In South Dakota, in an Indian reservation, an old storyteller Indian asks his grandson Shane, who is in trouble owing money to some bad guys, to take his old pony and him to Albuquerque to ... See full summary »
A story of life on an Indian reservation in Ontario: Silas and Frank are trying to get into college to train to be mechanics but they find themselves having to deal with girls, family ... ... See full summary »
Ryan Rajendra Black,
"Turquoise Rose" is a coming of age story about a Navajo girl from Arizona. Raised in the suburbs of Phoenix, "T" attends college and is interning as a photojournalist at the local paper. ... See full summary »
Travis Holt Hamilton
Donavon G. Barney,
Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by... See full summary »
Mary Crow Dog, daughter of a desperately poor Indian family in South Dakota, is swept up in the protests of the 1960s and becomes sensitized to the injustices that society inflicts on her ... See full summary »
Dave Bald Eagle,
Seymour Polatkin is a successful, gay Indian poet from Spokane who confronts his past when he returns to his childhood home on the reservation to attend the funeral of a dear friend. Written by
But we did love them. Held tightly to their alcoholic necks and arms as we drove back home. Stole the 6-pack they bought for the road and threw it out the window. Counted mile markers and coyotes standing on the edge of the road. But this is not about sadness. This is about the stories. Those rough drafts that thundered the walls of the HUD house as my sister and I lay awake after we finally arrived home and listened to my mother and father dream. Breathe deep in their sleep and snore like what...
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A film by at least 62 people, Indigenous and otherwise. See more »
While we as a country are discovering/acknowledging the struggles of the different sects within the Middle East, tribal differences that are longstanding and divisive and painful, along comes another sensitive story about Native Americans in this country and how the scars of past and ongoing abuses of our 'reservation resolution' have affected the original peoples of this land. Sherman Alexie, a fine poet and novelist, has transformed his written works into a film that showers the viewer with insights into a problem about which few are cognizant - intratribal differences that provide schisms within the only root that binds.
Seymour Poltakin (the very talented Evan Adams) is a famous poet who happens to be both Native American and gay. He is called back to his Reservation in Spokane, Washington for the funeral of his childhood friend Mouse (Swil Kanim) only to confront all of the reasons he has left the Reservation for the 'white man's world' where he has found both financial and emotional success. Seymour's best friend Aristotle (Gene Tagaban) had originally left the Reservation to go to college with Seymour, but quickly soured to the prejudiced outside world and returned to his Reservation and to an unfortunate life of alcoholism and drug abuse. The bulk of the storyline revolves around how these two once devoted friends parted ways, the philosophies of each are explored, and though Seymour finds moments of love in his home space, he is still content to return to his white man lover and his life he has chosen.
There are many very tender and moving moments in this film: when Seymour is in conversation with Agnes (Michelle St. John) and when Agnes intones the Indian chants and songs at the funeral; Seymour's dialogues with his lover; scenes of quiet while Aristotle abuses himself with drugs; the weaving in and out of the beautiful dancing that flows through the film. The problem with the movie is the disparity of approaches in telling the story: an interview situation between Rebecca Carroll and Evan Adams is well written but breaks the mood of the poetic form of the story. The film is obviously low budget and in this case, for this viewer, the rough hand-held camera technique adds a quality of reality to what we are watching.
The overall effect at the end of the film is a pang of pain in the heart having witnessed the generations of 'isolation' and the segregation of the Native Americans into spaces both geographical and sociological that have undermined a tremendously valuable asset to our history. That role of shame is one that will never leave us, and it is a gift that artists like Sherman Alexie can bring this to the public's attention. Recommended. Grady Harp
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