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1970s roller-skate jams fuel this coming-of-age comedy, as X and his friends, who rule their local rink, are shocked when their home base goes out of business. Heading over to the ... See full summary »
A New York advertising executive travels to a small Southern town to collect an inheritance but finds he must create a gospel choir and lead it to success before he can collect.
Director:
Jonathan Lynn
Stars:
Nigel Washington,
Cuba Gooding Jr.,
Mike Epps
High school student Nick O'Leary, member of the Queercore band The Jerk Offs, meets college-bound Norah Silverberg when she asks him to be her boyfriend for five minutes.
Devastated Peter takes a Hawaii vacation in order to deal with recent break-up with his TV star girlfriend, Sarah. Little does he know Sarah's traveling to the same resort as her ex ... and she's bringing along her new boyfriend.
As four friends prepare for life after high school, different challenges bring about turning points in each of their lives. The dramas unfold and resolve at their local rollerskating rink, Cascade.
A fish-out-of-water comedy about a talented street drummer from Harlem who enrolls in a Southern university, expecting to lead its marching band's drumline to victory. He initially flounders in his new world, before realizing that it takes more than talent to reach the top. Written by
Sujit R. Varma
The fraternity featured throughout the film is Kappa Kappa Psi, the national honorary band fraternity. The actual Kappa Kappa Psi flag, colors, and symbols, and customary shouts and chants are used in the film. Symbols and letters for their sister organization, Tau Beta Sigma, the national honorary band sorority, can also be seen throughout the film. See more »
Goofs
When Devon and Laila are studying and then kiss, their heads change relative position between shots. See more »
Quotes
Devon:
They don't tell you about all this when they recruit you.
See more »
Crazy Credits
The closing credits include illustrations of the proper way to play the drum. See more »
"Let's Go"
Written by Maurice Young, Lasana Smith, Mark Seymour, Corey Evans and Ted Lucas
Performed by Bethune Cookman College Marching Band See more »
Former drumline member here. Well damn, I guess I'll be the first drummer to say I liked the movie a lot. I swear, half of these reviews I'm reading are annoying - people bashing it because it's an all black movie, people bashing it because the band has dancers instead of a color guard, people calling the drumming rudimentary because they played in a drumline that did better blah blah blah.
What do you guys want, a documentary on marching band? If I was to make a Hollywood movie about the drumline I would have done the same exact things with the drum sequences - put in a gang of stick tricks and showmanship that would translate well to the screen. Nobody wants to watch flam taps for 90 minutes.
That being said, the last drum battle is one of my favorite things to watch. I love when the bass drum cadence comes in, the basses march in a circle, the quads toss each other their sticks between bars, and the snares have an orgy of backsticking and other stick tricks on a level you rarely see performed in real life. And the movie is only cliche as far as its kid w/ bad attitude needs to put his pride away plot goes. I don't watch Nickelodeon so I haven't seen one of those types of movies since I was... hmmm since I was 5. Far as what isn't cliche about it, there's a lot to like. One of the best things is that it immerses itself in Afro-American culture w/out any cliches at all - just life as it is down south at an all-black university. No guns, drugs, none of that stuff that you'd expect from a character who walks and talks like Nick Cannon's character does. I also liked the way they handled the white character in the band. The dialogue where they ask him why he went to the all-black college. His first reply is a wink at the audience, which would expect Hollywood to trivialize race relations like that. Then he goes, nah for real though, and gives a sincere answer that makes sense.
65 of 76 people found this review helpful.
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Former drumline member here. Well damn, I guess I'll be the first drummer to say I liked the movie a lot. I swear, half of these reviews I'm reading are annoying - people bashing it because it's an all black movie, people bashing it because the band has dancers instead of a color guard, people calling the drumming rudimentary because they played in a drumline that did better blah blah blah.
What do you guys want, a documentary on marching band? If I was to make a Hollywood movie about the drumline I would have done the same exact things with the drum sequences - put in a gang of stick tricks and showmanship that would translate well to the screen. Nobody wants to watch flam taps for 90 minutes.
That being said, the last drum battle is one of my favorite things to watch. I love when the bass drum cadence comes in, the basses march in a circle, the quads toss each other their sticks between bars, and the snares have an orgy of backsticking and other stick tricks on a level you rarely see performed in real life. And the movie is only cliche as far as its kid w/ bad attitude needs to put his pride away plot goes. I don't watch Nickelodeon so I haven't seen one of those types of movies since I was... hmmm since I was 5. Far as what isn't cliche about it, there's a lot to like. One of the best things is that it immerses itself in Afro-American culture w/out any cliches at all - just life as it is down south at an all-black university. No guns, drugs, none of that stuff that you'd expect from a character who walks and talks like Nick Cannon's character does. I also liked the way they handled the white character in the band. The dialogue where they ask him why he went to the all-black college. His first reply is a wink at the audience, which would expect Hollywood to trivialize race relations like that. Then he goes, nah for real though, and gives a sincere answer that makes sense.