ENTRANCE is about the limits of our perception, how the things lurking on the periphery of our lives can lead to horrific conclusions; about how she fell out of love with the city, but it wouldn't let her go.
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Sarah Joslyn Crowder,
Tony Curtis Blondell,
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Three buddies Bhaskar, Chaitanya and Durga along with a stranger, venture into a forest and stay in a haunted guest house. They carry two cameras through which they start recording interesting and mysterious happenings.
This film, that received an incognito release back in 2001, isn't actually as good as it's minor cult following would suggest. That's not to say that it isn't good, however; it's refreshing to see something a little different and although the film is flawed, it does succeed for that reason. The story follows a reclusive man that lives in the woods and witnesses a murder while searching for his cat. The film doesn't have any dialogue, and is told in chapters. This makes the film different from the outset as it leaves the audience with only their own thoughts as to what's going and nothing is ever really explained. Other films, such as the worst film ever made; The Blair Witch Project, have tried similar ways of developing a plot and most have failed. This one doesn't really succeed, but it's probably the best example I've seen yet.
The film is almost completely set in the woods, and there aren't many people other than our central character shown on screen. This gives the film an intense feeling of loneliness and isolation, which is always unsettling. The film also seems to have taken some influence from true cult classic 'The Evil Dead' in the way it is shot. The way that the camera moves through the woods is reminiscent of the 'Raimi-cam' that was introduced in said movie. In spite of having no dialogue, and moving relatively slowly; Soft for Digging never becomes boring and the scenes where we are allowed to brood with the main character are kept alive by what the audience thinks as we see him trying to continue with his life. The film features some very unnerving nightmare sequences, which are the movie's best moments and also come as something as a surprise in a movie of this nature. Nothing, however, can prepare you for the ending, which is as ambiguous as it is disgraceful and I almost guarantee that it will shock, repulse and surprise you.
There's not really enough of this film, and what there is isn't really good enough to call it 'good' without lying. However, this is an impressive first feature from director J.T. Petty and I look forward to seeing better things from him in the future.
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