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Ten, the latest film by Iranian master filmmaker Abbas Kiarostami, focuses on ten conversations between a female driver in Tehran and the passengers in her car. Her exchanges with her young son, a jilted bride, a prostitute, a women on her way to prayer and others, shed light on the lives and emotions of these women whose voices are seldom heard. Written by
The film shows ten rides of a female cab-driver in modern Teheran. The protagonist (a sunglasses-wearing beautiful woman) share a ride with her son, her sister, an old faithful lady, a prostitute and a female stranger. She discuss life and social issues, and repeatedly argue with her son about her recent divorce with the boy's dad.
The movie is technically interesting and well shaped.
---- Structure The film rolls the 10 sequences introduced by a a classic old school countdown which creates a sense of formal structure, giving the film an apparent "rigid" putting the audience as "analyst".
---- Camera and Sound Only two camera angles are used in the film (beside an odd little part where we see the prostitute outside of the car ...). And the sound is very basically real and full (city's life and traffic).
---- Content But above all, despise what some will say about the apparent boringness of the film, the content is amazingly absorbing. The issues raised are universal (divorce, women's position in society, love, despair, faith ...) and perfectly rendered by these non-actors.
One last point, the female protagonist is BEAUTIFUL !
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