After the death of her husband, Lilia's life revolves solely around her teenage daughter, Salma. Whilst looking for Salma late one night, Lilia stumbles upon a belly dance cabaret and ... See full summary »
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After the death of her husband, Lilia's life revolves solely around her teenage daughter, Salma. Whilst looking for Salma late one night, Lilia stumbles upon a belly dance cabaret and though initially reserved and taken aback by the culture of the place, Lilia gets consistently drawn back to it. She befriends one of the belly dancers and is encouraged into dancing for the audience. Lilia also starts a romance with one of the cabaret's musicians, who unbeknown to both of them, is also romancing Salma. Written by
I liked this film, mostly because it was different from anything that comes out of Hollywood these days. First of all, the women actually look like normal women. I was pleasantly surprised to see older women with imperfect bodies depicted as sexy. Unlike shane k, I didn't think it was so predictable. I actually thought it was amazing how a once plain, shy, wallflower-like widow transforms into a manipulative and deceiving exotic dancer. What was most amazing was that it was not entirely implausible. The belly dancing, for her, was a way to feel things she had either never felt before or not in a long time - enchanting, desirable, alive. In the beginning, she was obsessed with her daughter because she didn't have a life of her own. Rather, she was envious of her daughter because she actually had a life. Once Lilia found something interesting on her own, she could let her daughter go. One warning, it is a little slow in the beginning. But like the dancing in the cabaret, it picks up to a rapid pace by the end. All in all, a pretty good movie.
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