Moyher's good boy Benny Silman from Brooklyn becomes an economics student at Arizona State University for the sun and sexy girls- and the proximity of gambling paradise Las Vegas. Benny ... See full summary »
Ernest R. Dickerson
An erotic road-movie about people that are going round in circles. It's about a girl, S., who is dangling between Brussels and New York, boys and girls, love and hate, life and death. She ... See full summary »
Isnel Da Silveira,
A stunning debut from an incredible new Writer-Director
Easily the best film I've seen at Sundance 2002.
I could go on at some length about this incredible debut from Writer-Director-Actor Davidson Cole, but I'll attempt to be brief by summing up the main strengths of the film.
Everything is brilliant.
Okay, okay, I'll be a little more specific.
From the thematically powerful and narratively complex script that works on so many levels, to the darkly atmospheric look of the film captured in its cinematography and production design, to the ultra-effective score and sound design, to the innovative editing style, to the absolutely strong, compelling performances by the entire cast (made up mostly of newcomers, but filled out by the seasoned Daniel J. Travanti, who turns in an incredible performance)... well, in short - like I said - everything is brilliant.
Watching this film reminded me of watching Darren Aronofsky for the first time. Not so much in Davidson Cole's filmmaking style as in the sense of feeling that I was witnessing the work of a powerful artist who has a unique voice and distinct vision that truly permeate his work.
Watch for Davidson Cole to develop into an important Writer-Director, and remember that you heard it from me first! As Dan Travanti told me at my second screening of the film earlier tonight, someday I'll be able to reminisce and say, "I remember when I saw Davidson Cole's first film way back at Sundance 2002."
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