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Bollywood/Hollywood (2002)

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Ratings: 6.0/10 from 2,152 users   Metascore: 35/100
Reviews: 56 user | 34 critic | 15 from Metacritic.com

After Rahul's white pop-star fiancée dies in a bizarre levitation accident his mother insists he find another girl as soon as possible, preferably a Hindi one. As she backs this up by ... See full summary »

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Title: Bollywood/Hollywood (2002)

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Cast

Cast overview, first billed only:
...
...
Sue (Sunita) Singh
Moushumi Chatterjee ...
Dina Pathak ...
...
Mr. Singh
Ranjit Chowdhry ...
Rocky
...
Kimberly
...
Twinky
...
Bobby (as Jazz Mann)
Arjun Lombardi-Singh ...
Go (Govind)
Leesa Gaspari ...
Lucy
Neelam Mansingh ...
Mrs. Singh
Mike Deol ...
Killer Khalsa (as Killer Khalsa)
Jolly Bader ...
Daddy ji
Ronica Sajnani ...
Ronica
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Storyline

After Rahul's white pop-star fiancée dies in a bizarre levitation accident his mother insists he find another girl as soon as possible, preferably a Hindi one. As she backs this up by postponing his sister's wedding until he does so, he feels forced to act, the more so as he knows his sister is pregnant. But it's a pretty tall order for an Indian living in Ontario, so when he meets striking escort Sunita who can 'be whatever you want me to be' he hatches a scheme to pass her off as his new betrothed. Things get complicated when his family start to take to her and he realises his own feelings are becoming rather stronger than that. Written by Jeremy Perkins {J-26}

Plot Summary | Add Synopsis

Taglines:

Nothing is what it appears to be.


Motion Picture Rating (MPAA)

Rated PG-13 for sensuality/partial nudity, some crude language and drug references | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

25 October 2002 (Canada)  »

Also Known As:

Bollywood Hollywood  »

Filming Locations:

 »

Box Office

Opening Weekend:

$18,014 (USA) (3 October 2003)

Gross:

$1,491,083 (USA) (10 October 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Lisa Ray fractured her leg when she went to Canada to shoot this film. See more »

Quotes

Twinky: Jesus Christ!
Mummy ji: Twinky, don't take God's name in vain.
Twinky: For God's sake ma, he's not our God.
See more »

Crazy Credits

After the credits, Rocky says "Shakalaka, baby!" See more »

Connections

References Dulhan Wahi Jo Piya Man Bhaaye (1977) See more »

Soundtracks

Rahul's Lament
Composed and Directed by Sandeep Chowta
Performed by Sonu Nigam
See more »

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User Reviews

 
Parody? Yes. But With a Kicker
18 January 2005 | by (United States) – See all my reviews

B/H stands up as a comedy AND an affectionate parody of Bollywood formula romances. The very title underscores the love-hate relationship many contemporary South Asian filmmakers feel about the Hollywood hegemon (see http://www.thefilmjournal.com/issue9/bollywood.html ). As such, it offers a sly reworking of the Pretty Woman formula, with an Indian twist – which raises the question of why Mehta's writers chose THAT Hollywood movie to build a comic plot upon. One answer requires examination of how women, especially young women, are depicted in Bollywood movies, which valorize – even enforce – Ramayana-like ideals of female purity versus the reality and problems of female identity in a modern world. Compare Mehta's Fire. The comedy and parody in B/H offers a different take on a Mehta theme. The Shakespeare-quoting grandmother reflects another aspect of the film's comic concern with the clash between tradition and modernity – here, the kind of British-inspired education the grandmother would have received, which often required students to memorize whole scenes from Shakespeare (whose plays were and are very popular in India). The comic turnabout at the end might be examined in light of equally sudden turnabouts in movies like DDLJ, the difference being that the main blocking character at the end of B/H is Sunita herself. Her father, minutes before, reverses himself BECAUSE he has seen movies like that one. A very "filmi" intrusion into the comic plot, but (true to Mehta's sympathies) it is Sunita herself who becomes – for a moment – the blocking character whose needs must be recognized. It's a matter of HER identity, albeit within the framework of Bollywood comic romance. As such, her situation offers, for the perceptive, a bittersweet comic take on a question Mehta raises more seriously elsewhere. B/H is a parody, yes, but it has a serious side as well. Think about this while you laugh.


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