For two weeks, 20 male participants are hired to play prisoners and guards in a prison. The "prisoners" have to follow seemingly mild rules, and the "guards" are told to retain order without using physical violence.
In 'Gegen die Wand' Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants... See full summary »
East Germany, the year 1989: A young man protests against the regime. His mother watches the police arresting him and suffers a heart attack and falls into a coma. Some months later, the GDR does not exist anymore and the mother awakes. Since she has to avoid every excitement, the son tries to set up the GDR again for her in their flat. But the world has changed a lot. Written by
CGI was used extensively to "de-Westernize" Berlin. Even though it's mostly shot in the former East Berlin and much of the film takes place after the fall of the wall, it's been Westernized since at a furious rate. Many ads for Western products had to be removed, and many colors had to be lightened or grayed significantly. See more »
After Ariane finds the letters from her father hidden in the kitchen, she holds one on which Christiane's name is misspelled as Christine. See more »
My mother outlived the GDR by three days. I believe it was a good thing she never learned the truth. She died happy. She wanted us to scatter her ashes to the winds. That's prohibited in Germany, both East and West. But we didn't care.
She's up there somewhere now. Maybe looking down at us. Maybe she sees us as tiny specks on the Earth's surface, just like Sigmund Jähn did back then. The country my mother left behind was a country she believed in...
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All i's, except the one in Lenin, are lower case. See more »
Last night I watched it for the second time. I'd seen it at the cinema two years ago, then last night my boyfriend, who hadn't seen it, decided to rent it. I loved it first time round, I loved it second time round, maybe even a tad more than I did originally. With wonderfully engaging characters all round, the film is endowed with a great sense of humour, both visual and verbal (and those Europhobic old Brits keep going on about how the Germans have no sense of humour!), it's socially relevant yet easier to watch than a straight comedy. The script is intelligent yet accessible to anyone, even a shallow teenager with no attention span whatsoever... yet IT is never shallow. And most of all, it's a deeply moving little gem of a film which however never abuses its secure grip on the heart-strings. I could see even my boyfriend was dewy-eyed at some points! And so was I, even more than two years ago. A small but perfectly formed film, it's actually not as small as one might think at first impact. Love (specifically, filial love) is its main theme, treated in a schmaltz-free, fresh, non-superficial and a non-clichéd manner.
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