| Photos (see all 5 | slideshow) | Videos (see all 2) |
| Don Cheadle | ... | Pearl Madison | |
| Ryan Gosling | ... | Leland P. Fitzgerald | |
| Chris Klein | ... | Allen Harris | |
| Jena Malone | ... | Becky Pollard | |
| Lena Olin | ... | Marybeth Fitzgerald | |
| Kevin Spacey | ... | Albert T. Fitzgerald | |
| Michelle Williams | ... | Julie Pollard | |
| Martin Donovan | ... | Harry Pollard | |
| Ann Magnuson | ... | Karen Pollard | |
| Kerry Washington | ... | Ayesha | |
| Sherilyn Fenn | ... | Mrs. Calderon | |
| Matt Malloy | ... | Charlie | |
| Wesley Jonathan | ... | Bengel | |
| Michael Peña | ... | Guillermo | |
| Michael Welch | ... | Ryan Pollard | |
| Ron Canada | ... | Elden | |
| Troy Winbush | ... | Dave | |
| Nick Kokich | ... | Kevin | |
| Yolonda Ross | ... | Miranda | |
| Leyna Nguyen | ... | TV Reporter | |
| Jim Haynie | ... | Ben | |
| Randall Bosley | ... | Sheriff Donaldson | |
| Jody Wood | ... | Cop One | |
| Robert Peters | ... | Security Guard | |
| Kathleen S. Dunn | ... | Doris (as Kathleen Dunn) | |
| Tony McEwing | ... | News Anchor | |
| Lawrence Lowe | ... | Detention Specialist | |
| Charles Hess | ... | Main Entrance Guard | |
| Kimberly Scott | ... | Myra | |
| Angela Paton | ... | Airplane Woman | |
| Ryan Malgarini | ... | 6-Year-Old Leland | |
| Maria Arcé | ... | Bethany | |
| Dell Yount | ... | Court Officer | |
| Clyde Kusatsu | ... | Judge | |
| Melanie Lora | ... | Hotel Waitress | |
| Rene Rivera | ... | Mechanic | |
| Alec Medlock | ... | 12-Year-Old Leland | |
| Jim Metzler | ... | Cemetery Reporter | |
| Michael McCleery | ... | Mechanic #2 | |
| David Barrera | ... | First Officer | |
| Sheeri Rappaport | ... | Second Officer | |
| Kevin Patrick Kelly | ... | Doctor (as Kevin Kelly) | |
| Evan Helmuth | ... | Grocery Guy | |
| Ty Hodges | ... | Student (as Eric Ty Hodges) | |
| rest of cast listed alphabetically: | |||
| Jonathan Adler | ... | Neighbor (uncredited) | |
| Brayden Cahill | ... | Alex (uncredited) | |
| Edward T. McAvoy | ... | Creepy Old Man (uncredited) | |
| Jenny Worman | ... | Hotel Clerk (uncredited) | |
Directed by | |||
| Matthew Ryan Hoge | |||
Writing credits(WGA) | ||
| Matthew Ryan Hoge | (written by) | |
Produced by | |||
| Mark Damon | .... | executive producer | |
| Stewart Hall | .... | executive producer | |
| Sammy Lee | .... | executive producer | |
| Bernie Morris | .... | producer | |
| Jonah Smith | .... | producer | |
| Kevin Spacey | .... | producer | |
| Dara Weintraub | .... | co-producer | |
| Dara Weintraub | .... | line producer | |
| Palmer West | .... | producer | |
Original Music by | |||
| Jeremy Enigk | |||
Cinematography by | |||
| James Glennon | |||
Film Editing by | |||
| Jeff Betancourt | |||
Casting by | |||
| Emily Schweber | |||
Production Design by | |||
| Edward T. McAvoy | |||
Art Direction by | |||
| William Arnold | (as Bill Arnold) | ||
| Kevin Constant | |||
Set Decoration by | |||
| Jan Pascale | |||
Costume Design by | |||
| Genevieve Tyrrell | |||
Makeup Department | |||
| Amy L. Disarro | .... | additional makeup artist (as Amy Disarro) | |
| Marina Hart | .... | additional hair stylist | |
| Voni Hinkle | .... | hair department head | |
| Melanie Hughes | .... | makeup department head (as Melanie Hughes-Weaver) | |
| Ben Nye Jr. | .... | makeup department head | |
| Shari Perry | .... | key hair stylist | |
Production Management | |||
| Michelle LeDoux | .... | production manager | |
| Michael Toji | .... | post-production supervisor | |
| Dara Weintraub | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Susan Abrams | .... | second assistant director | |
| William Paul Clark | .... | assistant director | |
| Heather Grierson | .... | second second assistant director | |
| Keith Jones | .... | additional second second assistant director | |
| Dawn Massaro | .... | second assistant director | |
Art Department | |||
| Ronnie Baker | .... | swing gang | |
| Mychael Bates | .... | property master | |
| Jenny Baum | .... | on-set dresser | |
| Sam Brinson | .... | construction foreman (as Samuel Brinson) | |
| Alan Burg | .... | swing gang | |
| Dennis De George | .... | swing gang | |
| Louise Del Araujo | .... | lead man | |
| Arnold Durazo Jr. | .... | propmaker | |
| Cory Fama | .... | laborer | |
| Joseph C. Fama | .... | construction coordinator (as Joe Fama) | |
| Iola Kay Fiengo | .... | assistant property master | |
| Katie Gonzalez | .... | assistant property master (as Katie Sanner) | |
| Deborah Harman | .... | swing gang | |
| James Harne | .... | propmaker | |
| Richard McConnell | .... | construction coordinator: re-shoots | |
| Jim McDonald | .... | property maker (as James McDonald) | |
| Mark Molina | .... | assistant art director | |
| Tony Nuñez | .... | assistant props | |
| John 'Johnny O' Ornelas | .... | assistant property master | |
| Heather Pemble | .... | art department production assistant | |
| Paul M. Rohrbaugh III | .... | scenic painter (as Paul Rohrbaugh) | |
| Kenneth Roth | .... | propmaker | |
| Art Vasenius | .... | lead man | |
| Michael Wynands | .... | propmaker | |
Sound Department | |||
| David Franklin Bergad | .... | adr editor | |
| David Franklin Bergad | .... | dialogue editor | |
| David Franklin Bergad | .... | sound editor | |
| Mark Berger | .... | supervising re-recording mixer | |
| Frank Canonica | .... | supervising sound recordist: mix stage | |
| Misty Conn | .... | boom operator | |
| Ben Conrad | .... | foley recordist | |
| Piotr Filipowski | .... | sound effects editor | |
| Chris Gridley | .... | assistant sound editor | |
| Nathan Gunn | .... | assistant sound editor | |
| Amy Hammer | .... | mix facility coordinator | |
| Clarissa Keller | .... | adr facility coordinator | |
| Alex Names | .... | cableperson | |
| Chris Navarro | .... | adr recordist | |
| John Nutt | .... | supervising sound editor | |
| Margie O'Malley | .... | foley artist | |
| David Parker | .... | sound re-recording mixer | |
| Jonathan Schwartz | .... | apprentice sound editor | |
| Daniel Sperry | .... | stereo sound consultant: Dolby | |
| Patti Tauscher | .... | foley editor | |
| Eric Thompson | .... | adr mixer | |
| Richard Van Dyke | .... | production sound mixer | |
| James Willetts | .... | assistant foley recordist | |
Special Effects by | |||
| David P. Kelsey | .... | special effects coordinator | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| Adam Hawkey | .... | lead compositor: iOFilm | |
Stunts | |||
| Keith Adams | .... | stunt coordinator | |
Casting Department | |||
| Lyndsey Gayer | .... | casting assistant | |
| Barbara Harris | .... | adr voice casting | |
| Rich King | .... | extras casting | |
| Kelly Hunt | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Mynka Draper | .... | costume supervisor | |
| Molly Grundman | .... | key set costumer | |
| Heidi Higginbotham | .... | costume supervisor | |
| Michele Posch | .... | costumer | |
Editorial Department | |||
| Joe Fineman | .... | post-production consultant | |
| Mato | .... | color timer | |
| Michael Nouryeh | .... | assistant editor | |
Music Department | |||
| Mike Flicker | .... | supervising music editor | |
| Matt Friedman | .... | music editor | |
| Jeff Lingle | .... | music editor | |
| Tracy McKnight | .... | music supervisor | |
| Alysia Oakley | .... | assistant to music supervisor | |
| Reed Ruddy | .... | music engineer | |
| BC Smith | .... | music producer | |
Transportation Department | |||
| J. Armin Garza II | .... | driver: camera car | |
| Michael Merrick | .... | transportation coordinator | |
| Gary Wiseman | .... | transportation captain | |
Thanks | |||
| Donald Barthelme | .... | special thanks | |
| Brian Costello | .... | special thanks | |
| Mark Everett | .... | special thanks (as E) | |
| Tamara Stuparich de la Barra | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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I was looking at the external reviews (Ebert, etc.) for this film and they were all pretty much negative. However, after reading many of them, I noticed that they all made the same point. Critics were upset that the film centers around what appears to be a senseless murder of an autistic child. Certainly, this is a disturbing image. Critics like Ebert want a traditional detective story that uncovers why the killing happened and squarely places blame on the guilty. They want blame to be cast and resolved. Well, that status-quo theme is kind of what the movie is parodying. Just like society, the critics wanted a very quick resolution so they could move on to their next tragic opera. Perhaps there is no simple question to be answered here? There is a whole lot more to what happened then what is on the surface. The film does not seek to rationalize what happens, but rather understand the why. What also steams me so much about these inane reviews is that all they look at in the way of performances is Spacey and Cheadle, who were both great (and generally are). But there are other great performances at work here other than just the two current icons of Hollywood. Gosling gives an incredible performance that really only somebody of his extreme talent could deliver. Somehow, Gosling is able to make the killer of an autistic child sympathetic. This irritates many, I am sure. However, if one watches the film, they see what Leeland's motivation is, it is wrong, but it is not evil. Malone is also on top of her game as yet another confused young character. Basically, the killing of the child in this film is not the main theme of the movie. The main theme is life itself and how people go about dealing with it, the highs and lows, and how they attempt to sometimes help others deal with their lives (which does not seem to work out very well). There is a lot of good and bad in this world and how we handle each has direct impact on how much more good and bad will take place, and sometimes a confused attempt at doing good, can lead to a whole bunch more of bad. I think this is one of the more memorable films in sometime and has an ending that is as touching as anything in recent movie history. I strongly believe people should view this film, with an open mind.