| Photos (see all 39 | slideshow) | Videos |
| Robert Evans | ... | Himself - Narrator (also archive footage) | |
| rest of cast listed alphabetically: | |||
| Eddie Albert | ... | Himself (archive footage) | |
| William Castle | ... | Himself (archive footage) (as Bill Castle) | |
| Francis Ford Coppola | ... | Himself (archive footage) | |
| Catherine Deneuve | ... | Herself - Golden Globe Awards (archive footage) | |
| Josh Evans | ... | Himself - Robert's son (archive footage) (as Joshua Evans) | |
| Errol Flynn | ... | Himself (archive footage) | |
| Ava Gardner | ... | Herself (archive footage) | |
| Ernest Hemingway | ... | Himself (archive footage) | |
| Henry Kissinger | ... | Himself (archive footage) | |
| Jack Nicholson | ... | Himself (archive footage) | |
| Tyrone Power | ... | Himself (archive footage) | |
| Roy Radin | ... | Himself - Murdered acquaintance of Evans (archive footage) | |
| Irving Thalberg | ... | Himself (archive footage) | |
| Darryl F. Zanuck | ... | Himself (archive footage) | |
| Steve Allen | ... | Himself (archive footage) (uncredited) | |
| Carol Burnett | ... | Herself (archive footage) (uncredited) | |
| Carol Channing | ... | Herself - Golden Globe Awards (archive footage) (uncredited) | |
| James Coburn | ... | Himself (archive footage) (uncredited) | |
| Angie Dickinson | ... | Herself (archive footage) (uncredited) | |
| Peter Falk | ... | Himself - Golden Globe Awards (archive footage) (uncredited) | |
| Richard Gere | ... | Himself (archive footage) (uncredited) | |
| Gene Hackman | ... | Himself (archive footage) (uncredited) | |
| Bob Hope | ... | Himself (archive footage) (uncredited) | |
| Paul Newman | ... | Himself (archive footage) (uncredited) | |
| Richard Nixon | ... | Himself (archive footage) (uncredited) | |
| Frank Sinatra | ... | Himself (archive footage) (uncredited) | |
| Kathleen Turner | ... | Herself (archive footage) (uncredited) | |
| Raquel Welch | ... | Herself (archive footage) (uncredited) | |
| Richard Widmark | ... | Himself (archive footage) (uncredited) | |
Directed by | |||
| Nanette Burstein | |||
| Brett Morgen | |||
Writing credits | ||
| Robert Evans | (book) | |
| Brett Morgen | (adaptation) | |
Produced by | |||
| Nanette Burstein | .... | producer | |
| Graydon Carter | .... | producer | |
| Kate Driver | .... | co-producer | |
| Chris Garrett | .... | co-producer | |
| Christopher J. Keene | .... | associate producer | |
| Sara Marks | .... | co-producer | |
| Brett Morgen | .... | producer | |
| Jordan Roberts | .... | line producer: Los Angeles | |
| Sally Roy | .... | line producer | |
Original Music by | |||
| Jeff Danna | |||
Cinematography by | |||
| John Bailey | (director of photography) | ||
Film Editing by | |||
| Jun Diaz | |||
Makeup Department | |||
| Francie Paull | .... | key makeup artist: Los Angeles | |
Production Management | |||
| Paul Leonardo Jr. | .... | post-production supervisor (as Paul Leonardo) | |
| Anthony Katagas | .... | post-production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Michael Golden | .... | first assistant director (uncredited) | |
Art Department | |||
| Mark Harper | .... | production designer: Los Angeles (as Mark W. Harper) | |
| Betty Stradford | .... | assistant production designer: Los Angeles | |
Sound Department | |||
| Scott David Burton | .... | adr engineer (as Scott Burton) | |
| Kelly Cabral | .... | dialogue editor | |
| Claude Letessier | .... | supervising sound designer | |
| John Reese | .... | sound effects editor | |
| Ahmad Shirazi | .... | supervising sound editor | |
| Steve F.B. Smith | .... | stereo sound consultant: Dolby (as Steve Smith) | |
| Reilly Steele | .... | sound re-recording mixer | |
| Lauren Stephens | .... | dialogue editor | |
| Eric Strausser | .... | assistant sound editor | |
Visual Effects by | |||
| Yorgo Alexopoulos | .... | digital artist/animator: Edgeworx | |
| Yorgo Alexopoulos | .... | visual effects supervisor: Definition | |
| Anitra Babiak | .... | office assistant: Edgeworx | |
| John Bair | .... | CG supervisor: Definition | |
| John Bair | .... | digital artist/animator: Edgeworx | |
| Aporva Baxi | .... | creative director: Attik | |
| Nora Bielaczyc | .... | business manager: Edgeworx | |
| Orna Bradshaw | .... | digital artist/animator: Edgeworx | |
| Alton Christensen | .... | visual effects executive producer: Edgeworx | |
| Lisa Cleff | .... | executive producer: Attik | |
| Jason Conradt | .... | digital artist/animator: Edgeworx | |
| Jun Diaz | .... | creative director: Definition | |
| Trent Ermes | .... | digital artist/animator: Edgeworx | |
| Grant Gilbert | .... | senior designer: Attik | |
| David Loyal Herbruck | .... | senior producer: Attik | |
| Jennifer M. Howd | .... | associate producer: visuals and digital finishing, Definition | |
| Allison Hull | .... | production assistant: Definition | |
| Tim Hutchings | .... | additional graphics: Edgeworx | |
| Josh Jordan | .... | additional graphics: Edgeworx | |
| Scott Lawrence Klein | .... | visuals and digital finishing | |
| Sean Miller | .... | digital artist/animator: Edgeworx | |
| Jim Moran | .... | executive producer: Attik | |
| Songe Riddle | .... | After Effects artist: New York | |
| Dino Sanacory Jr. | .... | digital finishing editor: Definition | |
| Amanda Sherwood | .... | additional graphics: Edgeworx | |
| Jason Stoff | .... | digital artist/animator: Edgeworx | |
| Jason Stoff | .... | visual effects supervisor: Definition | |
| David Tecson | .... | visual effects executive producer: Edgeworx | |
| Mark Thompson | .... | digital artist/animator: Edgeworx | |
| Tai Uhlmann | .... | digital arts and animation production coordinator: Edgeworx | |
| Robin Vachal | .... | additional graphics: Edgeworx | |
| Lauren Wang | .... | digital artist/animator: Edgeworx | |
| Julie Watkins | .... | Inferno artist: R!OT Manhattan | |
| Jessie Weissman | .... | After Effects artist: New York | |
| Dominic Amatore | .... | designer/animator (uncredited) | |
Camera and Electrical Department | |||
| Keith Barefoot | .... | electrician: Los Angeles | |
| Kathleen M. Daly | .... | electrician: Los Angeles | |
| Jack Gould | .... | still photographer: Los Angeles | |
| Fausto Grajeda | .... | electrician: Los Angeles | |
| Scott E. Kaufman | .... | electrician: Los Angeles | |
| Karl Linde | .... | second assistant camera | |
| Matthew Moriarty | .... | first assistant camera | |
| Mike Moyer | .... | gaffer: Los Angeles (as Mike G. Moyer) | |
| Jeff Pamula | .... | grip: Los Angeles | |
| Steve Redondo | .... | best boy grip: Los Angeles | |
| Jayson Rory | .... | grip: Los Angeles (as Jayson Rury) | |
| Andy Shuttleworth | .... | Steadicam operator: Los Angeles | |
| Don Steinberg | .... | second assistant camera Steadicam: Los Angeles | |
| Randy Tambling | .... | key grip: Los Angeles (as Randal Tambling) | |
| Chris Waisanen | .... | best boy electric: Los Angeles | |
| William D. Wynn | .... | dolly grip: Los Angeles | |
| Loren S. Yaconelli | .... | first assistant Steadicam: Los Angeles (as Loren Yaconelli) | |
Costume and Wardrobe Department | |||
| Marcia Concalves | .... | wardrobe: Mr. Evans, Los Angeles | |
Editorial Department | |||
| Ron Brower | .... | colorist: SMA Realtime | |
| Marvin Hildebrandt | .... | colorist: Todd AO, Hollywood | |
| Mike Maguire | .... | colorist (as Michael Maguire) | |
| David Northrop | .... | colorist: Audio Plus Video International (as Dave Northrop) | |
| Mattia Romeo | .... | second assistant film editor: New York | |
| David A. Smith | .... | assistant editor (as David Smith) | |
| Kim Thompson | .... | post-production assistant: New York | |
| Michael Volland | .... | colorist: HTV | |
Music Department | |||
| Jamie Feingold | .... | music clearances: Grubman, Indursky & Schindler | |
| Richard Grabel | .... | music clearances: Grubman, Indursky & Schindler (as Richard J. Grabel) | |
| Allen J. Grubman | .... | music clearances: Grubman, Indursky & Schindler | |
| Brad Haehnel | .... | score mixer | |
| Brad Haehnel | .... | score recordist | |
| Andrew Lockington | .... | orchestrator | |
| Anita Serwacki | .... | music supervisor | |
| Lawrence Shire | .... | music clearances: Grubman, Indursky & Schindler | |
| Debra A. White | .... | music clearances: Grubman, Indursky & Schindler | |
Other crew | |||
| Susan Bailey-Lemansky | .... | liaison: EMI Music Publishing | |
| Benjamin Bamps | .... | production assistant: Los Angeles | |
| Martin Bandier | .... | liaison: EMI Music Publishing | |
| Brady L. Benton | .... | liaison: Peer Music | |
| Jessica Berman Bogdan | .... | audiovisual research and clearances director | |
| Les Bider | .... | liaison: Warner/Chappell Music Publishing (as Less Bider) | |
| Alex 'Rio' Bier | .... | assistant: Mr. Evans, Los Angeles | |
| Michael Binns | .... | assistant: Mr. Evans, Los Angeles (as Michael Binns Alfred) | |
| Paul Brennan | .... | legal services: Sloss Law Office | |
| Cary Calebs | .... | additional film/photo researcher | |
| Nancy Dituro | .... | liaison: R&H Film Music/Williamson Music | |
| Kim Draper | .... | liaison: Peer Music | |
| Robert Evans | .... | clip source: 1975 Golden Globe Awards | |
| John B. Finn | .... | accounting services: JFA (as John Finn) | |
| Courtney Frank | .... | assistant to directors: New York | |
| Jennifer Gaylord | .... | legal services: Sloss Law Office | |
| Barbara Gregson | .... | film/photo research and clearances | |
| David Harris | .... | producer: main and end titles | |
| David Harris | .... | title designer: main and end titles | |
| Sean Hogan | .... | accounting services: JFA | |
| Joshua Kappraff | .... | production intern: New York | |
| Christopher J. Keene | .... | film/photo clearances | |
| Mark Kitchell | .... | clip source: The Godfather Comes to 6th St. | |
| Akiyo Kodera | .... | production intern: New York | |
| Christopher Lavallee | .... | production assistant: Los Angeles | |
| Lisa Marriott | .... | location contact: The Beverly Hills Hotel | |
| Benita Miller | .... | location contact: The City of Beverly Hills | |
| Gary Miller | .... | liaison: Universal Music Publishing | |
| Travis N. Millican | .... | key production assistant: Los Angeles (as Travis Nicolas Millican) | |
| Christopher More | .... | additional film/photo researcher | |
| Doug Morris | .... | liaison: Universal Music Enterprises | |
| Chris Mueller | .... | producer: main and end titles | |
| Chris Mueller | .... | title designer: main and end titles | |
| Stacey Palm | .... | liaison: Famous Music Company | |
| Maia Peters | .... | production coordinator: Los Angeles | |
| Denise Puchoi | .... | additional film/photo researcher | |
| David Renzer | .... | liaison: Universal Music Publishing | |
| David Rosner | .... | liaison: Bicycle Music | |
| Jack Rosner | .... | liaison: Warner/Chappell Music Publishing | |
| Richard Rowe | .... | liaison: Sony Music Publishing | |
| Tom Rowland | .... | liaison: Universal Music Enterprises | |
| Elias Savada | .... | director: Motion Picture Information Service | |
| Alan Selka | .... | creative consultant: Los Angeles | |
| Joy Setton | .... | production intern: New York | |
| John Sloss | .... | legal services: Sloss Law Office | |
| Angela Snyder | .... | liaison: Universal Music Enterprises | |
| Pam Springs | .... | liaison: Sony Music Publishing | |
| Alexander Volz | .... | production intern: New York | |
| Ridge Walker | .... | liaison: Paramount Music | |
| Tim Webber | .... | location contact: Paramount Pictures | |
| Jerome White | .... | liaison: Bicycle Music | |
| Maureen Woods | .... | liaison: Weems Music/Mizmo Enterprises | |
| Sherry Alwell | .... | transcriptor (uncredited) | |
| Missy Eustermann | .... | post-production accountant (uncredited) | |
Thanks | |||
| Scott Anderson | .... | thanks | |
| Hector Babenco | .... | thanks | |
| Peter Bart | .... | acknowledgment: archival footage and photographs provided by | |
| Peter Bart | .... | thanks | |
| Pam Brady | .... | thanks | |
| Michel Comte | .... | acknowledgment: archival footage and photographs provided by | |
| Hank Corwin | .... | thanks | |
| Barry Diller | .... | thanks | |
| Jonathan Dolgen | .... | thanks | |
| Debra Eisenstadt | .... | thanks | |
| Charles Evans | .... | thanks | |
| Josh Evans | .... | thanks | |
| Brad Fuller | .... | thanks | |
| Jim Gardner | .... | thanks | |
| David Geffen | .... | thanks | |
| Donna Gigliotti | .... | thanks | |
| Richard Grabel | .... | thanks | |
| Scott Greenstein | .... | thanks | |
| Allen J. Grubman | .... | thanks (as Allen Grubman) | |
| Bruce Handy | .... | thanks | |
| David Harris | .... | thanks | |
| Paul Hrisko | .... | thanks | |
| Punch Hutton | .... | thanks | |
| Beth Kseniak | .... | thanks | |
| Sherry Lansing | .... | thanks | |
| Ali MacGraw | .... | thanks | |
| Sue Mengers | .... | thanks | |
| Jackie Morgen | .... | thanks | |
| Lowell Morgen | .... | thanks | |
| Doug Morris | .... | thanks | |
| Chris Mueller | .... | thanks | |
| Si Newhouse | .... | thanks (as Si Newhouse Jr.) | |
| Helmut Newton | .... | acknowledgment: archival footage and photographs provided by | |
| Bradford Noble | .... | acknowledgment: archival footage and photographs provided by | |
| Sumner Redstone | .... | thanks | |
| Jane Sarkin | .... | thanks | |
| Lawrence Shire | .... | thanks | |
| Krista Smith | .... | thanks | |
| Bruce Weber | .... | acknowledgment: archival footage and photographs, Little Bear Prods. | |
| Eric Weiss | .... | acknowledgment: archival footage and photographs provided by | |
| Debra A. White | .... | thanks | |
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Robert Evans's book version of this documentary, The Kid Stays in the Picture, is still un-read by me. But I have read much about him from other movie books from the 70's, and so this film does illuminate certain aspects of him that I already knew- his huge ego, his drug addiction, his proclivity to lots and lots of women, and having some part in the more outstanding films of the 1970's. Sometimes with Evans himself narrating throughout two things become apparent as peculiarities that keep it from being great- 1) the filmmaker's style is rather repetitive and, aside from some flourishes of talent, isn't anything too grand for the material, and 2) the three sides to the story that Evans is quoted with at the beginning become rather blurred as one full-on nostalgia (for bad and good) comes out. What makes it captivating, however, is that Evans is the kind of guy who will be honest about being full of crap and will even call on himself for his past troubles. Rarely has one man's achievements gone neck and neck with his flaws, and let out in a filmic, grandiose style such as this.
Evans is shown to have, basically, a lot of luck as someone getting into Hollywood (as many of these stories go). He starts out as a so-so actor and tries desperately to establish himself as a producer. He becomes more apart of the development side of the pictures, and ushers through Rosemary's Baby, Love Story, and even the Godfather to an extent. As his story includes the personal side (his rise and fall in the relationship to Ali McGraw, the cocaine, the other tabloid stuff), the other side of his professional accomplishments still gears in for room. By the end, one can see that the man has gone through enough to have his rightful reputation as Paramount's longest remaining producer, and will likely hold onto his ego of being the head-cheese kind of 'creative producer' so many directors like or dread till the grave. If anything, the film is actually too short, as at 93 minutes (a brilliant Dustin Hoffman imitation over the credits included) we only get glimpses that are further expounded in the book. Therefore its already subjective viewpoint becomes even more crunched into one all-too-simple story on such an interesting case study.
The Kid Stays in the Picture, despite not being as terrific as the filmmakers might think it is by their sleek camera angles and typical interludes of montage, is as close to being as honest as it could be. Honest, in the sense that Evans doesn't hide much in his story and how his own way of speaking about it, in its deep-sounding and straight-forward Hollywood way, is what film buffs look for. He may have been and done a lot of things, but as he says at the end, "I enjoy what I do, which most people can't say that they do."