| Hiroko Shimabukuro | ... | Mai Hitomi & Ai | |
| Eriko Imai | ... | Yôko | |
| Takako Uehara | ... | Rika | |
| Hitoe Arakaki | ... | Nao | |
| Kenji Harada | ... | Yuu | |
| Ryô Karato | ... | Satoshi Takanaka | |
| Christopher Doyle | ... | Sakkaa / Soccer | |
| Tomorowo Taguchi | ... | Gôda | |
| Issa Hentona | ... | Tooru | |
| Shinobu Miyara | ... | Hiroyuki | |
| Yukinari Tamaki | ... | Kazuma | |
| Ken Okumoto | ... | Daiki | |
| Kensuke Toida | ... | Bodyguard 1 | |
| Masataka Haji | ... | Bodyguard 2 | |
| Naoyuki Yokoyama | ... | Bodyguard 3 | |
| Mongoruman | ... | Bodyguard 4 | |
| Anna Ide | ... | Mai as a child | |
| Akihiro Yoshikawa | ... | Yuu as a child | |
| Kazuki Kitamura | ... | Sada | |
| Ryuuta Itô | ... | Boy A in the bus | |
| Kônosuke Tôkai | ... | Boy B in the bus | |
| Yûki Nagata | ... | Kurosawa as a child (as Yuuki Nagata) | |
| John Gallock | ... | White doctor | |
| Michelle Gazepis | ... | Sakkaa's / Soccer's secretary | |
| Mikhail Vasilenko | ... | White boy | |
| Manzô Shinra | ... | Bathroom visitor | |
| Hiromi Suzuki | ... | Mai's mother | |
| Yukio Yamanouchi | ... | Bus Passenger A | |
| Chikage Natsuyama | ... | Bus Passenger B | |
| Kippei Shiina | ... | Chinese-speaking man | |
| Naoto Takenaka | ... | Kurosawa | |
| Tsunehiko Watase | ... | Toshihiko Hitomi / Mai's father / Ai's creator | |
| rest of cast listed alphabetically: | |||
| Takahiro Itô | ... | Boy on bus | |
Directed by | |||
| Takashi Miike | |||
Writing credits(in alphabetical order) | ||
| Itaru Era | screenplay (as Kurio Kisaragi) | |
| Masa Nakamura | screenplay (as Kurio Kisaragi) | |
| Kozy Watanabe | novel "Andromedia" | |
Cinematography by | |||
| Hideo Yamamoto | |||
Film Editing by | |||
| Yasushi Shimamura | |||
Production Design by | |||
| Akira Ishige | |||
Makeup Department | |||
| Yûichi Matsui | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| Bunmei Katô | .... | assistant director | |
Art Department | |||
| Akira Sakamoto | .... | assistant production designer | |
Sound Department | |||
| Akira Nakano | .... | sound recordist | |
| Hitoshi Tsurumaki | .... | assistant sound designer | |
Visual Effects by | |||
| Bernard Edlington | .... | shader artist | |
Stunts | |||
| Makoto Kenmochi | .... | stunt coordinator | |
| Makoto Kenmochi | .... | stunts | |
| Hiroo Sawa | .... | stunts | |
| Kenji Shimozaki | .... | stunts | |
| Hiroki Takano | .... | stunts | |
| Keiji Tsujii | .... | stunt coordinator | |
| Keiji Tsujii | .... | stunts | |
Camera and Electrical Department | |||
| Saiko Hashimoto | .... | assistant camera | |
| Meichô Tomiyama | .... | lighting technician | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Japan section |
Even if, in the future, he becomes the world's most beloved director and everyone everywhere seeks out all his films, Andromedia will be forgotten. There's really no such thing as "typical Miike", but this film is somehow definitely atypical Miike. It's a teeny cyber-thriller that stars not one, but two Japanese teen pop groups, Speed and Da Pump, both of which get a song. Da Pump, the boy band, even gets their own music video in the middle of the movie for no good reason. So, yeah, it's kind of corny, but it's corny in a fun way. And it's just fun to see Miike do this kind of pap. The film's villains whose motives we never really understand are goofy and entertaining, especially Christopher Doyle, best know as the cinematographer of Zhang Yimou's Hero, who plays a shorts-wearing evil corporate guy from Detroit. He looks like he was downloaded from the mid-80s. Doyle even gets to dance during Da Pump's big musical number. So Andromedia's not half bad if you can take a bit of goofiness.