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The Kid Stays in the Picture (2002)

R  |   |  Documentary, Biography  |  16 August 2002 (USA)
7.4
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Ratings: 7.4/10 from 5,763 users   Metascore: 75/100
Reviews: 65 user | 88 critic | 31 from Metacritic.com

Documentary about legendary Paramount producer Robert Evans (the film shares the same name as Evans's famous 1994 autobiography).

Writers:

(book), (adaptation)
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7 wins & 9 nominations. See more awards »

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Cast

Complete credited cast:
...
Narrator
Rest of cast listed alphabetically:
...
Himself (archive footage)
...
Himself (archive footage)
Charlie Bluhdorn ...
Himself (archive footage)
...
Himself (archive footage) (as Bill Castle)
...
Himself (archive footage)
...
Herself (archive footage)
Charles Evans ...
Himself (archive footage)
Josh Evans ...
Himself (archive footage) (as Joshua Evans)
...
Herself (archive footage)
...
Himself (archive footage)
...
Herself (archive footage)
...
Himself (archive footage)
...
Himself (archive footage)
...
Himself (archive footage)
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Storyline

This documentary captures the life story of legendary Hollywood producer and studio chief Robert Evans. The first actor to ever to run a film studio, Robert Evans' film career started in 1956, poolside at the Beverly Hills Hotel. His good looks, charm and overwhelming confidence captured the eye of screen legend Norma Shearer, who offered him a film role. After a glamorous--but short-lived--career as a movie star, Evans tried out producing. At the age of 34, with no producing credits to his name, he landed a job as chief of production at Paramount Pictures. Evans ran the studio from 1966-1974. During his tenure, he was responsible for such revolutionary films as The Godfather, Rosemary's Baby, Love Story, The Odd Couple, Harold and Maude and Chinatown. By the early '80s, the Golden Boy of Hollywood was losing his luster. After a failed marriage to Ali MacGraw, a cocaine bust and rumored involvement with the Cotton Club murder, he disappeared into near-obscurity. Only through ... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

Success. Scandal. Sex. Tragedy. Infamy. And that's just the first reel... See more »


Motion Picture Rating (MPAA)

Rated R for language and some brief violent and sexual images | See all certifications »
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Details

Country:

Language:

Release Date:

16 August 2002 (USA)  »

Also Known As:

A kölyök képben marad  »

Box Office

Opening Weekend:

$89,087 (USA) (26 July 2002)

Gross:

$1,434,436 (USA) (4 October 2002)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The soundtrack narration, in which Robert Evans portrays all the other characters as well as himself, is taken directly from the recording of the audio-book version of his autobiography. See more »

Goofs

The closing credits say that Evans has been at Paramount for over 35 years, "more than any other producer on the lot." However, A.C. Lyles has been with Paramount for 75 years (as of 2003), though he is no longer actively producing. See more »

Quotes

Robert Evans: There are three sides to every story: Your side, my side, and the truth. And no one is lying. Memories shared serve each differently.
See more »

Crazy Credits

The closing credits include 1976 footage of Dustin Hoffman doing an impersonation of Robert Evans giving the 1996 President-Elect acceptance speech. See more »

Connections

Edited from You're a Big Boy Now (1966) See more »

Soundtracks

Bella figlia dell'amore
from opera "Rigoletto" (1851)
Written by Giuseppe Verdi (as Verdi)
Performed by Orchestra dell'Accademia di Santa Cecilia, Roma
Conducted by Giuseppe Sinopoli
Courtesy of Phillips Classics, a division of Decca Music Group Limited
Under license from Universal Music Enterprises
See more »

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User Reviews

a must-see for movie lovers
19 August 2003 | by (United States) – See all my reviews

`The Kid Stays in the Picture,' a documentary about famed movie producer and studio head Robert Evans, begins like `The Great Gatsby,' a film Evans produced in 1974. To the wistful strains of `What'll I Do?' playing in the background, the camera glides lovingly over the furnishings, pictures and memorabilia that adorn Evans' Bel Air mansion and estate. The comparison is an apt one, for, like Gatsby, Evans was a wunderkind, a handsome young go-getter who knew early on the kind of life he wanted to lead and who willed himself to attain it. With a combination of good looks, charm, ambition and just a bit of plain old-fashioned good luck, he managed to go from being a mediocre movie actor to becoming the head of Paramount Studios in the course of a mere decade. And what a decade it was! Evans had a major hand in not only lifting Paramount from ninth to first place among Hollywood's major studios, but in bringing such films as `Rosemary's Baby,' `True Grit,' `Love Story,' `Chinatown' and, of course, `The Godfather' to movie screens everywhere.

`The Kid Stays in the Picture' is a dream-come-true for hardcore cinephiles, providing a fascinating behind-the-scenes glimpse into one of the true Golden Ages of Hollywood filmmaking. Evans' story is, in fact, the story of that time, for truly he hobnobbed with virtually every one of the key players responsible for that era. Evans' tale follows a fairly conventional arc for men of his type: the ambitious kid with dreams of larger-than-life glory achieves meteoric success in the entertainment business only to have his ambitions dashed on the shores of rampant egotism, overconfidence and drug addiction. In fact, Evans' life would make perfect fodder for a film of its own, as this documentary and the positive response to it demonstrates. Evans himself narrates the film, and although he tends to be a bit easier on himself than an outsider might have been, he is still willing to chastise himself when he feels it's called for and to render some rather startlingly unflattering assessments of certain major players on the Hollywood scene. He is, also, however, utterly devoted to those he feels have stuck by him through good times and bad, and he is not averse to lavishing praise on others when it is due. One objection to Evans' narration is that he doesn't always speak with the utmost clarity, sometimes making what he says come out garbled and incomprehensible.

As a piece of filmmaking, `The Kid Stays in the Picture' offers a kaleidoscopic array of stills, film clips and reenactments that reflect the temper and mood of the time. Directors Brett Morgan and Nanette Burstein obviously pored through a wealth of material on the subject, culling from it a comprehensive, streamlined and fast-moving narrative that grips the audience with its humor, its sadness and its tribute to the indomitableness of the human spirit. For if Evans' story is about anything, it is about how important it is for each individual to achieve his dreams and how equally vital it is for that same person, once he has fallen down, to pick himself up off the floor so that he can continue pursuing that dream.

`The Kid Stays in the Picture' is a wonderful time capsule for those who love movies. No true film fan should miss it.


11 of 13 people found this review helpful.  Was this review helpful to you?

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