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The Business of Fancydancing (2002)

 -  Drama | Music  -  14 January 2002 (USA)
6.9
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Ratings: 6.9/10 from 440 users   Metascore: 49/100
Reviews: 14 user | 11 critic | 11 from Metacritic.com

Seymour Polatkin is a successful, gay Indian poet from Spokane who confronts his past when he returns to his childhood home on the reservation to attend the funeral of a dear friend.

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Title: The Business of Fancydancing (2002)

The Business of Fancydancing (2002) on IMDb 6.9/10

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Cast

Cast overview:
Evan Adams ...
Seymour Polatkin
Michelle St. John ...
Agnes Roth
Gene Tagaban ...
Aristotle Joseph
Swil Kanim ...
Mouse
Rebecca Carroll ...
The Interviewer
...
Teresa
...
Mr. Williams
Kevin Phillip ...
Steven
Elaine Miles ...
Kim
Arthur Tulee ...
Junior One
Jim Boyd ...
Junior Two
Jennifer Kreisberg ...
Salmon Girl
Ron Otis ...
White Motorist
...
Tavern Father
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Storyline

Seymour Polatkin is a successful, gay Indian poet from Spokane who confronts his past when he returns to his childhood home on the reservation to attend the funeral of a dear friend. Written by Anonymous

Plot Summary | Add Synopsis

Plot Keywords:

reservation | gay | funeral | friend | poet | See more »

Taglines:

Sometimes going home is the hardest journey of all.

Genres:

Drama | Music

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Details

Country:

Language:

Release Date:

14 January 2002 (USA)  »

Filming Locations:


Box Office

Budget:

$200,000 (estimated)

Opening Weekend:

$12,709 (USA) (10 May 2002)

Gross:

$174,682 (USA) (4 October 2002)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

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Did You Know?

Quotes

Steven: They're not your tribe anymore, I'm your tribe.
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Crazy Credits

A film by at least 62 people, Indigenous and otherwise. See more »

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User Reviews

 
A beautiful profound movie with a truly powerful and subtle ending
24 March 2004 | by (Saint Paul, Minnesota) – See all my reviews

I was impressed with "The Business of Fancydancing. " I thought it was very well made, with beautiful cinematography, excellent development of several believable key characters and a sensitive treatment of a tragic but important personal story with profound socal implications. The movie was complemented with a wonderful soundtrack and the juxtaposition of conflicting styles of music that helped to tell this paradoxical story. The ending was particularly poignant and extremely well done. Certain plot subtleties and finely nuanced multi-layered scences were evident during my second viewing. It offered moments of exquisite irony and heartfelt soul-searching. It was an intelligent treatment of the interaction of several layers of delicate personal issues. I was deeply moved by this film.


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