Examined Life pulls philosophy out of academic journals and classrooms, and puts it back on the streets. In Examined Life, filmmaker Astra Taylor accompanies some of today's most ... See full summary »
K. Anthony Appiah,
BEING IN THE WORLD takes us on a journey around the world to meet philosophers influenced by the thought of Martin Heidegger, as well as experts in the fields of sports, music, craft, and ... See full summary »
Exploring the life and impact of the greatest spiritual and legal philosopher in Islamic history, this film examines Ghazali's existential crisis of faith that arose from his rejection of ... See full summary »
The iconic cartoons of The New Yorker have become an instantly recognizable cultural touchstone over the past 90 years, and Leah Wolchock's intimate documentary offers an unprecedented ... See full summary »
Filmmaker Julia Pimsleur used to make up elaborate lies about her brother Marc, rather than explain that he had dropped out of college, turned his back on his Jewish heritage and moved to a... See full summary »
not a "deconstructive" review/A Lion Incapable of Eating Christians
this isn't going to be a "deconstruction" of the dick/ziering film entitled "derrida." i wouldn't be qualified to offer one, so i won't even make an attempt. this is merely a random assemblage of my thoughts regarding the filmtext................ derrida was one of the most powerful, iconoclastic philosophers of all time. deconstruction is essentially about the DELEGITIMATION of texts, i.e., the process of exposing their LACK of relevance and truth value. hence, a deconstruction of the bible would "prove" this text to be of LIMITED truth value or relevance. (take THAT Christians!) if we are to evaluate philosophies, perhaps we should judge them on the basis of what they are capable of deconstructing. in which case deconstrution would prove to be the most powerful philosophy, since it is capable of deconstructing just about anything................ that said, "derrida" does not portray the philosopher of deconstruction as an iconoclast. it doesn't envisage derrida as one of the (Christian, Jew, and Moslem-eating) "lions" of postmodern thought. instead, it presents him as a toothless, aging, declawed, castrated feline mewing by the fireside. a complacent member of the bourgeoisie enjoying his petty privileges. if you watch this film, you might get the idea that deconstruction is a cute, "homey" kind of philosophy designed to reassure the middle classes................
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