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Directed by | |||
| Eli Roth | |||
Writing credits | ||
| Eli Roth | (written by) and | |
| Randy Pearlstein | (written by) | |
| Eli Roth | (story) | |
Produced by | |||
| Evan Astrowsky | .... | producer | |
| Sam Froelich | .... | producer | |
| Jeffrey D. Hoffman | .... | co-executive producer | |
| Susan Jackson | .... | executive producer | |
| Lauren Moews | .... | producer | |
| Eli Roth | .... | producer | |
Original Music by | |||
| Angelo Badalamenti | |||
| Nathan Barr | |||
Cinematography by | |||
| Scott Kevan | |||
Film Editing by | |||
| Ryan Folsey | |||
Casting by | |||
| Joe Adams | |||
| Mitzi Corrigan | |||
| Ayo Davis | |||
| Paige Johnson | |||
Production Design by | |||
| Franco-Giacomo Carbone | |||
Costume Design by | |||
| Paloma Soledad | |||
Makeup Department | |||
| Jessica Elder | .... | makeup artist | |
| Joan Shay | .... | hair department head | |
Production Management | |||
| Claudia Carey | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Max Berryhill | .... | first assistant director: second unit (as M.C. 'Max' Berryhill) | |
| Max Berryhill | .... | second assistant director (as M.C. 'Max' Berryhill) | |
| Susan DeWeese | .... | first assistant director | |
| Susan McGuire | .... | first assistant director | |
Art Department | |||
| Tommy Estridge | .... | assistant property master | |
| Richard A. Mazzochi | .... | property master | |
| Charles B. Walker | .... | assistant set dresser | |
Sound Department | |||
| Pembrooke Andrews | .... | sound editor | |
| Brian Best | .... | supervising sound editor | |
| Jeffree Bloomer | .... | sound mixer | |
| Lance Brown | .... | sound re-recording mixer | |
| Timothy A. Carpenter | .... | foley mixer | |
| Timothy A. Carpenter | .... | sound re-recording mixer | |
| William Cawley | .... | sound effects editor | |
| Brion Condon | .... | boom operator: Los Angeles | |
| David P. Earle | .... | sound effects editor | |
| Frederick Howard | .... | foley supervisor | |
| Steve Mann | .... | sound effects editor | |
| Marc Meyer | .... | sound effects editor | |
| Shelley Roden | .... | foley artist (as Shelley Smith) | |
| Scott Solan | .... | boom operator | |
| Joseph Tsai | .... | sound effects editor | |
| Steve Weiss | .... | sound mixer: Los Angeles | |
| Aaron Wilcox | .... | facilities management | |
| Aaron Wilcox | .... | re-recording projectionist | |
| J. Aloysius Flanagan III | .... | assistant sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Howard Berger | .... | special makeup effects supervisor | |
| Chiz Hasegawa | .... | coordinator: KNB EFX Group | |
| Garrett Immel | .... | key special makeup effects artist and set supervisor | |
| Robert Kurtzman | .... | special makeup effects supervisor | |
| Gregory Nicotero | .... | special makeup effects supervisor | |
| Scott Patton | .... | sculptor | |
| Alan Tuskes | .... | special makeup effects crew | |
Visual Effects by | |||
| Steven Emmert | .... | optical compositor: THDX | |
| Scott Grossman | .... | poster design | |
| Scott Grossman | .... | title design | |
| Erick Schiele | .... | poster design | |
| Erick Schiele | .... | title design | |
| Jan S. Owen | .... | visual effects producer: Pacific Title (uncredited) | |
Stunts | |||
| John Copeman | .... | stunt coordinator | |
| Dino Muccio | .... | stunts | |
Camera and Electrical Department | |||
| Robin Acutt | .... | gaffer | |
| Casey Alicino | .... | key grip | |
| Raymond Benthall | .... | set electrician | |
| Nathan Crum | .... | camera loader | |
| Julie Donovan | .... | first assistant camera | |
| Bryan G. Haigh | .... | second assistant camera | |
| C. David Jones | .... | grip | |
| Eric Leach | .... | director of photography: second unit | |
| Michael Lowrance | .... | electrician | |
| Dominic Mainl | .... | first assistant camera | |
| Jeff Miller | .... | best boy grip | |
| Gannon Murphy | .... | gaffer | |
| Benjamin Root | .... | jib operator | |
| Derek E. Tindall | .... | best boy electric | |
| David Troutman | .... | electrician | |
Casting Department | |||
| Jordan Beswick | .... | additional casting | |
| Mitzi Corrigan | .... | casting: North Carolina | |
Costume and Wardrobe Department | |||
| Juli Trotter | .... | wardrobe assistant | |
Editorial Department | |||
| Jennie Blackwood | .... | post-production coordinator | |
| Erica Mireles Folsey | .... | assistant editor (as Erica Acevedo) | |
| Harry Muller | .... | color timer | |
| Kelly Reese | .... | telecine colorist: high definition | |
| Chris Regan | .... | color timer | |
Music Department | |||
| Michael Farrow | .... | music scoring mixer | |
| Christine H. Luethje | .... | music editor | |
| Brian Richards | .... | music editor | |
| Mark Skillingberg | .... | assistant music editor | |
Transportation Department | |||
| Paul Feddersen | .... | transportation coordinator: Los Angeles | |
| D.J. Hall | .... | transportation co-captain | |
| Hugo Ocana | .... | driver | |
| Colleen Rea | .... | driver: Los Angeles | |
| Lew Strong | .... | driver | |
Other crew | |||
| Jennie Blackwood | .... | assistant accountant | |
| Peter Block | .... | acquisitions executive | |
| Barry L. Caldwell | .... | script supervisor | |
| Sam Childs | .... | production accountant | |
| Crystal Connell | .... | craft service | |
| Andrew Daniel | .... | production assistant | |
| Chantelle Grady | .... | production secretary | |
| Michael Hayworth | .... | production assistant | |
| David Roberson | .... | publicity consultant | |
| Pascual Romero | .... | promotional consultant | |
| Gabriel Roth | .... | documentarian | |
| Barbara Rushworth | .... | assistant to producer | |
| Lindsay Vivian | .... | production assistant | |
| Mark Garbett | .... | production assistant (uncredited) | |
Thanks | |||
| Angelo Badalamenti | .... | very special thanks | |
| Peter Belsito | .... | special thanks: consultant | |
| George Folsey Jr. | .... | very special thanks | |
| Michael Hassan | .... | very special thanks | |
| Rich Hassan | .... | very special thanks | |
| David Lynch | .... | very special thanks | |
| Jenny McShane | .... | thanks | |
| Michael Rosenbaum | .... | special thanks | |
| Andy Sawyer | .... | very special thanks | |
| Darren Thomas | .... | special thanks | |
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| Dreamcatcher | A Bay of Blood | Bad Boys II | Night of the Demon | House of 1000 Corpses |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Five friends finish their exams at college and decide to relax by taking a break in the woods. They arrive at their rented cabin and begin to party a party that is broken by a sick man who stumbles into their midst. They try to fend him off but accidentally kill him. With their car wrecked and their mobile phones not working, they try to get help but their plans dramatically change when one of their number starts to show signs of having the same flesh eating virus that the stranger appeared to have.
I remembered this film getting reasonable reviews when it came out so I decided to give it a try on DVD to see for myself. The film opens with a group of teenagers going to a cabin where they encounter 'something' and then slowly turn on one another as the tension mounts up. So far, so genre.
However the film does well to overcome the fact that we can't see (or fight) the assailant and still manages to mount up the tension pretty well for the majority of the film. It is in the last 30 minutes where it goes to pot where the film opens up the sheer apocalyptic potential the virus has, it chooses to focus on mad deer crashing through windscreen etc and starts to get quite silly. The lack of emotional involvement between the characters means that it is not quite as gripping as it should be instead they turn on each other really quickly and only once do you feel for them.
The movie borrows heavily from other films (Evil Dead, teen movies, Night Of The Living Dead, Dawn Of The Dead) and in some ways it is not a problem, but in others it is a weakness for example the climax of the action is obvious because it is clear what it is referencing. Roth does OK as director and generally manages to keep the tension up regardless of the slightly daffy script. Like I say he loses it a bit in the final 30 minutes and I have mixed feelings about his final scene. He throws in a quite funny joke about perceptions but also tries to mix it with the horror of an impending outbreak around the US. Generally it isn't that great a film but it is one of the better of the 'teen slasher' genre that I think it more or less fits into.
The teen cast are too basic and they are only average par for the course, if you will. DeBello is OK, Strong is quite enjoyable even if Kern got on my nerves bit. The two female leads are not as well used and a more cynical reviewer may suggest that the film makes lazy use of their naked bodies again another genre cliché. The support cast are pretty country and do what is expected of them none of them really do that well and the blame for that should be shared between the cast and the script, which doesn't give them more than cliché to really work with.
Overall I thought this was an OK film. Compared to the genre it is better than some of the other teen horrors that have been around recently although it isn't really that good. The first hour is pretty solid but the final half hour doesn't quite deliver on the potential that had been suggested up till this point. An enjoyable genre picture nothing more, nothing less.