A family-values man named Jerry Blake marries widows and divorcées with children in search of the perfect family. As soon as his new family members show signs of being human and not robots ... See full summary »
A brilliant surgeon, Dr. Génessier, helped by his assistant Louise, kidnaps nice young women. He removes their faces and tries to graft them onto the head on his beloved daughter Christiane... See full summary »
When May was a child, she was a lonely girl with a lazy eye and without any friends except a weird and ugly doll kept in a glass case given by her bizarre mother on her birthday. May becomes a lonely, weird young woman, working in an animal hospital and assisting the veterinarian in surgeries and sewing operated animals most of the time. Her lesbian colleague Polly has a sort of attraction for her. When the shy May meets the mechanic Adam Stubbs, she loves his hands and has a crush on him. They date, but the weirdness and bizarre behavior of May pushes Adam away from her. Alone, May has a brief affair with Polly, but she feels rejected again when her colleague meets Ambrosia. When her doll is accidentally broken, the deranged May decides to build a friend for her, using the best parts her acquaintances can offer. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
There are two shots in the ending where you can see the "zombie" move: first is after May first finishes attaching the head (breathing is obvious in lower stomach) and the second after May "completes" the head (the neck pulse). The second instance could arguably happen in May's head (as it's after her sacrifice to bring it to life) but it shouldn't be moving before that. See more »
What's wrong with my eye, mama?
Doctor says it's lazy eye. But, we're going to make you look perfect.
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All words and names in the end credits are in lower case letters, with the exception of the company, MPRM Public Relations, written as mPRm. See more »
I'm so glad people are re-discovering horror as a serious genre because the endless SCREAM rip-offs were getting more tiresome than even the previous decade's endless HALLOWEEN rip-offs. MAY not only operates as a great horror film, it also is a wonderful character study of social dysfunction. Angela Bettis is wonderfully painful to watch in her attempts at love. She's an actress to keep your eyes on in the future. The ending gets a little more standard but is just creepy enough to keep you on the edge of your seat.
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