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Billy Dee Williams,
A Catholic priest (Padre Geronimo) goes to a small town to solve some strange things that are happening in that town, things that come from the unknown, and gets involved in a romantic relationship with a young woman of the village.
A fish-out-of-water comedy about a talented street drummer from Harlem who enrolls in a Southern university, expecting to lead its marching band's drumline to victory. He initially flounders in his new world, before realizing that it takes more than talent to reach the top. Written by
Sujit R. Varma
While Morris Brown is a real college in Atlanta, there is no real Atlanta A&T. The filming was done at Clark University in Atlanta and at Morris Brown. The performers (aside from those from Morris Brown) were recruited from high school and university bands all over the Atlanta and Metro Atlanta area. High school band director Don Roberts was recruited to turn the performers into real, convincing bands. See more »
When Devon is in class to learn about music notes, there is someone wearing red clothes sitting behind him. In the next shot, this person is gone. See more »
I don't know what beef is between you, but you'd better grill it up and eat it, because it is my ass that is on the line.
See more »
As the MBU band plays one more time over the credits, the names for each principal actor appear on the screen (and exit) in patterns resembling marching formations, such as spinning into frame and then out again like a drumline. See more »
Should've been called "Violaline" to indicate how boring it was.
I'm a former band guy, and watched this movie knowing how cheesy and foumulaic it would be, but I assumed I would enjoy it the way my wife, a former cheerleader, enjoyed "Bring It On." Nope. There's nothing enjoyable about this movie. The story was cliche, the characters were stock, the direction was amateur, the situation was ludicrous, and the music and marching were a joke. I kind of thought they'd use, or at least model themselves after, real SWAC or MEAC bands and players, but the music sequences, which should have been equivalent to the game sequences in sports movies or the performance sequences in arts movies (e.g. Fame, Center Stage, Bring It On - kinda), were so low quality they were laughable. 20 High Schools in my state could have easily won that competition, and every drum corp except maybe the Troopers. There was some special attention given to, can you believe it, the drum line, but ultimately, the sequences were boring and monotonous, and the cadences rudimentary and annoying. Since the story was utterly predictable, let me rate the performances in this movie, using BOA scoring:
Music Performance Individual: 12/20 - The closeups were the best part, and Devon was good enough to be in my college percussion section - on cymbals. Music Performance Ensemble: 5/20 - One band, one awful sound. They couldn't even play a Bb scale in tune. Seriously. Visual Performance Individual: 5/20 - Hey, Devon? Tick, Tick, Tick... Visual Performance Ensemble: 3/20 - Straight lines are not that hard to maintain when you stand still for 5 minutes.. Maybe you guys should be introduced to a thing called "Marching". In a few years we'll move on to another thing called "Drill Design." Music GE: 15/40 - Dr. Lee, let me introduce you to a thing called a "Theme". There's nothing wrong with quick cheers and fanfares in the stands being based on hip-hop, but you may have noticed that the melodic lines of most contemporary hip-hop tunes are not exactly ever-changing. In The Stone was cutting edge about 20 years ago, but now every high school band plays it. Visual GE: 4/20. Atrocious dancing, flat footed marching, no concept to the shows at all. While we're doing Band 101, there's a new concept called "Color Guard" you may want to look into.
Total score: 44/100. OK, so maybe I was too stingy: there are at least 50 bands in NM that could beat that score.
Oh, one comment made by another user I agree with wholeheartedly: UCLA sucks. Fight on, brother.
10 of 18 people found this review helpful.
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