In the middle of World War I, nine British soldiers caught behind enemy lines seek refuge in a complex network of German trenches. What they soon discover is that they aren't alone - and it isn't a German soldier that's hunting them down.
A diva actress is murdered on a set film. Meanwhile, the city's blood supply is mysteriously being depleted. Dets. Mike Hung and Sasha Colfax go undercover to crack the toughest mystery of their lives in a vampire-infested studio.
Pamela J. Richardson
Michelle Van Der Water,
Anxious to explore the mysterious hidden world under metropolitan Berlin, an international group of four urban explorers hires a local guide, Kris, who leads them into the maze of escape ... See full summary »
One morning a young man wakes to find a small, disgusting creature has attached itself to the base of his brain stem. The creature gives him a euphoric state of happiness but in return demands human victims.
Set in contemporary London, DEAD CREATURES follows a group of seemingly-normal young women who have all contracted a terrible, degenerative illness that forces them to murder and feed on human flesh. Adjusting to this inhuman way of existence, the girls read fashion magazines, talk about shagging boys, and try to eke some joy out of "living" in the time left to them. Their only concerns are where to find human flesh and how to avoid a zombie hunter. However, things change for everyone when a newly infected girl turns up... Written by
Dead Creatures is of course no film for weak stomachs, but it is not the typical, plain gross and bloody, horror film you might think it is.
Dead Creatures is a very calm film. No big shock effects or action scenes, yet the film is not boring at all. Mr. Andrew Parkinson films his so-called zombies as human beings. His dead creatures are not dead they are only almost dead; in fact they are dying. They are all victims of some strange disease forcing them to feed on human flesh and making their skin degenerate. Parkinson shows his zombies as victims of their fate and not as those evil, generally really stupid creatures.
So this is an intelligent gore film; it is the first gore film I've seen so far (with the exception of Romero's Night Of The Living Dead) which doesn't exist because it wants to show you ugly bloody stuff, but because the plot requires the gore. Parkinson doesn't show you all the bloody details; he often uses ellipses, which proves his courage (most gore film-makers profit every time they can show you some blood) and shows that he had a special approach to his film and that he focuses on the characters. The gore in his film is almost what Mr. Hitchcock would call a McGuffin (something you need for your plot, but which is not really important).
Parkinson's camera is almost never moving, it usually stands still and lets the characters develop themselves. There Mr. Parkinson was really lucky to have gathered a great cast. Horror film actors often act really bad, but here there are some really fine and talented actors. The editing of the film is quite interesting as well. The cinematography is quite standard, but picturesque shots wouldn't have fitted in this film.
Mr. Andrew Parkinson is probably one of the most gifted gore film-makers around. I can just recommend you to watch this film, (though it isn't easy, because this film is mainly shown at film festivals.)
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