Southern Comfort documents the final year in the life of Robert Eads, a female-to-male transsexual. Eads, diagnosed with ovarian cancer, was turned down for treatment by two dozen doctors ... See full summary »
Maxwell Scott Anderson
The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his ... See full summary »
A film journey through a universe of female masculinity. A legendary Drag King Night in New York is the point of departure for an odyssey to transgendered worlds, where women become men - ... See full summary »
Del La Grace Volcano
"Jackie Curtis is not a drag queen. Jackie is an artist. A pioneer without a frontier." -- Andy Warhol. Superstar in a Housedress examines the life and legend of Warhol transvestite ... See full summary »
Fernando/Fernanda, a 19-year-old Brazilian transvestite, travels to Milan and becomes a prostitute to finance a sex-change operation. Fernanda dreams of becoming a "real" woman but in Milan... See full summary »
Ingrid de Souza,
She's a Boy I Knew is a comic, heartbreaking, uplifting autobiography that focuses on the interpersonal relationships of a family who unexpectedly find their bonds strengthening as they ... See full summary »
More than two dozen men and women of various backgrounds, ages, and races talk to the camera about being gay. Their stories are arranged in loose chronology: early years, fitting in (which ... See full summary »
On New Year's Eve, 1969, a flamboyant ragtag troupe of genderbending hippies took the stage of San Francisco's Palace Theater and The Cockettes were born. For the next 2 1/2 years, these outrageous drag performers created 20 shows with titles like "A Crab on Uranus Means You're Loved" and "Tinsel Tarts in a Hot Coma," and were featured in four underground films. But when the Cockettes flew to New York City to appear Off Broadway - well, you'll just have to see what happened when New Yorkers took a look at them. Documentarians Weissman and Weber have crafted a record of a wondrous time and a wild group in The Cockettes. Written by
I really enjoyed this film. It's odd that I would because I have almost no interest in hippies or drag queens. But, something about their DIY (do it yourself) aesthetic really resonated with me. They wanted to be "stars," so they dressed up in crazy outfits, dropped acid, and put on "shows" consisting of whatever interested them that week. If they wanted to make a film about Trisha Nixon's wedding, they grabbed a camera, dressed up, make makeshift sets, and shot one. This film was really inspiring to me as an artist.
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