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Barbershop (2002)

PG-13 | | Comedy, Drama | 13 September 2002 (USA)
A day in the life of a South Side Chicago barbershop.

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(story), (screenplay) | 2 more credits »
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Cast

Cast overview, first billed only:
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Billy (as Lahmard Tate)
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Kevin
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Janelle
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Storyline

A day in the life of a barbershop on the south side of Chicago. Calvin, who inherited the struggling business from his deceased father, views the shop as nothing but a burden and waste of his time. After selling the shop to a local loan shark, Calvin slowly begins to see his father's vision and legacy and struggles with the notion that he just sold it out. The barbershop is filled with characters who share their stories, jokes, trials and tribulations. In the shop we find Eddie, an old barber with strong opinions and no customers. Jimmy is a highly educated barber with a superiority complex who can't stand Isaac, the new, white barber who just wants a shot at cutting some hair. Ricky is an ex-con with two strikes against him and is desperately trying to stay straight. Terri is a hard-edged woman who can't seem to leave her two-timing boyfriend. And lastly there's Dinka, a fellow barber who is madly in love with Terri but doesn't get the time of day. Written by Uber Minion

Plot Summary | Add Synopsis

Taglines:

Everyone's gettin' lined up.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated PG-13 for language, sexual content and brief drug references | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

Language:

Release Date:

13 September 2002 (USA)  »

Also Known As:

Barbershop - Ein haarscharfes Viertel  »

Filming Locations:

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Box Office

Budget:

$12,000,000 (estimated)

Opening Weekend:

$20,627,433 (USA) (13 September 2002)

Gross:

$75,074,950 (USA) (22 November 2002)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Jason George (Kevin) originally auditioned for the role of Ricky. See more »

Goofs

While Calvin is setting up the studio equipment in his basement, Jennifer's shadow can be seen as she waits at the bottom of the stairs for her cue. See more »

Quotes

Terri: Who drank my goddamn apple juice?
Calvin: Whoa! Terri, stop cussing. This ain't Def Comedy Jam!
See more »

Connections

Referenced in Mike & Mike: Episode dated 12 January 2017 (2017) See more »

Soundtracks

No One
Written by K. Williams, A. Wilmore
Performed by Kevin Cole
Courtesy of Artist-Finders
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User Reviews

 
A 'black' film with a soul. It can be done
10 July 2004 | by See all my reviews

When I first saw the plot and cast for this movie I was filled with little hope that this film would be any more than a stereotypical look at black/urban culture with the characters rhyming words for supposed comic effect ad the scriptwriter fitting a screenplay around the jokes. It us easy to forget that the film's protagonist, Ice Cube (who gave a fine performance) had just come off making the awful 'All About the Benjamins' which fell into the trap of so many of these comedies based around black people. Added to the fact that 'Barbershop' was released when there had been a spate of these sub-standard pictures such as 'How High', Friday After Next' and 'State Property', you can understand why I approached this movie with no expectations.

Thankfully I was proved wrong as 'Barbershop' followed a simple structure to work. It had solid direction, a commendable screenplay, was well acted but more important than any of that, it was a story worth telling and that is the one thing that good films have in common. However, this does not mean that this movie followed the conventional ways of Hollywood and 'sold out' to appeal to a mass audience. If anything pleased me most about the film it was the fact that it retained a true sense of representing the black community and credit for this goes to the high standards of dialogue and acting. People who live in the suburbs can watch in the knowledge that they're getting a window into another culture, while people in urban communities can watch this with a comforting sense of familiarity. Another reason for this is that the screenplay is informed enough to not 'pigeon hole'. The characters are well rounded, with both positive and negative traits and the movie is not surrounded by guns,single mothers and drugs. This is not not to say these issues are ignored, as they are connected with one the film's major plot strands but despite the mass media sterotype (to which not all black people are unaccountable) the 'ghettos' of America are primarily filled with honest, hard-working people who just trying to make the best of an unenviable situation. While previous urban films have made a point of blaming 'whitey' and 'the man' for the troubling issues surrounding black people, 'Barbershop' looks closer to home and encourages black people to take responsibility for themselves and to break away from nature of 'frontin' that is slowly paralysing urban communities. One of the films best quotes is 'Dont buy yourself a Benz when your living with your mama! And black people; please can we be on time for something other than free before 10 at the club'. I think this is a wonderful statement and it encourages black people to reject the notion of style over content as that is what the film does as well.

Added to this the well-rounded nature of the film is a diatribe from Cedric The Entertainer (who's performance is almost as hilarious as his stand-up act) about black icons such as Rosa Parks, Jesse Jackson and Martin Luther King. This is probably the most provocative section of the film and initially made me question the validity of these icons but after reflection, it made me realized that even Martin Luther King was a human being with flaws but that doesn't take away from his legacy. Regardless what's been said about Jesse Jackson he's still the first black man to run for President and nothing will ever take that away from him.

While Cedric the Entertainer took most of the acting plaudits, this was a great ensemble piece that was well acted all round. My only gripe is that why can't other films of this nature stay true to black culture but also have a cinematic soul


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