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The Kid Stays in the Picture (2002)

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Documentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans's famous 1994 autobiography).

Writers:

(book), (screen adaptation)
4 wins & 12 nominations. See more awards »

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Cast

Complete credited cast:
...
Narrator
Rest of cast listed alphabetically:
...
Himself (archive footage)
...
Himself (archive footage)
Charlie Bluhdorn ...
Himself (archive footage)
...
Himself (archive footage) (as Bill Castle)
...
Himself (archive footage)
...
Herself (archive footage)
Charles Evans ...
Himself (archive footage)
Josh Evans ...
Himself (archive footage) (as Joshua Evans)
...
Herself (archive footage)
...
Himself (archive footage)
...
Herself (archive footage)
...
Himself (archive footage)
...
Himself (archive footage)
...
Himself (archive footage)
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Storyline

This documentary captures the life story of legendary Hollywood producer and studio chief Robert Evans. The first actor to ever to run a film studio, Robert Evans' film career started in 1956, poolside at the Beverly Hills Hotel. His good looks, charm and overwhelming confidence captured the eye of screen legend Norma Shearer, who offered him a film role. After a glamorous--but short-lived--career as a movie star, Evans tried out producing. At the age of 34, with no producing credits to his name, he landed a job as chief of production at Paramount Pictures. Evans ran the studio from 1966-1974. During his tenure, he was responsible for such revolutionary films as The Godfather, Rosemary's Baby, Love Story, The Odd Couple, Harold and Maude and Chinatown. By the early '80s, the Golden Boy of Hollywood was losing his luster. After a failed marriage to Ali MacGraw, a cocaine bust and rumored involvement with the Cotton Club murder, he disappeared into near-obscurity. Only through ... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

The Story Of A Man Who Seduced Hollywood. See more »


Motion Picture Rating (MPAA)

Rated R for language and some brief violent and sexual images | See all certifications »
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Details

Country:

Language:

Release Date:

16 August 2002 (USA)  »

Also Known As:

A kölyök képben marad  »

Box Office

Opening Weekend:

$89,087 (USA) (26 July 2002)

Gross:

$1,434,436 (USA) (4 October 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The title comes from a line attributed to studio head Darryl F. Zanuck, who was defending Evans after some of the actors involved in the film The Sun Also Rises (1957) had recommended he be removed from the cast. See more »

Goofs

The closing credits say that Evans has been at Paramount for over 35 years, "more than any other producer on the lot." However, A.C. Lyles has been with Paramount for 75 years (as of 2003), though he is no longer actively producing. See more »

Quotes

Robert Evans: Any man who thinks he can read the mind of a woman is a man who knows nothing.
See more »

Crazy Credits

All actor credits are from archives, including some from movie clips. Actors not marked "uncredited" were credited by Robert Evans, the narrator See more »

Connections

References Knife in the Water (1962) See more »

Soundtracks

Wild World
Performed by Cat Stevens
Written by Cat Stevens (as Yusef Islam)
Published by Sony Tunes Inc.
Courtesy of A&M Records
Under license from Universal Music Enterprises
See more »

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User Reviews

 
Stars, sleaze, sex - and something close to brilliance
15 March 2003 | by (Bermuda) – See all my reviews

Admit it. You're only interested in seeing this film because you think it's an A-list answer to an E! Hollywood True Story episode. Stars. Sleaze. Sex. Who could ask for anything more? The gossip quotient notwithstanding (and there's an awful lot of it), this turns out to be a thoughtful and intelligent profile of a man who is among the most thoughtful and intelligent producers ever to have helmed a major Hollywood studio. His biography reads like the synopsis of a Harold Robbins potboiler - former garment industry executive is cast in a movie when Irving Thalberg's widow spots him at a swimming pool, launching him on a life of success and excess in the film industry. But, as KID makes abundantly clear, Evans' spectacular if unlikely career path owes far more to the well-established link between the manic depressive temperament and creativity than CARPETBAGGERS-type pulp fiction. His seemingly boundless reserves of energy, when constructively channelled, can create works of cinematic art; when employed in less salubrious ways, the self-destructive results usually end up in the National Enquirer. Evans comes across as an admirable albeit eccentric character who, despite devastating illnesses and a slew of professional and personal setbacks, still retains the wit, charm and high-octane enthusiasm that once propelled him to the top of the greased pole that is Hollywood. Evans is probably better known today for his cocaine conviction, blink-and-you-missed-it marriage to Catherine Oxenberg and the tell-all bestselling autobiography this documentary is loosely based on. While he would be the first to admit that his epically scaled lapses have been grist for the tabloid mill, Evans also deserves to be remembered as the man who midwived such classics as ROSEMARY'S BABY and THE GODFATHER and that definitive Chandlerian dissection of Los Angeles, CHINATOWN. Evans is direct and honest about the creative tensions that helped to shape all of these films, acknowledging that he played the grain of sand to Polanski and Coppola's oysters - trying to irritate those directors into producing pearls. His reminiscences about the hot-and-cold wars that were waged behind the scenes on these and other pictures underscore the collaborative nature of filmmaking - and expose as the nonsense that it is the widely accepted fiction of director-as-author. You'll get gossip aplenty but you'll also get insight in this is a warts-and-all portrait of a unique Hollywood personality, a kid who, deservedly, still remains in the picture.


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The Book and Love Story and Ryan O'Neil and a sick Ali Incitatusthehorse
oscars/kid stays should of been nominated / if anything win skydrew_01
My Take... if you care? Mooderator
Recent Evans Productions howlermonkey
"The Kid Stays in the Picture" is FINALLY on DVD! DrLovelick
where can i rent or buy this documentaey ??????? nancyinatlanta
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