This is the story of three brave women; Patria, Minerva, and Maria Teresa, they were known as the Mirabal Sisters, born into a privileged family in the fields of Salcedo. At that time, the ... See full summary »
Nothing gets between Anne Marie and her board. Living in a beach shack with three roommates including her rebellious younger sister, she is up before dawn every morning to conquer the waves and count the days until the Pipe Masters surf competition. Having transplanted herself to Hawaii with no one's blessing but her own, Anne Marie finds all she needs in the adrenaline-charged surf scene ... until pro quarterback Matt Tollman comes along. Like it or not, Anne Marie starts losing her balance - and finding it - as she falls for Matt. Written by
During the scene where the girls are on the beach checking the wave conditions, the man that comes out of the water with the bloody eye was an actual surfer who got hurt. The film crew shot it and later obtained permission to use it in the film. See more »
In an early scene, Ann Marie is brushing her teeth, looking in the mirror. Her eyes are natural: one hazel, one blue. During the surf competition, her eyes are both hazel. On the movie poster, her eyes are blue. See more »
BLUE CRUSH (2002) **1/2 Kate Bosworth, Michelle Rodriguez, Matthew Davis, Sanoe Lake, Mika Boorem, Faizon Love. Better than anticipated surfer flick with the twist on the genre by focusing on a Hawaiian based determined young female athlete (Bosworth) attempting a requiem two years after a near fatal accident while competing is buoyed by her family of friends and a vacationing quarterback (Davis) factoring as an unexpected blossoming romance. The connect-the-dots plotline of social graces hinder the otherwise excellently lensed moments of visceral, adrenalized thrills in shooting a curl with massive walls of water in all its colorful fury by cinematographer David Hennings while director John Stockwell (who co-wrote the screenplay with Lizzy Weiss' adaptation of Susan Orlean's magazine article) balances the melodrama affectively with the totally awesome hydrodynamiques on display. One gripe: would it have killed the filmmakers to show some more of the paradise playland for a travelogue begging to be showcased?
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