Tells the story of a young man's experience in a juvenile detention center that touches on the tumultuous changes that befall his family and the community in which he lives.
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Cornered by the DEA, convicted New York drug dealer Montgomery Brogan reevaluates his life in the 24 remaining hours before facing a seven-year jail term.
Director:
Spike Lee
Stars:
Edward Norton,
Philip Seymour Hoffman,
Barry Pepper
In 1970s America, a detective works to bring down the drug empire of Frank Lucas, a heroin kingpin from Manhattan, who is smuggling the drug into the country from the Far East.
Director:
Ridley Scott
Stars:
Denzel Washington,
Russell Crowe,
Chiwetel Ejiofor
The movie is a coming-of-age drama about a boy growing up in Astoria, N.Y., during the 1980s. As his friends end up dead, on drugs or in prison, he comes to believe he has been saved from their fate by various so-called saints.
Director:
Dito Montiel
Stars:
Dianne Wiest,
Robert Downey Jr.,
Shia LaBeouf
A story about a troubled boy growing up in England, set in 1983. He comes across a few skinheads on his way home from school, after a fight. They become his new best friends even like family. Based on experiences of director Shane Meadows.
Director:
Shane Meadows
Stars:
Thomas Turgoose,
Stephen Graham,
Jo Hartley
After stabbing an autistic boy, the sixteen year old troubled and pessimist Leland P. Fitzgerald is sent to a juvenile detention. His teacher and aspirant writer Pearl Madison gets close and tries to understand him, first with intention of writing a book, and later becoming his friend. Leland slowly discloses his sad vision of world. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In this movie, set in Arizona, all the cars shown have front and back license plates. However, in Arizona you are only issued two license plates if you have a personalized plate which none of the cars in the movie had. See more »
Quotes
Leland:
And that's when I figured out that tears couldn't make somebody who was dead alive again. There's another thing to learn about tears, they can't make somebody who doesn't love you any more love you again. It's the same with prayers. I wonder how much of their lives people waste crying and praying to God. If you ask me, the devil makes more sense than God does. I can at least see why people would want him around. It's good to have somebody to blame for the bad stuff they do. Maybe God's there ...
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Leland P. Fitzgerald (Ryan Gosling) has committed an unspeakable crime, the stabbing of the retarded younger brother of his ex-girlfriend Becky (Jena Malone). No one, least of all Leland himself, can explain why he's done what he's done, whether the act was premeditated or spontaneous, done out of hatred or love.
In the detention center, Leland meets Pearl Madison (Don Cheadle), a onetime novel writer who sees in Leland's case a second opportunity. But Pearl also wants to understand Leland's motivation and takes him under his wing as a confidante in the prison.
The film jumps from the past to the present several times, often allowing the past to act as a context to the present, and vice versa. Writer/director Matthew Ryan Hodge shows how Leland's crime - and the events leading up to it - affect the people in his life, from Becky to her family to Leland's mother (Lena Olin) and estranged father (Kevin Spacey) to Allen (Chris Klein), a young man who is staying with Becky's family after the death of his own mother.
The chief asset in the movie is Gosling, who is perfectly cast as the 15-year-old pseudopsychopath. Like Bartleby the Scrivener, Gosling's Leland just exists; he shows little emotion during the film, but instead his expressions belie an ocean of guilt, sadness, love, and rage.
Each of the main actors offered perhaps their best work to date, save Spacey (who's not exactly a novice). Special praise is due to Malone and Klein, two young performers who are better known for lighthearted comedy fare than the heavy drama of this movie.
Another huge benefit in terms of the story is that none of the characters is flawless; none are heroes out to save the day. This is simply not a black-and-white movie.
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Leland P. Fitzgerald (Ryan Gosling) has committed an unspeakable crime, the stabbing of the retarded younger brother of his ex-girlfriend Becky (Jena Malone). No one, least of all Leland himself, can explain why he's done what he's done, whether the act was premeditated or spontaneous, done out of hatred or love.
In the detention center, Leland meets Pearl Madison (Don Cheadle), a onetime novel writer who sees in Leland's case a second opportunity. But Pearl also wants to understand Leland's motivation and takes him under his wing as a confidante in the prison.
The film jumps from the past to the present several times, often allowing the past to act as a context to the present, and vice versa. Writer/director Matthew Ryan Hodge shows how Leland's crime - and the events leading up to it - affect the people in his life, from Becky to her family to Leland's mother (Lena Olin) and estranged father (Kevin Spacey) to Allen (Chris Klein), a young man who is staying with Becky's family after the death of his own mother.
The chief asset in the movie is Gosling, who is perfectly cast as the 15-year-old pseudopsychopath. Like Bartleby the Scrivener, Gosling's Leland just exists; he shows little emotion during the film, but instead his expressions belie an ocean of guilt, sadness, love, and rage.
Each of the main actors offered perhaps their best work to date, save Spacey (who's not exactly a novice). Special praise is due to Malone and Klein, two young performers who are better known for lighthearted comedy fare than the heavy drama of this movie.
Another huge benefit in terms of the story is that none of the characters is flawless; none are heroes out to save the day. This is simply not a black-and-white movie.