In a world ravaged by disease, he's the only cure... and the last hope for human-kind.


(as David Barto)



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Cast overview, first billed only:
Det. Norman Scot
Agent Walters
Dr. Claire Whittaker
Det. Ruth Bryant
Neville Edwards ...
Davis (as Topaz Hasfal)
Lt. Greer
Graham Kartna ...
Young David
Adam Bramble ...
Old David
WJD Tech
Neil Foster ...
Dr. Frederick Reyna
Vanessa Winton ...


In the near future, a virus has infected everyone on the planet, and Absolon is a drug that everyone must take to stay alive. One corporation controls the drug. Murchison is the leader of this firm. A scientist who was researching the virus is found murdered, and Norman Scott is the policeman who investigates the crime. Soon Norman realizes that he's in over his head, as hitmen are gunning for him. Written by Ken Miller <>

Plot Summary | Add Synopsis


In A World Held Hostage By A Deadly Plague, One Man Risks Everything To Deliver A Cure See more »

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »

Parents Guide:



Official Sites:




Release Date:

29 September 2005 (Portugal)  »

Also Known As:

El elegido  »

Filming Locations:


Box Office


$8,000,000 (estimated)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


The title is a Biblical reference to King David's son, who died from becoming trapped in the branches of a tree and then being murdered while defenseless. See more »


When Scott turns on the gas in Greer's apartment, he turns the valve perpendicular to the pipeline. That would actually turn a gas line off. The valve handle must be parallel to the pipeline to be in the on position. See more »


Claire: You pushed me off a bridge!
Norman Scott: Yeah.
Claire: I would have jumped!
[Scott laughs]
See more »


Referenced in Unikal'noe pozdravlenie (2014) See more »


Absolon Theme
Written & Performed by Howie B.
Published by Sony Music UK
See more »

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User Reviews

One of the most unintentionally hilarious movies ever.
23 February 2005 | by (Oklahoma) – See all my reviews

As far as direct-to-video sci-fi, it hardly gets worse than Absolon, and that's saying a whole lot. As with about 97.9% of the people who have seen this movie, I rented it because Christopher Lambert was in it. This movie was bad even by Christopher Lambert direct-to-video standards. The plot is a ludicrous story of viruses and big business in the "future". This future doesn't look very futuristic, but this is explained away in the prologue by telling the viewer that because so many people died in a plague, the world's population has enough goods to last another 100 years. I guess that's why everyone drives 2001 Tauruses and Explorers then, not budget constraints, right? Lambert comes out OK here, as he once again rises above his awful material to give what is at the very least an acceptable performance. Other than that, watch out. Lou Diamond Phillips hams it up like never before, and even Ron Perlman is stunningly awful in his small role (I guarantee he wasn't on set for more than a day or two, as his character never leaves his desk, and about halfway through the movie he stops interacting in person with the other characters, instead using video conferencing). Additionally, I'm pretty sure that in this future, anyone can be a cop, because one of Lambert's fellow cops looks like she is about 10 minutes removed from a Ramones show (with dark red streaks in her jet-black hair) and another appears to be wearing some sort of Indiana Jones Halloween costume (fedora included). Kelly Brook is gorgeous as Lambert's love interest, although her acting talent is limited as is her willingness to do nude scenes apparently. I've never felt so teased by a female character's lack of nudity in my life.

The direction is awful, I'm sure half of the people that read this, if not more, could make a better movie. Barto uses some of the most ridiculous editing techniques I've ever seen, including an incredibly obnoxious fast-forward/slo-mo combination that hurts my eyes every time it comes on screen. Even worse than the direction is the music. It's one thing to have the John Carpenter-esquire simplistic synth score, it's quite another to try to make it sound complex. The score was obviously recorded entirely on a synthesizer on "Strings" setting to emulate an orchestra, and the effect is hilarious, giving every second of music in the film a Casio Keyboard quality. This is not the only problem with the sound, however, as I swear there was one point in a chase sequence when Brook moved her mouth as if speaking and no speech accompanied it.

One of the worst movies I've ever seen, and maybe THE worst, but I'm giving it 3/10 because it is unintentionally funny to the point of actually being watchable all the way through, if only to wait for the next misstep.

22 of 31 people found this review helpful.  Was this review helpful to you?

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