the questions presented. For instance, the ending is bittersweet at best and retains a healthy amount of ambiguity.
If you've never read the books or understood the acclaim of the series as a whole, watch Cuarón's 'Prisoner of Azkaban' and you'll understand why this entry is clearly the zenith of the seven.
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