Irreverent city engineer Behzad comes to a rural village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
Roushan Karam Elmi
The movie focuses on one of the events in Zendegi Edame Darad (1992), and explores the relationship between the movie director, and the actors. The local actors play a couple who got ... See full summary »
Mohamad Ali Keshavarz,
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
The whole village knows that Mashti Hassan loves his cow to death. One day he goes to the Tehran. His cow dies. The villagers are afraid of what might happen once Hassan finds out his cow is dead. What will happen when he finds out?
Georges and Anne are an octogenarian couple. They are cultivated, retired music teachers. Their daughter, also a musician, lives in Britain with her family. One day, Anne has a stroke, and the couple's bond of love is severely tested.
Ten, the latest film by Iranian master filmmaker Abbas Kiarostami, focuses on ten conversations between a female driver in Tehran and the passengers in her car. Her exchanges with her young son, a jilted bride, a prostitute, a women on her way to prayer and others, shed light on the lives and emotions of these women whose voices are seldom heard. Written by
I have seen many impressive Iranian films over the years. "Ten" may be the very best of them for a variety of reasons. I think the film is remarkable because it looks so simple, but I imagine setting up the camera and capturing the realistic dialogue and plot-line we see in the film had to have taken a lot of preparation. I also think the director deliberately chose scenery to accommodate the backdrop of the film, and he must have driven around Teheran constantly to figure out which images to put in the background. I think the scenes with the murals of new arch-conservative president are very telling. "Ten" seems to have a lot of messages under the radar, including the subversive powers of all governments (certainly including our own in America) to censor art. I think the relationship between the mother and her son is a very poignant one, and it shows how children and adults simply live in different spheres of the universe. Film is strikingly similar in some aspects to American independent filmmaker Rob Nilsson's film "Signal 7" which came out over 20 years ago.
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