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The Kid Stays in the Picture (2002)

Documentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans's famous 1994 autobiography).

Writers:

(book), (screen adaptation)

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4 wins & 13 nominations. See more awards »

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Cast

Complete credited cast:
...
Rest of cast listed alphabetically:
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Himself (archive footage)
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Himself (archive footage)
Charlie Bluhdorn ...
Himself (archive footage)
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Himself (archive footage) (as Bill Castle)
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Himself (archive footage)
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Herself (archive footage)
Charles Evans ...
Himself (archive footage)
Josh Evans ...
Himself (archive footage) (as Joshua Evans)
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Herself (archive footage)
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Himself (archive footage)
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Herself (archive footage)
Karen Greenberger ...
Herself (archive footage)
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Himself (archive footage)
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Himself (archive footage)
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Storyline

This documentary captures the life story of legendary Hollywood producer and studio chief Robert Evans. The first actor to ever to run a film studio, Robert Evans' film career started in 1956, poolside at the Beverly Hills Hotel. His good looks, charm and overwhelming confidence captured the eye of screen legend Norma Shearer, who offered him a film role. After a glamorous--but short-lived--career as a movie star, Evans tried out producing. At the age of 34, with no producing credits to his name, he landed a job as chief of production at Paramount Pictures. Evans ran the studio from 1966-1974. During his tenure, he was responsible for such revolutionary films as The Godfather, Rosemary's Baby, Love Story, The Odd Couple, Harold and Maude and Chinatown. By the early '80s, the Golden Boy of Hollywood was losing his luster. After a failed marriage to Ali MacGraw, a cocaine bust and rumored involvement with the Cotton Club murder, he disappeared into near-obscurity. Only through ... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

Success. Scandal. Sex. Tragedy. Infamy. And that's just the first reel... See more »


Motion Picture Rating (MPAA)

Rated R for language and some brief violent and sexual images | See all certifications »
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Details

Country:

Language:

Release Date:

16 August 2002 (USA)  »

Also Known As:

A kölyök képben marad  »

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Box Office

Opening Weekend USA:

$89,087, 28 July 2002, Limited Release

Gross USA:

$1,434,436, 6 October 2002
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The title comes from a line attributed to studio head Darryl F. Zanuck. Several of the actors involved in the film The Sun Also Rises (1957) (as well as author Ernest Hemingway himself) had insisted Evans be removed from the cast. Zanuck refused: "The kid stays in the picture! And anyone who doesn't like it can quit!" See more »

Goofs

The closing credits say that Evans has been at Paramount for over 35 years, "more than any other producer on the lot." However, A.C. Lyles has been with Paramount for 75 years (as of 2003), though he is no longer actively producing. See more »

Quotes

Robert Evans: Any man who thinks he can read the mind of a woman is a man who knows nothing.
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Crazy Credits

Thanks to Anonymous Content See more »

Connections

Featured in 50 Documentaries to See Before You Die: Episode 1 (2011) See more »

Soundtracks

Dirty Work
Performed by Steely Dan
Written by Walter Becker and Donald Fagen
Published by Universal MCA Music Publishing, a division of Universal Studios, Inc.
o/b/o Itself and Red Giant, Inc.
Courtesy of MCA Records
Under license from Universal Music Enterprises
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User Reviews

 
A look into the life of a Hollywood legend.
6 September 2003 | by See all my reviews

This is an interesting documentary about one of Hollywood's legendary producers, Robert Evans. Directed by Nanette Burstein and Brett Morgen, it mostly uses film clips from movies he produced at Paramount plus a narration taken from the audio cassette Evans made for his autobiography.

There's so much material to draw on that it's impossible to really do justice to his life in just 90 minutes. I wanted to hear more details about the films he made and the people he knew, not just a quick synopsis, but then I suppose that's what the book is for. It would also have helped if they'd interviewed people like Jack Nicholson or the people who worked on the film productions, just to get another perspective.

Some people have complained that Robert Evans is pleading for sympathy, having gone from wonder boy to disgraced druggie, but I thought he was simply asking for some understanding and some respect. He seems to feel he was wrongly maligned, more than he deserved, for his drug use and troubles with the law, and I'd have to agree. Abusing yourself is hardly news in Hollywood.

Does Robert Evans have an ego? Sure, but if I'd brought "Chinatown" and "The Godfather" to the screen, I would too. You can tell there's a lot more to the man than just his films, but unfortunately, we only get to scratch the surface here.


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