| Photos (See all 17 | slideshow) | Videos (see all 3) |
| French Stewart | ... | Inspector Gadget | |
| Elaine Hendrix | ... | G2 | |
| Tony Martin | ... | Claw | |
| Caitlin Wachs | ... | Penny | |
| Mark Mitchell | ... | Chief Quimby | |
| Sigrid Thornton | ... | Mayor Wilson | |
| Bruce Spence | ... | Baxter | |
| Alethea McGrath | ... | Mrs. Quimby | |
| John Batchelor | ... | McKibble | |
| James Wardlaw | ... | Brick | |
| Mick Roughlan | ... | Jungle Bob | |
| Nick Lawson | ... | Squint | |
| Siros Niaros | ... | The Ninja | |
| Kate Peters | ... | Dating Service Woman | |
| Brian McDermott | ... | Mr. Morgan | |
| Nick Backstrom | ... | Security Guard | |
| Jan Nary | ... | Librarian | |
| Todd Levi | ... | Anchorman | |
| Jacy Lewis | ... | Reporter | |
| Monette Lee | ... | Middle Aged Woman | |
| Mungo McKay | ... | Bartender | |
| rest of cast listed alphabetically: | |||
| Jeff Bennett | ... | Brain (voice) | |
| Louise Boothby | ... | Reporter | |
| Tim Boyle | ... | Policeman | |
| Remi Broadway | ... | Frozen Townsman | |
| Chris Cruickshanks | ... | Mini Bikee | |
| Mary Hendrix | ... | Socialite | |
| D.L. Hughley | ... | Gadgetmobile (voice) | |
| Evert McQueen | ... | Balloon Guy | |
Directed by | |||
| Alex Zamm | |||
Writing credits(WGA) | ||
| Andy Heyward | (characters) and | |
| Jean Chalopin | (characters) and | |
| Bruno Bianchi | (characters) | |
| Ron Anderson | (written by) and | |
| William Robertson | (written by) & | |
| Alex Zamm | (written by) | |
Original Music by | |||
| Chris Hajian | |||
Cinematography by | |||
| Geoffrey Wharton | |||
Film Editing by | |||
| Jimmy Hill | |||
Casting by | |||
| Amy Lippens | |||
Production Design by | |||
| Phil Shearer | |||
Art Direction by | |||
| Bill Booth | |||
Costume Design by | |||
| Terry Ryan | |||
Makeup Department | |||
| Karen Adcock | .... | make-up and hair | |
| Karla Goldsmith | .... | makeup artist | |
Production Management | |||
| Gina Black | .... | unit production manager | |
| Maggie Evans | .... | post-production supervisor | |
| Jamie Whitfield | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Vera Biffone | .... | second assistant director | |
| Darren Mallett | .... | first assistant director | |
| Nick McKinnon | .... | fourth assistant director | |
| Peter McLennan | .... | third assistant director | |
| Steve Newman | .... | second unit director | |
| Judi Patson | .... | first assistant director | |
| Judi Patson | .... | second unit director | |
| Jeremy Skues | .... | second assistant director | |
Art Department | |||
| Jodie Allen | .... | set dresser | |
| Jim Bandsuh | .... | illustrator | |
| Mark Brims | .... | property master | |
| Graeme Callander | .... | storyboard artist | |
| Dane Eade | .... | trade assistant | |
| Laura Elkington | .... | stand-by props | |
| Brad Greenwood | .... | concept artist | |
| Sarah Light | .... | assistant art director | |
| Tricia McInally | .... | art department coordinator | |
| Ray Pedler | .... | scenic artist | |
| Matthew Putland | .... | assistant set decorator | |
| Fiona Scott | .... | assistant art director | |
| Jason Segal | .... | set finisher | |
| Josh Sheppard | .... | storyboard artist | |
| Greg Tuckwell | .... | props | |
| Tracey Wilson | .... | production illustrator | |
Sound Department | |||
| Julius Chan | .... | sound effects editor | |
| Matt Connolly | .... | dialogue editor | |
| Mark DeSimone | .... | adr mixer: New York | |
| Paul Drenning | .... | adr mixer | |
| Liam Egan | .... | sound effects editor | |
| Mark Franken | .... | sound effects editor | |
| Vic Kaspar | .... | supervising sound editor | |
| Stefan Kluka | .... | foley artist | |
| Stefan Kluka | .... | sound effects editor | |
| Peter D. Smith | .... | sound re-recording mixer | |
| Craig Walmsley | .... | sound | |
| Andy Wright | .... | adr recordist | |
Special Effects by | |||
| Andy Clement | .... | lifecast maker: French Stewart | |
| Steve Courtney | .... | special effects supervisor | |
| John Cox | .... | animatronics supervisor | |
| Peter Exton | .... | animatronic technician | |
| Tobias Jahke | .... | mould maker | |
| James Paul | .... | animatronic technician | |
| Julian Summers | .... | special effects technician | |
Visual Effects by | |||
| Lindsay Adams | .... | digital compositor | |
| Ian B. Anderson | .... | titles designer | |
| Michael Bain | .... | 3D digital artist | |
| Andy Barrios | .... | Inferno artist: Photon VFX, Australia | |
| James Bennett | .... | animator | |
| Kathryn Bolt | .... | digital compositor | |
| Warwick Campbell | .... | titles compositor | |
| Mark Doney | .... | senior compositor | |
| Simon Dye | .... | compositor | |
| Alex Fry | .... | digital compositor | |
| Mark Gee | .... | senior 3D animator | |
| Diego Guerrero | .... | senior 3D artist: GMD Film | |
| Scott Harper | .... | digital compositor | |
| Daniel Harvey | .... | visual effects producer | |
| Trevor Hawkins | .... | visual effects supervisor | |
| David Hewitt | .... | visual effects producer: GMD | |
| Steven Anthony Khoury | .... | digital artist | |
| Andrew Kunzel | .... | animator | |
| Nicky Ladas | .... | data manager | |
| Nerys Lincoln | .... | digital artist | |
| Kimberley Liptrap | .... | 3D lighting artist | |
| Daniel Loui | .... | digital compositor | |
| Matthew Lynch | .... | visual effects producer: GMD Film | |
| Allan McKay | .... | technical director | |
| Tony Noel | .... | digital compositor | |
| Kim Pearce | .... | render wrangler | |
| Kim Pearce | .... | system administrator | |
| David Peers | .... | opening titles designer | |
| Benoit Pelchat | .... | digital matte artist | |
| Tim Quarry | .... | digital supervisor: GMD | |
| Heath Ryan | .... | visual effects editor | |
| Jörg Schulz-Gerchow | .... | digital compositor | |
| Jason Selfe | .... | digital compositor | |
| Murray Smallwood | .... | digital compositor | |
| Jana Spotts | .... | visual effects coordinator | |
| Tim Streets | .... | 3D animator | |
| Jensen Toms | .... | lighting & compositing | |
| Georgie Uppington | .... | visual effects coordinator | |
| Martin Wiseman | .... | digital effects line producer | |
| Malcolm Wright | .... | digital effects artist | |
| Ben De Luca | .... | senior systems administrator (uncredited) | |
| Pru Donovan | .... | visual effects coordinator (uncredited) | |
| Peter Fisher | .... | visual effects executive producer: GMD (uncredited) | |
| Chris Long | .... | research and development (uncredited) | |
Stunts | |||
| Shea Adams | .... | stunt performer | |
| Ric Anderson | .... | stunt coordinator | |
| Renee Bowen | .... | stunt double | |
| Bradd Buckley | .... | stunt double (as Brad Buckley) | |
| Craig Dunn | .... | stunt driver | |
| Sebastian Foxx | .... | stunt performer | |
| Angela Moore | .... | stunt double | |
| Paul Phillips | .... | assistant stunt coordinator | |
| Mick Van Moorsel | .... | stunt driving double | |
Animation Department | |||
| Andy Cadzow | .... | animator | |
| Daniel James Cox | .... | digital background painter: opening titles | |
| Mike Paech | .... | animator | |
Casting Department | |||
| Maura Fay | .... | casting: Australia | |
| Fiona McMaster | .... | casting assistant | |
| Meredith B. Robinson | .... | casting associate | |
Costume and Wardrobe Department | |||
| Melissa Montague | .... | set costumer | |
Editorial Department | |||
| Matt Bennett | .... | editor: opening titles | |
| Elly Nichols | .... | post-production coordinator | |
| Wade Odlum | .... | telecine assistant | |
| Heath Ryan | .... | first assistant editor | |
| Eric Whipp | .... | digital colorist | |
Music Department | |||
| Laura Bishop | .... | music preparation | |
| Nora Felder | .... | music supervisor | |
| Jason Fernandez | .... | additional synthesizer programming | |
| Christopher Gordon | .... | conductor | |
| Christopher Gordon | .... | orchestrator | |
| Coralie Hartl | .... | orchestra contractor | |
| Phillip Hartl | .... | concert master | |
| Tim Ryan | .... | music editor | |
| Jessica Wells | .... | music preparation | |
Other crew | |||
| Richard A. Barker | .... | titles producer: Cutting Edge | |
| Toni Carey | .... | assistant payroll (as Toni Stewart) | |
| Janet Chiarabaglio | .... | lead stand-in | |
| Megan Clarke | .... | assistant production coordinator | |
| Tony Clarke | .... | location manager | |
| Pam Collis | .... | assistant production coordinator | |
| Sarah Edmonds | .... | assistant to director | |
| Wilf Flint | .... | location assistant | |
| Rhonda Fortescue | .... | assistant accountant | |
| Kelly Head | .... | assistant accountant | |
| Dean Hood | .... | financial controller | |
| Carolina Häggström | .... | script supervisor | |
| Duncan Jones | .... | location assistant | |
| Peter Madamba | .... | script researcher | |
| Bruce Shapiro | .... | dialogue coach | |
| Deb Sutherland | .... | production accountant | |
| Lana Williams | .... | safety supervisor | |
| Jeffrey Woods | .... | nurse: second unit | |
| Rowena Zande | .... | production coordinator | |
| Craig A. Kocinski | .... | voiceover/looping (uncredited) | |
| Julie Stewart | .... | post-production accounts (uncredited) | |
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| Inspector Gadget | The Dark Knight | Batman Forever | G.I. Joe: The Rise of Cobra | American Ninja 2: The Confrontation |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
I used to watch the Inspector Gadget Television show all of the time, and so going into the first movie I was hoping it would retain certain elements of the show. However, that first movie changed so much (the most notable being the odd reworking of Dr. Claw) that it didn't feel like Inspector Gadget anymore.
This movie, on the other hand, is excellent, because it discards trying to be in continuity with the first in order to be much more like the show. The character dynamic of the show (including the faceless villian) has been restored. Now, Gadget is once again a bumbling idiot who is saved only by those around him. At first I thought the inclusion of G2 would hamper the film, but her part is well integrated and this is still Gadget's movie. It's very funny, silly, and stylized, and probably good enough to have been in theaters. Forget about the continuity errors in relation to the first film, and enjoy live-action Gadget the way it should have been in the first place.
**** out of ****