| Photos (See all 22 | slideshow) | Videos (see all 4) |
| Robert Carlyle | ... | Jimmy | |
| Vanessa Feltz | ... | Vanessa | |
| Ricky Tomlinson | ... | Charlie | |
| Kathy Burke | ... | Carol | |
| Vicki Patterson | ... | Audience Guest | |
| Shirley Henderson | ... | Shirley | |
| Finn Atkins | ... | Marlene | |
| Kelly Thresher | ... | Donna | |
| Rhys Ifans | ... | Dek | |
| Andrew Shim | ... | Donut | |
| Ryan Bruce | ... | Emerson | |
| Eliot Otis Brown Walters | ... | Lake | |
| Anthony Strachan | ... | Jumbo (as Antony Strachan) | |
| David McKay | ... | Dougy (as David Mckay) | |
| James Cosmo | ... | Billy | |
| Vic Reeves | ... | Plonko the Clown | |
| Bob Mortimer | ... | Kung-Fu Clown | |
| Richard Garfoot | ... | Wrestling Clown | |
| Justin Brady | ... | Eugene | |
| Tony Nyland | ... | Big Al | |
| Anthony Clarke | ... | YTS Dave | |
| Ladene Hall | ... | Bingo Woman | |
| Shane Meadows | ... | Bingo Caller | |
| Paul Fraser | ... | Bingo Checker |
Directed by | |||
| Shane Meadows | |||
Writing credits | ||
| Paul Fraser | (written by) and | |
| Shane Meadows | (written by) | |
Produced by | |||
| Andrea Calderwood | .... | producer | |
| Claire Hunt | .... | line producer | |
| Hanno Huth | .... | executive producer | |
| Louise Knight | .... | co-producer | |
| Paul Trijbits | .... | executive producer | |
| Paul Webster | .... | executive producer | |
| James Wilson | .... | co-producer | |
Original Music by | |||
| John Lunn | |||
Cinematography by | |||
| Brian Tufano | (director of photography) | ||
Film Editing by | |||
| Peter Beston | |||
| Trevor Waite | |||
Casting by | |||
| Julia Duff | |||
Production Design by | |||
| Crispian Sallis | |||
Art Direction by | |||
| Anthea Nelson | |||
Costume Design by | |||
| Robin Fraser-Paye | (as Robin Fraser Paye) | ||
Makeup Department | |||
| Sharon Martin | .... | hair stylist | |
| Sharon Martin | .... | makeup artist | |
| Pebbles | .... | chief hair stylist | |
| Pebbles | .... | chief makeup artist | |
Production Management | |||
| Peter McAleese | .... | executive in charge of production: FilmFour (as Peter Mcaleese) | |
Second Unit Director or Assistant Director | |||
| Ed Evennett | .... | third assistant director (as Edward Evennett) | |
| Cherry Gould | .... | first assistant director | |
| Toni Staples | .... | second assistant director | |
| Olivia Lloyd | .... | second assistant director: additional photography (uncredited) | |
Art Department | |||
| James Conway | .... | carpenter | |
| Paul Duff | .... | stand-by carpenter | |
| Michael J. Eley | .... | construction manager | |
| Andy Harris | .... | property master | |
| Shula Harris | .... | art department assistant | |
| Malcolm Keen | .... | stand-by painter (as Malcolm Keane) | |
| Brian Lofthouse | .... | stand-by props | |
| Mark McNeil | .... | dressing props (as Mark Mcneil) | |
| Neil McVey | .... | dressing props (as Neil Mcvey) | |
| Jeff Nolan | .... | carpenter | |
| Tony Rycyk | .... | dressing props | |
| Robert Smiley | .... | painter | |
| Lucinda Sturgis | .... | production buyer | |
| Nigel Turnbull | .... | painter | |
| Steve Westley | .... | dressing props | |
| Rhona Wilson | .... | assistant production buyer | |
Sound Department | |||
| Bob Baker | .... | foley mixer | |
| Michael A. Carter | .... | adr recordist (as Mike Carter) | |
| Tony Cook | .... | boom operator | |
| Paul Crichton | .... | adr recordist | |
| Paul Hamblin | .... | sound re-recording mixer | |
| Steve Haynes | .... | adr recordist | |
| Stuart Hilliker | .... | assistant re-recording mixer | |
| Catherine Hodgson | .... | supervising sound editor | |
| Dave Humphries | .... | adr recordist | |
| Gayle Learmonth | .... | sound assistant | |
| Colin Nicolson | .... | sound recordist | |
| Jason Swanscott | .... | foley artist | |
| Rowena Wilkinson | .... | foley artist | |
| Hilary Wyatt | .... | dialogue editor | |
| James Seddon | .... | dolby consultant (uncredited) | |
Stunts | |||
| Ruth Jenkins | .... | stunt double: Marlene | |
| Vincent Keane | .... | stunt coordinator | |
| Derek Lea | .... | stunt double: Dek | |
| Tony Lucken | .... | stunt double: Dek | |
| Wayne Ridal | .... | driving double | |
Camera and Electrical Department | |||
| Stuart Barell | .... | second focus puller (as Stuart Barrell) | |
| John Crawley | .... | studio lighting supervisor | |
| Adrian Daley | .... | studio camera operator | |
| Les Falla | .... | studio vision engineer | |
| Françoise Higson | .... | clapper loader (as Francoise Higson) | |
| Jo Irvine | .... | assistant camera | |
| Adrian McCarthy | .... | camera grip (as Adrian Mccarthy) | |
| Liam McGill | .... | gaffer (as Liam Mcgill) | |
| Brian Mcgivern | .... | generator operator | |
| Jem Morton | .... | additional grip | |
| Gary Nolan | .... | electrician | |
| Jennie Paddon | .... | clapper loader: second camera | |
| Clive Pittman | .... | focus puller | |
| Niki Roberton | .... | camera trainee (as Nikki Robertson) | |
| Dean Rogers | .... | still photographer | |
| Bob Shipsey | .... | additional photographer | |
| Bob Shipsey | .... | second camera operator (as Robert Shipsey) | |
| Ray Smithson | .... | studio electrician | |
| Steve Symes | .... | studio camera operator | |
| Martyn Welland | .... | electrician | |
| David Weller | .... | stand-by rigger (as Dave Weller) | |
| Iwan Williams | .... | best boy | |
Casting Department | |||
| Craig Stokes | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Sophie Doncaster | .... | wardrobe supervisor | |
| Ruth Kirton | .... | wardrobe assistant | |
Editorial Department | |||
| Stephen Barker | .... | post-production consultant | |
| Martin Corbett | .... | first assistant editor | |
| Matthew Derry | .... | video to film editorial: Computer Film Company | |
| Julie Foster | .... | first assistant editor | |
| John Heath | .... | color grader | |
| Samantha Hollingdale | .... | telecine colorist (as Sam Hollingdale) | |
| Tamsin Jeffrey | .... | conforming assistant editor | |
| Katya Jezzard | .... | conforming assistant editor | |
| Julian May | .... | second assistant editor | |
| Gina Tornatore | .... | third assistant editor | |
Music Department | |||
| John Barclay | .... | musician: trumpet, London Metropolitan Orchestra | |
| Mark Feltham | .... | musician: harmonica, London Metropolitan Orchestra | |
| Liz Gallacher | .... | music supervisor | |
| Paul Golding | .... | music mixer | |
| Gary Kettel | .... | musician: percussion, London Metropolitan Orchestra | |
| John Lunn | .... | conductor: London Metropolitan Orchestra and London Chamber Choir | |
| Frank Ricotti | .... | musician: percussion, London Metropolitan Orchestra | |
| Ian Thomas | .... | musician: percussion, London Metropolitan Orchestra | |
| Jim Williams | .... | musician: guitars, London Metropolitan Orchestra | |
Transportation Department | |||
| Justin Clements | .... | facility driver | |
| Bob Gurney | .... | facility driver | |
| Phil Hunt | .... | facility driver | |
| Huw Jones | .... | rushes driver | |
| Gary Mabley | .... | facility driver | |
| Arthur Meadows | .... | unit driver | |
| John Oxborough | .... | unit driver | |
| Darren Saunders | .... | stand-by construction driver | |
| Mark Simpson | .... | facility driver | |
| Gary Sutch | .... | driver: camera truck | |
| Stuart Whittaker | .... | unit driver | |
| Derek McPhail | .... | unit driver (uncredited) | |
Other crew | |||
| Asim Aziz | .... | production runner | |
| Kim Ballard | .... | production finance: FilmFour | |
| Claire Berrie | .... | assistant: Robert Carlyle | |
| Peter Carlton | .... | head of production: EMMI | |
| James Clayton | .... | legal service: Olswang | |
| Gillian Constable | .... | chaperone | |
| Matt Curtis | .... | titles and captions design: AP | |
| Luke Drummond | .... | video to film compositor: Computer Film Company | |
| Emma Fowler | .... | production coordinator | |
| Lola Gamester | .... | assistant to producers: Slate Films | |
| Tarn Harper | .... | post-production accountant | |
| Andrew Hildebrand | .... | business affairs: FilmFour | |
| Steve Joberns | .... | auditor: AGN Shipleys | |
| Rob Jones | .... | location manager | |
| Sarah Louise Kay | .... | production accountant | |
| Richard Knight | .... | assistant location manager | |
| Sarah MacFarlane | .... | floor runner (as Sarah Macfarlane) | |
| Peter Matthews | .... | laboratory liaison | |
| David Mellor | .... | supervising accountant | |
| Hugo Mellor | .... | production cashier | |
| Anna Melly | .... | video to film transfer, Computer Film Company | |
| Liz Miller | .... | unit publicist: Mcdonald & Rutter | |
| Charles Moore | .... | legal service: Olswang | |
| Joanna Nodwell | .... | head of video to film: Computer Film Company | |
| Mick O'Reilly | .... | location assistant | |
| John O'Sullivan | .... | insurance: Media Insurance Brokers | |
| Vicki Patterson | .... | development executive: Slate Films | |
| Andy Powell | .... | health and safety advisor | |
| John Ross | .... | location assistant | |
| Kate Rudge | .... | production runner | |
| Yvonne Shorten | .... | tutor | |
| Pamela Smart | .... | tutor | |
| Geraldine Swayne | .... | video to film compositor: Computer Film Company | |
| Steve Tizzard | .... | video to film compositor: Computer Film Company | |
| Helen Tulley | .... | business affairs: FilmFour | |
| Alex Usborne | .... | production executive: Film Counsil's New Cinema Fund | |
| Angela Wharton | .... | script supervisor (as Angela Noakes Wharton) | |
| Billy Wiz | .... | assistant coordinator | |
Thanks | |||
| Allen Foster | .... | special thanks: Gedling Garage | |
| Rachel Iyer | .... | special thanks | |
| Susie Liggat | .... | special thanks | |
| Freda Nightingale | .... | special thanks: Gedling Garage | |
| Luke Randolph | .... | special thanks | |
| Duncan Reid | .... | special thanks | |
| Winifred Shore | .... | special thanks: Gedling Garage | |
| Ian Smith | .... | special thanks: Carlton Junior Television Workshop | |
| Steve Taylor | .... | special thanks: Gedling Garage | |
| Giuliano Volpe | .... | special thanks: Gedling Garage | |
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| Intermission | Kidulthood | Adventureland | Spider-Man 3 | Giant |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
When they appear on a daytime chat show, Dek surprises his girlfriend Shirley by proposing to her, only to have her say no. Shirley's ex and father of her daughter, Marlene, sees the show and leaves Glasgow with stolen money to try to reclaim her. His arrival in the one-horse town of Nottingham sparks a Western style stand off between Dek and Jimmy.
The third part in his trilogy is Meadow's most accessible film and his lightest in style. It is also likely to be FilmFour's swan-song now that it is packing up shop for good. The plot is basically a relationship drama but it is packed with enough nice touches to make it feel more than that. The mix of comedy and drama is good and the `tinned spaghetti western' feel to it manages to be clever and consistent without overpowering the film.
The story does dip in the final third however the comedy dries up and the central drama between Jimmy, Dek and Shirley comes to the fore. The other characters vanish and the subplot (Jimmy being chased by his ex-gang) just seems to stop for 30 minutes. This dip is still OK but it did feel like it had nowhere to go and was just treading water to fill out the running time.
Apart from this dip the film has much to enjoy. The comedy is good and realistic for the setting. The many characters make for a family feel rather than a simple love triangle tale and the western music and spaghetti clichés are used well without being forced down your throat. The film does also rest on several really good performances.
Ifans is absolutely great he manages to make Dek a cowardly clown but also very relateable and sympathetic. Add to this a good (if a little mousy) Henderson and a superb turn by Atkins and the main trio are brilliant. Carlyle doesn't work as well and his character is too obvious, changing when he has got his way etc, and doesn't grab attention in the way he can. Burke, Tomlinson and the various support cast are very funny but also very real. Cosmo is good and tough as always and gets plenty of surreal comedy (why do they keep stealing wholly inappropriate vehicles!?) and key a sharp eye out for a downright unusual cameo from comedy duo Vic Reeves and bob Mortimer.
Overall the parts don't all manage to come together but for the most part it is a great mix of comedy and drama carried off by some very good performances. However when the film focuses totally on the triangle at the centre it appears to run out of steam for a while and have little to do but wait for the final showdown.