Dirty Pretty Things (2002)

An illegal Nigerian immigrant discovers the unpalatable side of London life.

Director:

Stephen Frears

Writer:

Steven Knight

Stars:

Audrey Tautou, Chiwetel Ejiofor, Sergi López

Nominated for 1 Oscar. Another 17 wins & 20 nominations.

Cast

Complete credited cast:
Audrey Tautou	...	Senay Gelik
Chiwetel Ejiofor	...	Okwe
Sergi López	...	Sneaky / Juan
Sophie Okonedo	...	Juliette
Benedict Wong	...	Guo Yi
Kenan Hudaverdi	...	Cafe Owner
Damon Younger	...	Punter
Paul Bhattacharjee	...	Mohammed
Darrell D'Silva	...	Immigration Officer
Sotigui Kouyaté	...	Shinti
Abi Gouhad	...	Shinti's Son
Rest of cast listed alphabetically:
Yemi Ajibade	...	Mini Cab Driver (as Ade-Yemi Ajibade)
Barber Ali	...	Sweatshop Foreman
Josef Altin	...	Sweatshop Boy (as Yusuf Altin)
Fisun Burgess	...	Factory Worker

Storyline

Okwe, a kind-hearted Nigerian doctor, and Senay, a Turkish chambermaid, work at the same West London hotel. The hotel is run by Senor Sneaky and is the sort of place where dirty business like drug dealing and prostitution takes place. However, when Okwe finds a human heart in one of the toilets, he uncovers something far more sinister than just a common crime.

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Plot Keywords:

hotel | nigerian | doctor | west london | chambermaid | 

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Taglines:

Some things are too dangerous to keep secret.

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Genres:

Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for sexual content, disturbing images and language

Details

Official Sites:

Official site Official site [us]

Country:

UK

Language:

English Somali Spanish French

Release Date:

13 December 2002 (UK)

Also Known As:

Loin de chez eux

Filming Locations:

London, England, UK

Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

$59,135 (Australia) (18 June 2004)

Gross:

$161,735 (Australia) (18 June 2004)

Company Credits

Production Co:

BBC Films, Celador Films, Jonescompany Productions

Technical Specs

Runtime:

97 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The first film from Celador, the company behind TV quiz show Who Wants to Be a Millionaire. Steven Knight, co-creator of the hit show, also wrote the script for Dirty Pretty Things.

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Goofs

Guo Yi says the mythological figure who ferries the dead to Hades is Pylades; in fact the ferryman's name is Charon. Pylades is the companion of Orestes.

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Quotes

[first lines]
Okwe: Do you want a car? Ten pounds, Theatreland. Car? London? You want a taxi? Buckingham Palace.

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Connections

References The Conversation (1974)

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Soundtracks

"JJC ft Cherise Atide (we R Here)"
Written by Abdul Bello
Published by Notting Hill Music/Lifeline Music

User Reviews

An unflinching look at society's expendables...

`Dirty Pretty Things', Stephen Frears' latest film played last year in Europe, but the North American opportunity to see it only came yesterday. Much buzz, fortunately all merited, preceded it: an amazing Nigerian actor, Chiwetel Ejiofor, already acclaimed for his stage performances, makes his big-screen debut, while Audrey Tatou, the impossibly wide-eyed kook from 2001's `Amelie', tackles her first English-language movie role.

Frears' film details the story of those faceless, nameless human beings of a variety of ethnicities, who, for a multitude of reasons--all marked by desperation--sneak into England. Then, until they wangle a way of getting a British passport, they lead the hunted, humiliating lives of the illegal immigrant. The Nigerian Okwe is one such person: a pathologist in his home country, he is reduced to driving cabs by day and moonlighting as the sole front-desk worker in a London hotel by night. During the day, he grabs a couple of hours of sleep on the couch of a Turkish co-worker, a hotel maid named Senay, played by Audrey Tatou. As in most hotels in these straitened times, the night staff deals with the usual sordid emergencies that arise when the nocturnal creatures of the city are on the prowl. Prostitution and drugs are routine phenomena, but when he finds a human heart clogging a toilet in one of the rooms, Okwe realizes that something far more sinister is afoot.

For the illegal immigrants portrayed in the film, it is an ongoing struggle to hold onto some semblance of integrity, humanity, and dignity, as the Society around them exploits and hounds them mercilessly, safe in the knowledge that nothing would be reported to the authorities. Each character makes more compromises and greater sacrifices, all for freedom, which as the tagline of the film sums up, comes at a price. Senay is a hair's breadth away from getting her residency papers, when she runs afoul of the law and has to go on the lam to avoid deportation. Okwe, the cause of her problems, feels duty-bound to see that she remains safe. But by persisting in his efforts to unravel the mystery of the heart in the toilet, he becomes increasingly exposed to those who would harm him and Senay.

Interestingly, though this film is set in London, none of the main characters is English: there's Juliette, an ironically-named feisty West Indian hooker who plies her trade in the hotel; Ivan, the Russian doorman; Senor Juan or `Sneaky', another hotel employee who makes use of the hotel for his own money-making schemes; Gou Yi, a Chinese night porter in a morgue; a motley collection of Somali, Nigerian, and Kenyan men who work at the cab company, and the South Asian owner of a sweatshop. Even the Immigration inspectors who make the dreaded surprise checks for illegal aliens are of color, but they have been elevated into a privileged stratum of society by their passports. These people alternately help each other and prey on each other for another person's frailty is always a source of profit; while a person with knowledge of one's past is someone to be feared. The London we see through their eyes is unrecognizable--squalid, begrimed, crowded, sleazy, perilous--not at all the gleaming promised land of immigrant fantasies.

Part anthropological documentary, part thriller, and part tentative, unlikely love story, this film keeps one riveted throughout. The unfortunates in the film live by their wits and survive by hanging on to their senses of humor. But as one degrading or dehumanizing experience piles itself atop another, you see them question the worth of the Holy Grail that is the British passport. However as there is no going back, they are forced to continue. Every now and then, they find it in themselves to hit back, making you want to applaud their diffident, costly bravery.

The film belongs to the lead pair. Ejiofor, with his expressive dark eyes and handsome face, registers every affront to his humanity; he inhabits the character of Okwe completely and takes us along on the bleak, dangerous journey that Okwe is forced into. Likewise, Tatou breaks our hearts as she is exploited time and again; she is an actress of such luminous transparency and vulnerability that one empathizes with every tribulation of Senay's. This is a far more dramatically demanding role than `Amelie' and Tatou is up to its challenges. Sergi Lopez, who's star-making turn in the French film `With A Friend like Harry' did not go unnoticed in North America, has created a charming whisky-guzzling monster in Senor Juan. Juan is the ultimate amoral opportunist, a Brylcreemed, Mercedes-driving vulture, and Lopez does not shy away from showing himself at his worst. Benedict Wong and Sophie Okonedo are first-rate, too, as the philosophical chess-playing morgue-worker buddy of Okwe and Juliette the rebellious prostitute respectively.

`Dirty Pretty Things', brilliantly written by Steve Knight, maintains its unpredictability right up to its surprise ending. Stephen Frears--no stranger to the seamy side of human nature (`My Beautiful Launderette', `Dangerous Liaisons', `The Grifters' being cases in point)--has crafted the film with delicacy and intelligence. A lesser director might have turned it into a sentimental morass, but Frears, with an unerring sense for a good story, abstains from making his characters too noble, too courageous, or too upstanding, rendering them altogether human and memorable.