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Directed by | |||
| Eli Roth | |||
Writing credits | ||
| Eli Roth | (written by) and | |
| Randy Pearlstein | (written by) | |
| Eli Roth | (story) | |
Produced by | |||
| Evan Astrowsky | .... | producer | |
| Sam Froelich | .... | producer | |
| Jeffrey D. Hoffman | .... | co-executive producer | |
| Susan Jackson | .... | executive producer | |
| Lauren Moews | .... | producer | |
| Eli Roth | .... | producer | |
Original Music by | |||
| Angelo Badalamenti | |||
| Nathan Barr | |||
Cinematography by | |||
| Scott Kevan | |||
Film Editing by | |||
| Ryan Folsey | |||
Casting by | |||
| Joe Adams | |||
| Mitzi Corrigan | |||
| Ayo Davis | |||
| Paige Johnson | |||
Production Design by | |||
| Franco-Giacomo Carbone | |||
Costume Design by | |||
| Paloma Soledad | |||
Makeup Department | |||
| Jessica Elder | .... | makeup artist | |
| Joan Shay | .... | hair department head | |
Production Management | |||
| Claudia Carey | .... | unit production manager | |
Art Department | |||
| Tommy Estridge | .... | assistant property master | |
| Richard A. Mazzochi | .... | property master | |
| Charles B. Walker | .... | assistant set dresser | |
Sound Department | |||
| Pembrooke Andrews | .... | sound editor | |
| Brian Best | .... | supervising sound editor | |
| Jeffree Bloomer | .... | sound mixer | |
| Lance Brown | .... | sound re-recording mixer | |
| Timothy A. Carpenter | .... | foley mixer | |
| Timothy A. Carpenter | .... | sound re-recording mixer | |
| William Cawley | .... | sound effects editor | |
| Brion Condon | .... | boom operator: Los Angeles | |
| David P. Earle | .... | sound effects editor | |
| Frederick Howard | .... | foley supervisor | |
| Steve Mann | .... | sound effects editor | |
| Marc Meyer | .... | sound effects editor | |
| Shelley Roden | .... | foley artist (as Shelley Smith) | |
| Scott Solan | .... | boom operator | |
| Joseph Tsai | .... | sound effects editor | |
| Steve Weiss | .... | sound mixer: Los Angeles | |
| Aaron Wilcox | .... | facilities management | |
| Aaron Wilcox | .... | re-recording projectionist | |
| J. Aloysius Flanagan III | .... | assistant sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Howard Berger | .... | special makeup effects supervisor | |
| Chiz Hasegawa | .... | coordinator: KNB EFX Group | |
| Garrett Immel | .... | key special makeup effects artist and set supervisor | |
| Robert Kurtzman | .... | special makeup effects supervisor | |
| Gregory Nicotero | .... | special makeup effects supervisor | |
| Scott Patton | .... | sculptor | |
| Alan Tuskes | .... | special makeup effects crew | |
Visual Effects by | |||
| Steven Emmert | .... | optical compositor: THDX | |
| Scott Grossman | .... | poster design | |
| Scott Grossman | .... | title design | |
| Erick Schiele | .... | poster design | |
| Erick Schiele | .... | title design | |
| Jan S. Owen | .... | visual effects producer: Pacific Title (uncredited) | |
Stunts | |||
| John Copeman | .... | stunt coordinator | |
| Dino Muccio | .... | stunts | |
Camera and Electrical Department | |||
| Robin Acutt | .... | gaffer | |
| Casey Alicino | .... | key grip | |
| Raymond Benthall | .... | set electrician | |
| Nathan Crum | .... | camera loader | |
| Julie Donovan | .... | first assistant camera | |
| Bryan G. Haigh | .... | second assistant camera | |
| C. David Jones | .... | grip | |
| Eric Leach | .... | director of photography: second unit | |
| Michael Lowrance | .... | electrician | |
| Dominic Mainl | .... | first assistant camera | |
| Jeff Miller | .... | best boy grip | |
| Gannon Murphy | .... | gaffer | |
| Benjamin Root | .... | jib operator | |
| Derek E. Tindall | .... | best boy electric | |
| David Troutman | .... | electrician | |
Casting Department | |||
| Jordan Beswick | .... | additional casting | |
| Mitzi Corrigan | .... | casting: North Carolina | |
Costume and Wardrobe Department | |||
| Juli Trotter | .... | wardrobe assistant | |
Editorial Department | |||
| Jennie Blackwood | .... | post-production coordinator | |
| Erica Mireles Folsey | .... | assistant editor (as Erica Acevedo) | |
| Harry Muller | .... | color timer | |
| Kelly Reese | .... | telecine colorist: high definition | |
| Chris Regan | .... | color timer | |
Music Department | |||
| Michael Farrow | .... | music scoring mixer | |
| Christine H. Luethje | .... | music editor | |
| Brian Richards | .... | music editor | |
| Mark Skillingberg | .... | assistant music editor | |
Transportation Department | |||
| Paul Feddersen | .... | transportation coordinator: Los Angeles | |
| D.J. Hall | .... | transportation co-captain | |
| Hugo Ocana | .... | driver | |
| Colleen Rea | .... | driver: Los Angeles | |
| Lew Strong | .... | driver | |
Other crew | |||
| Jennie Blackwood | .... | assistant accountant | |
| Peter Block | .... | acquisitions executive | |
| Barry L. Caldwell | .... | script supervisor | |
| Sam Childs | .... | production accountant | |
| Crystal Connell | .... | craft service | |
| Andrew Daniel | .... | production assistant | |
| Chantelle Grady | .... | production secretary | |
| Michael Hayworth | .... | production assistant | |
| David Roberson | .... | publicity consultant | |
| Pascual Romero | .... | promotional consultant | |
| Gabriel Roth | .... | documentarian | |
| Barbara Rushworth | .... | assistant to producer | |
| Lindsay Vivian | .... | production assistant | |
| Mark Garbett | .... | production assistant (uncredited) | |
Thanks | |||
| Angelo Badalamenti | .... | very special thanks | |
| Peter Belsito | .... | special thanks: consultant | |
| George Folsey Jr. | .... | very special thanks | |
| Michael Hassan | .... | very special thanks | |
| Rich Hassan | .... | very special thanks | |
| David Lynch | .... | very special thanks | |
| Jenny McShane | .... | thanks | |
| Michael Rosenbaum | .... | special thanks | |
| Andy Sawyer | .... | very special thanks | |
| Darren Thomas | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I saw this film at the Toronto International Film Festival (sept 02), and i was thoroughly impressed - of the 42 movies i saw, this was the best (even better than Bubba Ho-Tep, and i am a HUGE Bruce Campell fan). If you like movies like the Evil Dead trilogy, Last House on the Left, and Texas Chainsaw Massacre, you will love this movie. The acting is surprisingly good for a bunch of nobodies, the story is very well developed (even a few really funny jokes, always good in horror), and the gore is INCREDIBLE! For those of you that miss the extreme gore of the 70s and early 80s, you will not want to miss this film. If you like absurd, black humor, you might also enjoy it a lot. And if you want a change from the standard slasher in the woods as the villain, definitely check this out. I'm predicting this will be the best horror movie of the year.