IMDb > The Holy Girl (2004)
La niña santa
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The Holy Girl (2004) More at IMDbPro »La niña santa (original title)

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Overview

User Rating:
6.6/10   2,557 votes »
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Director:
Writers:
Lucrecia Martel (written by)
Juan Pablo Domenech (contributing writer)
Contact:
View company contact information for The Holy Girl on IMDbPro.
Release Date:
6 May 2004 (Argentina) See more »
Genre:
Plot:
16-year-old Amalia looks to save the soul a middle-aged doctor. Full summary » | Add synopsis »
Awards:
3 wins & 6 nominations See more »
User Reviews:
A Seemingly Great Film See more (37 total) »

Cast

  (in credits order)
Mercedes Morán ... Helena
Carlos Belloso ... Dr. Jano
Alejandro Urdapilleta ... Freddy
María Alche ... Amalia
Julieta Zylberberg ... Josefina

Mía Maestro ... Inés
Marta Lubos ... Mirta
Arturo Goetz ... Dr. Vesalio
Alejo Mango ... Dr. Cuesta
Mónica Villa ... Madre de Josefina
Leandro Stivelman ... Julian
Manuel Schaller ... Thermin player
Miriam Diaz ... Miriam
Rodolfo Cejas ... Josefina's father
Maria Victoria Mosca Coll ... Local girl
Ornella Velazco ... Local girl
Guadalupe Pardo Hernandez ... Local girl
Ana Carolina Beltran ... Local girl
Rodolfo Cabrera ... Manuel the plumber
Maria Susana Falcon ... Josefina's aunt
Guillermo Enrique Castro ... Lad in accident
Victor Anuch ... Juan Pablo
Sebastian Diaz Sabala ... Juan Pablo's friend
Maria Micol Ellero ... Josefina's sister
Sebastián Montagna ... Josefina's brother
Maria Emilia Martinez ... Josefina's sister
Guido Nunez ... Medical consultant
Nilda Silvia Suarez ... Photocopier woman
Ana Maria Fernandez ... Jano's wife
Carlos Silvio Poma ... Dr. Lara
Eduardo Jesus Chaig ... Doctor
Juan Solis ... Doctor
Roberto Bernacki ... Doctor
Oscar Victoriano Sarmiento ... Doctor
David Daniel Torino ... Doctor
Eliana Santillan ... Servant
Alejandro Leonidas Diaz ... Pool worker
Florinda Rosa Guamante ... Caretaker
David Mansilla ... Hotel porter
Pablo Arias ... Hotel porter
Marcos Reynoso ... Phone assistant

Directed by
Lucrecia Martel 
 
Writing credits
(in alphabetical order)
Juan Pablo Domenech  contributing writer
Lucrecia Martel  written by

Produced by
Agustín Almodóvar .... co-producer: El Deseo S.A.
Pedro Almodóvar .... executive producer
Tilde Corsi .... associate producer
Esther García .... executive producer
Alfredo Ghirardo .... co-producer
Nora Kohen .... co-producer
Cesare Petrillo .... associate producer
Vieri Razzini .... associate producer
Gianni Romoli .... associate producer
Lita Stantic .... producer
Álvaro Urtizberea .... co-producer
 
Original Music by
Andres Gerszenzon 
 
Cinematography by
Félix Monti 
 
Film Editing by
Santiago Ricci 
 
Casting by
Nicolas Levin 
Natalia Smirnoff 
 
Art Direction by
Graciela Oderigo 
 
Set Decoration by
Fernando Brun 
 
Costume Design by
Julio Suárez 
 
Makeup Department
Marisa Amenta .... makeup artist
Marcelo Iúdice .... hair stylist
Etelvina Veron .... hair stylist
 
Production Management
Matías Mosteirín .... production director
Marta Parga .... production manager
Marta Parga .... production supervisor
 
Second Unit Director or Assistant Director
Florencia Blanco .... assistant director
Natalia Smirnoff .... assistant director
Fabiana Tiscornia .... assistant director
 
Art Department
Angélica Alvear .... set dresser
Martín Libert .... property master
 
Sound Department
Guido Berenblum .... sound
Marcos De Aguirre .... sound
Roberto Espinoza .... foley artist
David Miranda .... sound
Victor Alejandro Tendler .... sound
 
Visual Effects by
Sergio Rentero .... visual effects supervisor
Rodrigo Tomasso .... digital restoration (uncredited)
 
Camera and Electrical Department
Luisa Cavanagh .... video assist
Lucas Guidalevich .... film recorder operator: Cineon
Daniel Hermo .... gaffer
Manuel Rebella .... electrician
Victor Vasini .... film recorder operator: Cineon
 
Other crew
Gustavo Guido .... production assistant
Carola Jalife .... continuity
 

Production CompaniesDistributors

Additional Details

Also Known As:
"La niña santa" - Argentina (original title)
See more »
MPAA:
Rated R for some sexual content and brief nudity
Runtime:
106 min
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Argentina:13 | Austria:12 | Belgium:KT | Brazil:14 | Canada:PG | France:U | Ireland:15A | Italy:T | Netherlands:12 | Spain:18 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R (certificate #41466)
Filming Locations:

Did You Know?

Soundtrack:
Cara de GitanaSee more »

FAQ

This FAQ is empty. Add the first question.
9 out of 16 people found the following review useful.
A Seemingly Great Film, 27 June 2005
Author: Eye-on-the-pie-in-the-sky from Seattle, WA

More admirable than attractive is Lucrecia Martel's "The Holy Girl" – even at this time I am feeling a steady amount of ambivalence toward this maddeningly beautiful film. Is this kind of paradoxical relationship even possible? Even the proverbial sinner in his love/hate toward expiation seems dubious.

The film follows Amalia and her friend Josefina's exploits as they navigate their way through a summer of adolescence. Sanctimonious doesn't even begin to describe them – indeed, Amalia is wanting to screw a man she's trying to "save" while Josefina regards her Catholic school teacher with disdain due to the good teacher's sexual adventures even though Josefina herself takes it up the arse from her horny boyfriend. This shopworn irony regarding the duality and dialectical impulses in hormonal, affectedly pious people grows wearisome on the attention span.

Okay, but I used the adjective "beautiful" earlier. And it most certainly is from a logistical standpoint. The DP composed seemingly interminable, achingly gorgeous shots of the action. He had no qualms about not using deep-focus photography (in which everything in the frame is in focus). This style harks back to the old American B&W's in which they were not afraid to focus on only one piece of the frame while leaving the rest in a blurry discombobulation. A power erupts from the screen the more pronounced these shots are. However, it must be said, the steady frequency of all this becomes stultifying to an annoying degree – like chocolate in endless supply, it becomes too much of a good thing.

This cloying film would have been great if it didn't try so hard to be a great film. Art house flicks mostly subscribe to an overly snobby and abundantly complex ideological schema. Is a show-off praiseworthy? Not in this case.

Was the above review useful to you?
See more (37 total) »

Message Boards

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Recent Posts (updated daily)User
Cada del hombre desnudo (Fall of naked man) offtherecord22
Songs played on Theremin victorc-rodrigues
This movie doesn't represent the Argentine society cecizon
Worst argentinian movie jpdiez
So,did dr.Jano and Amalia had sex or not? NaomiCroatia
Can someone tell me what kind of time period is this movie ? hopeperfect
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