| Photos (see all 2 | slideshow) |
| Joseph Ialacci | ... | Himself - former Sag Harbor Police Chief (as Chief Joseph Ialacci) | |
| Richard Feigen | ... | Himself | |
| Frances Beatty | ... | Herself - Richard L. Feigen & Co. | |
| Mort Janklow | ... | Himself (as Morton Janklow) | |
| Janet Giffra | ... | Herself - Johnson's cousin | |
| Richard Lippold | ... | Himself | |
| Billy Name | ... | Himself | |
| Dorothy Lichtenstein | ... | Herself | |
| Christo | ... | Himself | |
| Jeanne-Claude | ... | Herself | |
| Malka Saffro | ... | Herself | |
| Eric Granros | ... | Himself | |
| Nick Maravell | ... | Himself | |
| Peter Schuyff | ... | Himself | |
| Buster Cleveland | ... | Himself (as Buster Cleaveland) | |
| Coco Gordon | ... | Herself | |
| Clive Philpott | ... | Himself (as Clive Phillpott) | |
| rest of cast listed alphabetically: | |||
| Gerald Ayres | ... | Himself | |
| Chuck Close | ... | Himself | |
| Ray Johnson | ... | Himself (archive footage) | |
| Roy Lichtenstein | ... | Himself (archive footage) | |
| Judith Malina | ... | Herself | |
| Ed Plunkett | ... | Himself | |
| James Rosenquist | ... | Himself | |
| Dennis Selby | ... | Himself | |
| Norman Solomon | ... | Himself (as Normon Solomon) | |
Directed by | |||
| John W. Walter | (as John Walter) | ||
Produced by | |||
| Steve Apicella | .... | co-executive producer | |
| Frances Beatty | .... | co-producer | |
| Rocky Collins | .... | co-executive producer | |
| Kevin J. Foxe | .... | associate producer (as Kevin Foxe) | |
| Lianne Halfon | .... | executive producer | |
| John Malkovich | .... | executive producer | |
| Andrew L. Moore | .... | producer | |
| Russell Smith | .... | executive producer | |
Original Music by | |||
| Max Roach | |||
Cinematography by | |||
| Frank G. DeMarco | |||
| Andrew L. Moore | |||
Film Editing by | |||
| John W. Walter | |||
Production Management | |||
| Shannon Clark | .... | production manager | |
Sound Department | |||
| Tim Sternberg | .... | sound | |
| Kevin Walter | .... | sound | |
Camera and Electrical Department | |||
| Frank G. DeMarco | .... | additional photography (as Frank Demarco) | |
| Brian Wengrofsky | .... | camera assistant | |
Music Department | |||
| Lynn Hobensack | .... | music clearances | |
| Thurston Moore | .... | composer: additional music | |
| Dan Rose | .... | music producer | |
Other crew | |||
| Berry Berenson | .... | source: archival material | |
| Emerson Bruns | .... | legal services | |
| Heather Gibbons | .... | production assistant | |
| Coco Gordon | .... | source: archival material | |
| Gordon M. Grant | .... | source: archival material | |
| Ken Heyman | .... | source: archival material | |
| Hazel-Frieda Larsen | .... | source: photographs (as Hazel-Frieda Larson) | |
| Nick Maravell | .... | source: video | |
| Annetta Marion | .... | production associate | |
| Peter Moore | .... | source: photographs | |
| Billy Name | .... | source: photographs | |
| Stephen Shore | .... | source: archival material | |
| Norman Solomon | .... | source: photographs | |
| Donald Thrall | .... | source: archival material | |
| William S. Wilson | .... | source: photographs (as Bill Wilson) | |
Thanks | |||
| Alice Arlen | .... | thanks | |
| Elaine Benson | .... | thanks | |
| Rebecca Cammisa | .... | thanks (as Rebecca Camissa) | |
| Remy Charlip | .... | thanks | |
| Jessica Lin Cox | .... | thanks | |
| Diane Di Prima | .... | thanks | |
| Frances Dittmer | .... | thanks | |
| Janet Giffra | .... | thanks | |
| Mary Emma Harris | .... | thanks | |
| Jean Noel Herlin | .... | thanks (as Jean-Noel Herlin) | |
| Ken Heyman | .... | thanks | |
| Ara Ignatius | .... | thanks | |
| Muffet Jones | .... | thanks | |
| Will Kistler | .... | thanks (as William Kistler) | |
| Werner Kramarsky | .... | thanks | |
| James Kumpula | .... | thanks | |
| Ellen Lanyon | .... | thanks | |
| Abby Leigh | .... | thanks | |
| Liza Lenas | .... | thanks | |
| Hazel Lillyman | .... | thanks | |
| Rebecca Litman | .... | thanks | |
| Louise Millmann | .... | thanks | |
| Vanessa Mobley | .... | thanks | |
| Thurston Moore | .... | thanks | |
| Thom Powers | .... | thanks | |
| Meema Spadola | .... | thanks | |
| Tim Sternberg | .... | thanks | |
| Lara Stolman | .... | thanks | |
| Guy Trebay | .... | thanks | |
| William S. Wilson | .... | thanks | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
This is the story of Ray Johnson, a contemporary artist who's work reaches back from the 1940's till the time of his death in 1995. Johnson was at the forefront of performance art and created correspondence art along with Fluxus in the 1960's. There are many who contend that correspondence art was a precursor to the internet philosophically. His performance art pieces were essentially koans or Buddhist exercises in illustrating zen. How To Draw A Bunny is also about Ray Johnson the work of art, as his life itself was one great performance piece who's details were only connected posthumously. Fascinating both as a portrait of an artist and an era in modern art, the film is a must-see for anyone with an open mind and an interest in the path.