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1970s roller-skate jams fuel this coming-of-age comedy, as X and his friends, who rule their local rink, are shocked when their home base goes out of business. Heading over to the ... See full summary »
A New York advertising executive travels to a small Southern town to collect an inheritance but finds he must create a gospel choir and lead it to success before he can collect.
Director:
Jonathan Lynn
Stars:
Nigel Washington,
Cuba Gooding Jr.,
Mike Epps
High school student Nick O'Leary, member of the Queercore band The Jerk Offs, meets college-bound Norah Silverberg when she asks him to be her boyfriend for five minutes.
Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's traveling to the same resort as her ex ... and she's bringing along her new boyfriend.
As four friends prepare for life after high school, different challenges bring about turning points in each of their lives. The dramas unfold and resolve at their local rollerskating rink, Cascade.
A fish-out-of-water comedy about a talented street drummer from Harlem who enrolls in a Southern university, expecting to lead its marching band's drumline to victory. He initially flounders in his new world, before realizing that it takes more than talent to reach the top. Written by
Sujit R. Varma
While Morris Brown is a real college in Atlanta, there is no real Atlanta A&T. The filming was done at Clark University in Atlanta and at Morris Brown. The performers (aside from those from Morris Brown) were recruited from high school and university bands all over the Atlanta and Metro Atlanta area. High school band director Don Roberts was recruited to turn the performers into real, convincing bands. See more »
Goofs
The stadium lights during the finale are shown turning on and rapidly back on again. Stadium lights are gas discharge lamps, and cannot be turned off and on again without a significant warm-up period. See more »
Quotes
Dr. Lee:
I don't know what beef is between you, but you'd better grill it up and eat it, because it is my ass that is on the line.
See more »
Crazy Credits
The closing credits include illustrations of the proper way to play the drum. See more »
"Let's Go"
Written by Maurice Young, Lasana Smith, Mark Seymour, Corey Evans and Ted Lucas
Performed by Trick Daddy featuring Duece Poppi, Tre + 6 & Unda Presha
Produced by Infared of Unda Presha
Trick Daddy, Duece Poppi, Tre + 6 and Unda Presha perform courtesy of Slin-N-Slide Records See more »
I'm not one of those people who moans and groans that "movies today are so full of trashy language" (or sex or violence or whatever), and that there's not enough "wholesome" (that word gives me a pain) entertainment for the family. For all those who do (and even those who don't), here's an energetic film that manages to entertain while eschewing content that could conceivably offend anyone (unless they find even the tiniest amount of innocuous, lightweight hip-hop too much to take).
The thematic ground here - young hotshot learns to sacrifice for the good of the team; underdogs strive for triumph - has been covered countless times before, so DRUMLINE wisely boils the plot down to its barest elements, for the most part sidestepping the obligatory contrived obstacles and setbacks, and plays to its strength: the music.
This is a story about college marching bands, focusing in particular on the members of the percussion section, and a good 50% - if not more - of the film concentrates on the lively and elaborate performances of the bands, which are complimented by equally lively cinematography and editing.
No, it's not deep and, yes, it's old fashioned. In, fact, it doesn't take a lot of imagination to see Mickey and Judy in the roles of Devon and Laila (though probably with different names!). I mean, these are the cleanest livin' kids you'll see in any recent picture! But it's solid and it all works. Oh, and don't be scared off by the idea of so much college marching band music. Not being a football fan, my exposure to such things is limited to the Rose Parade, and I don't have a clue as to what state-of-the-art is for halftime entertainment these days, but, for what it's worth, this is the best college marching band stuff I've ever seen, and I wasn't bored for a minute.
29 of 35 people found this review helpful.
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I'm not one of those people who moans and groans that "movies today are so full of trashy language" (or sex or violence or whatever), and that there's not enough "wholesome" (that word gives me a pain) entertainment for the family. For all those who do (and even those who don't), here's an energetic film that manages to entertain while eschewing content that could conceivably offend anyone (unless they find even the tiniest amount of innocuous, lightweight hip-hop too much to take).
The thematic ground here - young hotshot learns to sacrifice for the good of the team; underdogs strive for triumph - has been covered countless times before, so DRUMLINE wisely boils the plot down to its barest elements, for the most part sidestepping the obligatory contrived obstacles and setbacks, and plays to its strength: the music.
This is a story about college marching bands, focusing in particular on the members of the percussion section, and a good 50% - if not more - of the film concentrates on the lively and elaborate performances of the bands, which are complimented by equally lively cinematography and editing.
No, it's not deep and, yes, it's old fashioned. In, fact, it doesn't take a lot of imagination to see Mickey and Judy in the roles of Devon and Laila (though probably with different names!). I mean, these are the cleanest livin' kids you'll see in any recent picture! But it's solid and it all works. Oh, and don't be scared off by the idea of so much college marching band music. Not being a football fan, my exposure to such things is limited to the Rose Parade, and I don't have a clue as to what state-of-the-art is for halftime entertainment these days, but, for what it's worth, this is the best college marching band stuff I've ever seen, and I wasn't bored for a minute.