| Mania Akbari | ... | Driver | |
| Amin Maher | ... | Amin | |
| rest of cast listed alphabetically: | |||
| Kamran Adl | |||
| Roya Arabshahi | |||
| Amene Moradi | |||
| Mandana Sharbaf | |||
| Katayoun Taleizadeh | |||
Directed by | |||
| Abbas Kiarostami | |||
Writing credits(in alphabetical order) | ||
| Abbas Kiarostami | ||
Produced by | |||
| Marin Karmitz | .... | producer | |
| Abbas Kiarostami | .... | producer | |
| Caley Thomas | .... | associate producer | |
Cinematography by | |||
| Abbas Kiarostami | |||
Film Editing by | |||
| Vahid Ghazi | |||
| Abbas Kiarostami | |||
| Bahman Kiarostami | |||
Production Management | |||
| Nicolas Girard Deltruc | .... | assistant production manager | |
| Nathalie Kreuther | .... | executive in charge of production | |
Camera and Electrical Department | |||
| Morteza Tabatabaii | .... | still photographer | |
Other crew | |||
| Nicolas Girard Deltruc | .... | assistant to producer | |
| Nicolas Girard Deltruc | .... | production assistant | |
| Guillaume Lips | .... | digital grader | |
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| Persepolis | The Stoning of Soraya M. | The Circle | Giant | Taste of Cherry |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Ten is an intriguing movie. Kiarostami explores the abilities of digital camera by mounting it at just two fixed angles on the dashboard of a car, showing us almost only the driver's and the passenger's faces. Such a stationary structure surprises by its moving content, which takes shape as the movie unfolds.
The driver is a young Iranian divorcée, recently remarried, whose conversations with a son, sisters, a young and an old woman makes up the ten episodes of the movie.
The performance taken from the kid is astonishingly natural, and other characters also appear to be just playing their everyday lives. Kiarostami opens an eye through the little gap of its two fixed digital cameras on the mundane facts of the Iran's capital life as experienced by a typical middle-class woman. The plots are so natural no one can find a better way of experiencing the knotted, contradictory complexity of such a woman's life in Iran from outside. The flow is of the scenes is smooth and the dialogues are, at least to the Iranian audience, courageous and funny, though familiar at the same time. It's a movie worth watching more than once.