IMDb > Derrida (2002)

Derrida (2002) More at IMDbPro »


Overview

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6.5/10   599 votes »
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Release Date:
31 January 2003 (UK) See more »
Genre:
Tagline:
What if someone came along who changed not the way you think about everything, but everything about the way you think?
Plot:
Documentary about French philosopher (and author of deconstructionism) Jacques Derrida, who sparked fierce debate throughout American academia. | Add synopsis »
Awards:
1 win & 1 nomination See more »
User Reviews:
"Derrida" is a wonder See more (29 total) »

Cast

  (in credits order)
Jacques Derrida ... Himself
Marguerite Derrida ... Herself
René Major ... Himself
Chantal Major ... Herself

Avital Ronell ... Herself
René Derrida ... Himself
Eddie Yeghiayan ... Himself

Directed by
Kirby Dick 
Amy Ziering  (as Amy Ziering Kofman)
 
Produced by
Gil Kofman .... associate producer
Amy Ziering .... producer (as Amy Ziering Kofman)
 
Original Music by
Ryûichi Sakamoto 
 
Cinematography by
Kirsten Johnson 
 
Film Editing by
Matthew Clarke  (as Matt Clarke)
Kirby Dick 
 
Sound Department
Alan Barker .... sound mixer
Mark Z. Danielewski .... sound
Clifford 'Kip' Gynn .... sound mixer
David Scharf .... dialogue editor
 
Editorial Department
Adam Finberg .... assistant editor
Brian Jonason .... assistant editor
Matvey Shatz .... color timer
 
Music Department
Fernando Aponte .... score mixer
Fernando Aponte .... score recordist
Roberto Concina .... composer: song "Improvisations Part 2"
 
Other crew
Steven C. Beer .... producer's representative
Mike Kahne .... titles
 
Thanks
Eddie Schmidt .... thanks
 

Production CompaniesDistributorsOther Companies

Additional Details

Runtime:
84 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
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FAQ

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17 out of 26 people found the following review useful.
"Derrida" is a wonder, 6 February 2003
Author: cholbrooke from Chris Holbrook

I've never written a review on this site, mostly because I find that most reviews are fair and well-meaning that, for the most part, aim to get at the root of the film itself. However, I was compelled to write something about "Derrida," because, for whatever reason, reviewers of the film have largely ignored the filmmakers' intent and, even worse, in some cases, used their review as a platform to air pent-up grievances about this celebrated thinker.

Simply put, "Derrida" is a wonder: a disarming, captivating film that alchemizes a seemingly un-filmable subject--the daily life, travels, and thoughts of a brilliant philosopher--into a convincing, wholly cinematic portrait.

As the above reviewers suggest, this is no bio-pic. There is no omniscient, James Earl Jones voiceover here. The film doesn't attempt to teach deconstruction, nor does it offer any Ken Burns-like, definitive world view. Instead, co-directors Kirby Dick and Amy Ziering Kofman follow the trail blazed by Frederick Wiseman and the Maysles Brothers--cinema verite pioneers who recognized that voiceover, forced narrative arcs, and easy psychological explanations of character often distort and dilute the truth of a person or event. As the Maysles brothers did in "Salesman" and "Grey Gardens," among other films, Dick and Kofman spent years with their subject, slowly gaining the trust of this notoriously camera-shy man, following him without a narrow agenda, and open to whatever occurred in front of them. In the process, Dick and Kofman successfully capture unguarded moments and unexpected events--including quiet breakfasts, intimate conversations about his family, and revelatory interviews -which, ultimately, challenge our preconceptions of Derrida, while deepening our fascination with his mind and life.

Years from now, when Derrida has left us, it will be easy to present a Crossfire-like discussion on the merits and value of his thinking. If inclined, one could even dredge up shady details of his past. However, I would strongly argue that nobody will able to provide the kind of illumination that "Derrida" offers--an unfiltered and tantalizing look at one of the most creative and influential minds of today.

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